Oscilloscope Buys Buzzy Cannes Directors’ Fortnight Pic ‘Clara Sola’

EXCLUSIVE: IFC Films has taken North American rights to Andrea Arnold’s well-received Cannes Film Festival documentary Cow. 

EXCLUSIVE: Lana Cho, who is adapting Maurene Goo’s YA novel Somewhere Only We Know as a feature for Netflix, is doubling down on Korean stories.

Rebecca Rubin Film and Media ReporterTopic, the streaming service formed by First Look Media, has acquired North American rights to the documentary “Eli: A Dog in Prison.”The film, about a dog who transforms the lives of three convicted felons, will debut on Topic on Aug. 26.

Rebecca Rubin Film and Media ReporterAhead of its premiere at the Toronto International Film Festival, Neon has nabbed North American rights to Chinese director Zhang Yimou’s “One Second.”The film, written by Zhang and Zou Jingzhi, is adapted from a novel about a man who escapes a labour camp for a glimpse of his daughter. It’s scheduled as TIFF’s closing night film.“One Second” debuted last November in China, where it grossed $12 million at the box office.

EXCLUSIVE: Oscilloscope Laboratories has picked up North American rights to Alessio Rigo de Righi and Matteo Zoppis’s first fiction feature film The Tale Of King Crab.

Matt Donnelly Senior Film WriterContinuing its victory lap around the 2021 Cannes Film Festival, indie studio NEON has acquired the North American distribution rights to “A Chiara.”The Jonas Carpignano film won the top prize in the Cannes Directors’ Fortnight section. It is a companion film to his 2017 “A Ciambra,” for which he took the same award that year.

Tatiana Huezo’s eye for lyrical truth has materialized in documentaries like “Tempestad” or “The Tinniest Place,” works that penetrate some of the most tenebrous corners in recent Latin American history with shimmering compassion. Her stance as an acute observer of the people that survive and persevere through tumultuous sociopolitical and economically disadvantaged contexts produces thought-provoking filmic meditations.

EXCLUSIVE: Indiecan Entertainment has acquired North American distribution rights to Junta Yamaguchi’s Japanese comedy Beyond the Infinite Two Minutes.

Sean Baker must have a thing for donut shops, the distinctly American small businesses have now been a centerpiece of two of his more celebrated films.

What do we really know about children? Until the Renaissance, artists were still painting them as freakish shriveled adults. Only in the last century-ish did American society decide they probably should go to school instead of laboring all day in sweatshops.

Arnaud Desplechin returns to the Cannes Film Festival with Deception (Tromperie), a self-indulgent Philip Roth adaptation that’s only marginally better than 2017’s derided Ismael’s Ghosts. One of the late Roth’s most openly personal novels, it details a string of affairs conducted by Jewish-American writer “Philip,” here played by French actor Denis Podalydes, speaking French.

Video: Director Julia Ducournau returns to Cannes with mysterious new film ‘Titane’ (France 24)Spain's first heatwave of summer as temperatures reach 44 CCuba arrests activists as government blames unrest on US interferenceArmy's helicopter crews prepare Bastille Day celebrationsDeath toll in Iraq Covid hospital fire rises to 66, says health officialsAt leat 32 dead following unrest linked to Jacob Zuma's arrestCovid-19 cases are rising in some New-York's neighbourhoodsFrance's Macron addresses

Oliver Stone has argued that American financiers appear reluctant to support films about U.S. political history after he had to turn to Europe to fund his documentary JFK Revisited: Through the Looking Glass.

Matt Donnelly Senior Film WriterOliver Stone is not pleased that American financiers refused to step up and help make his new documentary about the late John F. Kennedy.Stone and his producer Robert S.

Check out TheWrap’s digital Cannes magazine issue here. You can find all of TheWrap’s Cannes coverage here.We’re entering Week 2 of Cannes, and as people eagerly await Wes Anderson’s “The French Dispatch,” strong reviews continue to roll out of the festival, including for recent premieres “Bergman Island” and “Drive My Car.” “Bergman Island” from director Mia Hansen-Løve turns out to be very Swedish, drawing much of its energy not just from legend Ingmar Bergman, but also a dance sequence set to

Just a few days on the heels of “Stillwater,” another American entry in the Cannes Film Festival main competition section explores the complicated relationship between a father and daughter rooted in down-home Americana and close brushes with the law. “Flag Day” marks Sean Penn’s latest directorial return to Cannes since the critically-lambasted “The Last Face” from 2016.

Manori Ravindran International EditorFilmmaker/producer Steven Soderbergh is on board to executive produce a feature-length adaptation of buzzy Directors’ Fortnight short film “The Vandal,” Variety can reveal.Directed by American helmer Eddie Alcazar, the Quinzaine-premiering film — which is presented by filmmaker/producer Darren Aronofsky — is being tipped as an early contender for the best animated short Oscar.

Nearly three years after she began filming it, Mia Hansen-Løve’s seventh film, Bergman Island, finally arrives in Cannes to mark the Parisian director’s Competition debut. Filmed on location in Sweden, and starring Vicky Krieps and Tim Roth, it takes place on the island of Fårö, where the Swedish auteur Ingmar Bergman lived and worked until his death in 2007.