Only 8 People Were Filming Hallmark's Newest Movie 'Marry Me In Yosemite'

Olivia Wilde was joined by a familiar face in Don’t Worry Darling — her daughter, Daisy!

Liza Foreman Boutique distributor Juno Films has picked up North American distribution rights to the Irish-language feature “Róise and Frank,” (“Mo Ghrá Buan”), the company confirmed on Friday. Written and directed by Rachael Moriarty and Peter Murphy, the drama tells the story of an imaginative widow, played by Irish actress Bríd Ní Neachtain, who decides that a stray dog she befriends is the reincarnation of her deceased husband Frank. As time passes, Róise slowly begins to open herself back up to the outside world and reconnect to friends and family. Her canine companion starts to coach the local junior high school’s hurling team with great success for the team and its players, under Frank’s guidance. 

Elsa Keslassy International Correspondent Les Films du Losange has closed a raft of major deals on Kasja Naess’s animated feature “Titina” which is produced by the teams behind the Oscar-nominated film “The Triplets of Belleville” and Oscar-winning short “The Danish Poet.” “Titina” will world premiere at Animation Is Film Festival, which takes place Oct. 21-23, and is produced by GKids, in collaboration with Annecy International Animation Film Festival and Variety. Budgeted at $8.5 million, the Norwegian animated movie was produced by Mikrofilm (“The Danish Poet”) and Vivi Film (“The Triplets of Belleville”). The film tells the real-life story of a fox terrier that accompanied her master on an expedition to the North Pole in an air balloon in the 1920’s. It will be released in Norway by Norsk Film Distribusjon, and in France by Les Films du Losange.

Zack Sharf How committed was Jon Hamm to getting “Confess, Fletch” made? Director Greg Mottola revealed to Uproxx (via IndieWire) that the “Mad Men” Emmy winner gave back 60 percent of his salary to help finance three extra days of filming on the indie project. Mottola also gave up a portion of his own salary to extend the shoot. According to Mottola, the money that Miramax executive Bill Block was able to put up for the film only covered 27 days of shooting. When Mottola and Hamm went out to find extra funding to bring the shoot to 30 days, they were rejected by every financier. “Everyone said, ‘I don’t know that this kind of comedy works in this day and age,'” Mottola said. “They just had a kind of like, ‘Who’s Fletch? I don’t think anyone cares anymore.’

Hallmark's annual Christmas programming event on Oct.

With everything that’s come out, you’d be forgiven for forgetting how all the Don’t Worry Darling drama started in the first place.

Brent Lang Executive Editor RLJE Films is partnering with Shudder on “Kids vs. Aliens,” which it will fully finance and premiere at Fantastic Fest later this month. Both companies are business units of AMC Networks. Shudder is a streaming service that focuses on horror, thriller and supernatural films. RLJE Films will release the alien invasion film in theaters, on demand and across digital platforms in early 2023. A Shudder release will follow later in the year.  “Kids vs. Aliens” centers on Gary, who wants to make awesome home movies with his best buds. All his older sister Samantha wants is to hang with the cool kids. When their parents head out of town one Halloween weekend, a teen house party turns to terror when aliens attack, forcing the siblings to band together to survive the night. 

with the Spanish newspaper La Vanguardia timed to the release of a book of short comic stories and essays. “Now I’m thinking more of a novel.”No cast or plot details have been revealed for “Wasp 22,” which will shoot in Paris almost entirely in French, but Allen said it will be similar to his 2005 film “Match Point,” which starred Scarlett Johansson and Jonathan Rhys Meyers: “exciting, dramatic and also sinister.”The Oscar-winning filmmaker’s career has faced public backlash after his daughter Dylan Farrow resurfaced allegations that he had molested her when she was 7 years old — he has repeatedly denied the accusations, including in a 2020 memoir “Apropos of Nothing,” and no criminal charges were filed after an investigation at the time.The case has also been explored in a damning 2021 HBO docuseries “Allen v.

the director admitted that his passion for filmmaking has started to fade, and that he no longer finds it enjoyable.Speaking to Alec Baldwin over Instagram Live, he said: “A lot of the thrill is gone,” said Allen. “Now you do a movie and you get a couple of weeks in a movie house, and then it goes to streaming or pay per view.

Shalini Dore Features News Editor As with so many western films, Bollywood has taken a beloved smash and turned it into a stage musical. Aditya Chopra’s “Dilwale Dulhaniya Le Jayenge” opened in 1995 and is still playing in a theater in Mumbai, India, still popular thanks to toe-tapping songs that grabbed audiences from the start and a charismatic lead pair (Shah Rukh Khan and Kajol). The film seems to have created a built-in audience for the stage version, “Come Fall in Love,” now playing its Old Globe premiere in San Diego on its way to Broadway. The opening overture (the film’s composers are replaced here by duo Vishal-Sheykhar) includes snippets of the Hindi hit. Moving the story from cold and gray London to cold and gray Boston, the tuner opens on Baldev (Irvine Iqbal) who runs a small shop catering to racists and jerks, seemingly. He is saving up money for a venture he and his partner have set up in India called Maharaja Tours.

The Chernin Group and Night, Inc. are launching Night Capital, a new investment company with commitments of $100 million, to acquire established consumer-facing companies in partnership with leading talent.

Todd Spangler NY Digital Editor Peter Chernin’s Chernin Group has formed a new investment company, Night Capital, with digital talent-management and media firm Night Inc., whose biggest client is major YouTube creator MrBeast. Night Capital, which has funding commitments of $100 million from TCG, is focused on acquiring majority interests in “consumer-facing companies in partnership with leading talent,” the companies announced. The firm said it will team up with creators who “will be key partners in driving the strategic vision and future business growth,” they said — modeled on the business ventures of MrBeast, aka Jimmy Donaldson, who has launched a national burger chain and a games company.

Anna Marie de la Fuente Seattle-based MindRiot Entertainment is teaming up with Panama’s Hypatia Films, an associate producer of Claire Denis’ Cannes Grand Prix winner “Stars at Noon,” on the groundbreaking documentary, “In Search of Atlantis,” based on the findings of Seattle native Dr. Jason Rubin who has used deductive reasoning, the writings of philosopher Plato and the most advanced satellite sonar imagery to pinpoint the location of the fabled lost island of Atlantis.  According to MindRiot co-founder and chief creative officer Jonathan Keasey, Dr. Rubin passed on other Hollywood suitors as he liked MindRiot’s approach to the content and the fact that it had marshalled the support of multiple universities, including deep sea explorer Don Walsh, the honorary president of the Explorers Club, and even European authorities, given the maritime jurisdiction of Rubin’s site in the Atlantic Ocean.

My favorite Toronto premiere memory was the one where eventual Best Picture winner Spotlight played to a raucous crowd reaction at the Princess of Wales Theatre, the emotion ratcheted up even further when the Boston Globe journalists who cracked the Catholic Church pedophile scandals took the stage and stood next to the actors who played them onscreen. It has been several years since TIFF has been able to show why this is such a special festival, because of the Covid epidemic and Canada’s protective lockdown of its borders. Last night marked a turning point for TIFF as a preeminent showcase for awards season movies, with the back to back Princess of Wales Theatre world premieres of Netflix’s Rian Johnson-directed Knives Out sequel Glass Onion, followed by the premiere of Amblin/Universal’s Steven Spielberg love letter to his family and a movie camera, The Fabelmans. Both of these films land squarely in the awards conversation.

Manchester city centre on a Friday evening is usually a hive of activity with workers often celebrating the end of their week with food, drinks and laughter. St Ann’s Square, however, painted a much more peaceful picture as mourners paid their respects to Queen Elizabeth II.

Manori Ravindran International Editor IFC Films has acquired the U.S. rights to “Operation Avalanche” director Matt Johnson’s new movie, “BlackBerry,” about the ill-fated smartphone that took the world by storm in the early 2000s. The highly anticipated film, which was first revealed by Variety last month, tells the story of the meteoric rise and catastrophic demise of the BlackBerry, and stars an ensemble cast including Jay Baruchel (“This Is the End”), Glenn Howerton (“It’s Always Sunny in Philadelphia”) and Cary Elwes (“Mission: Impossible — Dead Reckoning”). The pic will detail the operations of BlackBerry’s Canadian parent company Research in Motion, which was one of the country’s most illustrious and well-known tech companies before it floundered in legal disputes and eventually lost its market advantage to competitors such as Apple and Samsung. At the heart of the story is the business relationship between co-founders Mike Lazaridis and Jim Balsillie.

BreAnna Bell Disney Branded Television has promoted four executives in its original movies division. Amee Dolleman and Charles Pugliese have been elevated to the roles of vice president of original movies, while Mahita Penke and Jennifer Dubin have been upped to executive director of original movies. “Amee, Charles, Mahita and Jen have exceptional taste and fantastic relationships with top creative talent,” executive vice president of live-action and alternative series Charlie Andrews and senior vice president of original movies Lauren Kisilevsky said in a joint statement Tuesday. “They are each passionately dedicated to uplifting and expanding the Disney legacy by developing movies that delight and inspire audiences all over the world. The team continues to deliver tent pole and event movies with humor, heart and adventure to kids, families and young adults everywhere for whom Disney magic knows no bounds.”

Elsa Keslassy International Correspondent Les Films Pelleas, the Paris-based banner behind Mia Hansen-Love’s “One Fine Morning” (pictured), is set to produce Guillaume Senez (“Our Struggles”)’s next project, as well as the feature debut of Anne-Sophie Bailly whose short “The Midwife” is currently playing at Telluride. The Paris-based banner’s roster of completed roster includes Karim Moussaoui’s “L’Effacement,” and Annie Ernaux’s documentary “Les annes Super-8.” “Mona” revolves around around a woman in her 60’s who raised alone her disabled son and is at a point in her life where she aspires to start caring for herself. But when her son is unexpectedly having a baby, Mona finds herself with another heavy responsibility to bear.

Protagonist Pictures has closed a French distribution deal with Les Films du Losange on Riley Keough and Gina Gammell’s Cannes Camera d’Or winning directorial debut War Pony.