NYFF 2020 Trailer Teases Looks At Steve McQueen’s ‘Small Axe,’ Sofia Coppola’s ‘On The Rocks’ & More

Naman Ramachandran BBC Studios sells Steve McQueen’s “Small Axe”; ZDF commissions natural history series “Africa From Above”; “Married at First Sight” gets live wedding; ITV orders game-show format “Game of Talents”; travel format “Heads and Tails” goes to Spain; Jellyfish promotes Natalie Llewellyn; German Film Office opens in New York; and Monte-Carlo TV Festival sets 2021 dates.BBC Studios has secured several global pre-sales for Oscar, BAFTA and Golden Globe-winning filmmaker Steve McQueen‘

Jake Kanter International TV EditorBBC Studios has closed a raft of global deals for Steve McQueen’s hotly-anticipated anthology drama Small Axe, which will premiere on BBC One in the UK and Amazon in the U.S.Australia’s Foxtel, France’s Salto, Spain’s Movistar+, Russia’s KinoPoisk, and Greece’s Cosmote TV are among the territories to have picked up the show.

Steve McQueen's ravishing Lovers Rock summons a potent sense of a community gathering that caresses and cocoons those present, shutting out the hostilities of the city outside. The second movie to premiere at the New York Film Festival from the director's Small Axe anthology for Amazon and BBC, Mangrove, which is set a decade earlier, in 1968-70, shows how another regular gathering place for the same immigrant community provides a cherished home away from home.

A West Indian proverb holds, “If you are the big tree, we are the small axe.” “Lovers Rock,” the first film made available of Steve McQueen’s Amazon miniseries “Small Axe,” first interpreted the saying as a metaphor for the joyous spirit in the Black British community. But his newest installment, “Mangrove” swings a different emphasis on the rebellious phrase.

Todd McCarthy If Lovers Rock provided a sensuous, feel-good vibe to the opening night of this year’s unusual New York Film Festival, Mangrove supplies a follow-up thwack to the head and punch to the gut.

Enoch Powell was, and why the “rivers of blood” speech was important — but for the most part, McQueen and Siddons provide enough information to make sense to those unfamiliar with these events without having characters dump exposition all over each other.As with “Lovers Rock,” the period detail seems precise, and the music choices provide both energy and context. And even with so many characters on trial, the film finds time to include some nugget of empathy or specificity for each one.

Anthony D'Alessandro Editorial Director/Box Office EditorIt really hasn’t been broadcasted widely, but Sofia Coppola’s latest dramedy from Apple/A24, On the Rocks, is opening in key markets next weekend, Oct. 2.

Men are incorrigible Lothario scoundrels, motherhood is full of loneliness and self-doubt, and complicated father/daughter relationships are constantly tested in Sofia Coppola’s “On The Rocks,” her latest dramedy, an effervescent, charming, and soulful affair.

Despite studios moving films such as Steven Spielberg’s “West Side Story” remake out of the calendar year and questions about whether some films will actually hit theaters, there are still new Oscar contenders being revealed for critics and AMPAS members alike. Over the past 48 hours, Netflix virtually screened Aaron Sorkin’s “The Trial of the Chicago 7” for select media, and A24 and Apple debuted Sofia Coppola’s “On the Rocks” at the 2020 New York Film Festival.

In the pantheon of perfect Bill Murray roles — “Caddyshack,” “Groundhog Day,” “Lost In Translation” — his smooth-talking character in the new comedy “On The Rocks” ranks as one of the best.He plays Felix, a suave New York renaissance man and art dealer in Sofia Coppola’s wonderful movie — the pair’s first narrative feature collaboration since 2003’s “Lost In Translation” — which premiered Wednesday night in the New York Film Festival.Murray, bless him, brought me back to the New York we all miss

It's become unfashionable to express fondness for vintage Woody Allen films, but think back to how pleasurable they could be before all the off-camera baggage muddied those memories and you have some idea of the warmly satisfying experience of On the Rocks.

Lovers Rock, another instalment in Sir Steve McQueen’s Small Axe anthology, has been added to the line-up of the BFI London Film Festival.

A new trailer for a collection of films made by Steve McQueen gives a glimpse at the performances of Letitia Wright and John Boyega.

“If you are the big tree, we are the small axe,” states a Jamaican proverb, inspiring the title of “Small Axe”, an upcoming anthology series from director Steve McQueen for Amazon Prime Video.

“If you are the big tree, we are the small axe,” this is the Jamaican proverb that has inspired filmmaker Steve McQueen‘s, “Small Axe,” a collection of five films inspired by real-life events about ordinary people showing courage, belief, and resilience to overcome injustice and achieve something transformative in their West Indian community.

Like most aspects of life, the New York Film Festival looks a little different this year, switching to a mostly virtual format in light of the pandemic.

There's a heady, hypnotic interlude midway through Steve McQueen's dreamy celebration of Black community and culture, Lovers Rock, when Janet Kay's 1979 hit "Silly Games" plays out on the turntable and is taken up by the people crammed into the suburban London living room where a house party is being held. For a full five minutes they continue singing a cappella — the women in particular — their voices matched by the ecstasy of their swaying bodies.

Also Read: Sofia Coppola, Pedro Almodovar and Orson Welles Doc Added to New York Film Festival LineupWhile there’s always a sense that Walsh is enough of an innate politician to always be aware of Wiseman’s camera without ever acknowledging it – even in more intimate settings, he always talks like someone making sure he can’t be misquoted – he brings a real personal touch to the job, whether he’s relating to those veterans and their need for counseling and outreach by sharing stories of his own

Oscar-winning director Steve McQueen’s films rarely have a light touch. For example, “Hunger” recounts the life of IRA member Bobby Sands, and the group’s organized hunger strike; “Shame” depicts sex addiction; “12 Years a Slave” violently retells the story of a freed Black man kidnapped into slavery; and “Widows” explains the socio-political environment for women and Black people in Chicago.

Also Read: Steve McQueen's 'Lovers Rock' Set as New York Film Festival Opening Night FilmCinematographer Shabier Kirchner (“Skate Kitchen”) gets us so close to the action that we’re reminded of why students at Catholic high-school dances are always admonished to leave room for the Holy Spirit.This is very much an ensemble piece, introducing us to various members of London’s West Indian community, but our protagonist is Martha (Amarah-Jae St.