Given the Apartheid-era backdrop of Moffie, there are more than enough prejudices to go around — anti-black, anti-gay, anti-communist, anti-British, for starters — and South African director Oliver Hermanus makes nuanced use of all of them in his very fine fourth feature. Premiered at the Venice Film Festival in 2019, the film is at last being released in the U.S. by IFC beginning April 9 and is nominated for a BAFTA for Outstanding Debut By A British Writer, Director or Producer,