‘Noise’ Sales Resonate for Korea’s Finecut – Pre-Cannes Market Deals

Patrick Frater Asia Bureau Chief Leading Hong Kong actor Tony Leung has been set as the president of the jury that will decide the main competition prizes at the Tokyo International Film Festival later this year. “Japan is close to my heart in more ways than one. And to be involved in celebrating film in this way, is a big deal for me.

Patrick Frater Asia Bureau Chief Netflix probes issues of sex education and societal taboos in Asia back in the 1970s in new series “Doctor Climax,” which it will upload from June 13. Supposedly drawn from real events, the show’s central character is a skin doctor who dreams of becoming a novelist. In the meantime, he moonlights as a newspaper sex-help columnist operating behind a pseudonym.

Patrick Frater Asia Bureau Chief Korea’s Barunson E&A has picked up world sales rights to Vietnamese horror-comedy “Don’t Cry Butterfly.” Sales will be launched this week at the Cannes Market. Written and directed by Duong Dieu Linh, the Hanoi-set film follows a housewife who uses voodoo to try and get her cheating husband fall back into love with her, but instead invites a mysterious presence into the house.

Patrick Frater Asia Bureau Chief Cultivator Films Australia, the local subsidiary of France’s Studiocanal, has begun production of “Kangaroo,” its first movie. It tells the story of Chris Barns, aka ‘Brolga,’ founder of the Kangaroo Sanctuary in Alice Springs. Previously announced in December, the film is directed by Kate Woods (“The Umbrella Academy,” “The Good Lord Bird,” “Looking for Alibrandi”) and is written by Harry Cripps (“The Dry,” “Penguin Bloom”) with Melina Marchetta and additional material from Danielle MacLean & Peta-Lee Cole-Manolis.

Patrick Frater Asia Bureau Chief Los Angeles- and Bangkok-based sales firm EST N8 has bulked up its Cannes Market film sales slate with a trio of completed Asian titles. “Mash Ville” stars Jeon Sin-hwan (“The Housemaid,” “Time Renegades”) and Park Jong-hwan (“Concrete Utopia,” “Hell Is Other People”) and weaves together the lives of pseudo-religious believers and eight strangers in a rural area. When their paths cross they must fight for survival.

Patrick Frater Asia Bureau Chief Female stunt performer Wiriya Caesar will step up into the lead performer role in upcoming Thai action film “The 24.” The film project is being launched this week in the Cannes Market by new international sales firm Boz Pictures. Wiriya (aka Porntip Wiriya, aka “Fan”) has previously been a stunt double for Mary-Elizabeth Winstead in “Kate” and Golshifteh Farahani in “Extraction,” and has other credits on “Thirteen Lives” and “Hidden Strike.” In “The 24” she will star as an assassin who wakes up with a time bomb strapped to her body. She has clear instructions to kill a hit list of 24 members of the Bangkok underground, with each successful hit buying her more time alive. Caesar is joined in the cast by Japan’s Sakaguchi Tak (“Re:Born,” “One Percenter,” “Versus”), Dan Chupong (“Ong Bak 1 &2,” “Born to Fight”), Sunny Pang (“The Night Comes for Us,” “Headshot” and Gareth Evans’ upcoming “Havoc”) and Simon Kook (“Ip Man 3,” “Mayhem”). The film, which will shoot in the fourth quarter of this year, is written and directed by Lee Thongkham (“The Maid,” “The Lake,” “Kitty the Killer”).

Patrick Frater Asia Bureau Chief Seoul-based film sales company, Finecut has notched pre-sales for its upcoming action-comedy “The Desperate Chase, which it is launching this week at the Cannes Film Festival‘s Cannes Market,. The film is an action comedy featuring a hot-blooded detective and a swindler who is also a master of disguise who team up to combat an evil mafia. Early rights buyers include Rights Cube for Japan, Apex Success Global for Taiwan and Mockingbird Pictures for Vietnam. Screening as a rough cut in the Cannes Market, the film is the second feature by Kim Jae-hoon, known for his debut with the body-switch action thriller “Devils,” which released in South Korea last year.

Patrick Frater Asia Bureau Chief Asian audiences are increasingly turning to homegrown content in their streaming choices. Asian titles powering 80% of premium VOD engagement and customer acquisition, according to new research from research and consultancy firm Media Partners Asia. “The Rise of Asian Content” is based on passive tracking of 40,000 users by sister company AMPD in nine major Asian markets – Japan, Korea, Singapore, Taiwan, Indonesia, Malaysia, Philippines and Thailand – over 15 months between Jan.

Patrick Frater Asia Bureau Chief Alex Garland’s critically-acclaimed “Civil War” has confirmed a theatrical release in mainland China. Marking the first A24 production to be released in China, it will arrive in cinemas from June 7. Huahua Media took rights to the film for China. Tech and entertainment giant Alibaba will also be partnering with Huahua throughout the release. Depicting a dystopian future America, the film’s story follows a team of military-embedded journalists as they race against time to reach Washington DC before rebel factions descend upon the White House.

Patrick Frater Asia Bureau Chief “Bona,” one of the landmark films of Philippines cinema, is headed for release in France and the U.S. later this year. Directed by Lino Brocka, considered one of the pioneers of Philippines cinema, a restored version of the film returns to Cannes after an absence of more than 40 years.

Patrick Frater Asia Bureau Chief Chatchai Chinnasri and Nattawut Sanyabut, two stars from runaway Thai hit film “The Undertaker,” are reunited on upcoming supernatural horror film “Night Shift.” The new film, directed by Chaiwat Sitalasai (“Spirit of Ramayana”), centers on an upcountry graveyard worker who finds himself haunted by spirits in an abandoned building in Bangkok. The film is directed by Chaiwat Sitalasai (“Spirit of Ramayana”) and is now in advanced pre-production ahead of a June start of production. Delivery is anticipated in March 2025.

Patrick Frater Asia Bureau Chief “Kingdom of the Planet of the Apes” opened in second place at the South Korean weekend box office, a distance behind local holdover title “The Roundup: Punishment.” “Punishment,” the fourth part of Don Lee’s “Roundup” action franchise, dominated proceedings for the third weekend in succession. It earned $5.53 million and advanced its cumulative total to $67.7 million, according to Kobis, the tracking service operated by the Korean Film Council (Kofic).

Patrick Frater Asia Bureau Chief French sales agent Pyramide International has dropped a dark and subtle trailer for “Việt and Nam” a gay drama about two young miners who must complete a mission before fate pulls them apart. Directed by Vietnamese auteur Trương Minh Quý, the film plays at the Cannes Film Festival in Un Certain Regard with its world premiere on May 22. Per a synopsis from lead producer Epicmedia: “Nam and Việt, both young miners, cherish fleeting moments, knowing that one of them will soon leave for a new life across the sea. But the departure cannot happen as, lying in a far-off forest is Nam’s father, a soldier, whose remains they’re compelled to find.

EXCLUSIVE: Ahead of the Cannes market, Lionsgate has taken North American rights off the table on one of the bigger-budget new packages that’ll be on sale next week: that’s action-thriller Mutiny, which will star action evergreen Jason Statham (Fast & Furious) and be directed by Jean-François Richet (Plane).

Patrick Frater Asia Bureau Chief Skyline Media, a leading Vietnamese studio, is getting ready for Cannes with a string of sales on its local and Southeast Asian film sales slate. Since appearing at FilMart in Hong Kong in March, Skyine has licensed Cambodian horror title “The Night Curse of Reatrei” to Taiwan’s Cai Chang International and to Exponenta Film for the CIS region.

Patrick Frater Asia Bureau Chief The Jeonju International Film Festival, South Korea’s second most important generalist film festival, on Tuesday announced “The Major Tones” and “Time to Be Strong” as the Grand Prix winners of its two competition sections. The festival continues until Friday. Directed by Argentina’s Ingrid Pokropek, “The Major Tones” is a mystery film about a youngster with a metal plate in her arm which begins to receive peculiar messages in Morse Code. It premiered at the Mar del Plata festival and also played in Berlin’s Generation KPlus section.

Patrick Frater Asia Bureau Chief Concert documentary, “Ryuichi Sakamoto | Opus,” directed by Neo Sora, will open in mainland Chinese cinemas on May 31. The film had its world premiere in official selection at the Venice festival last year. That was followed by an acclaimed run at the New York, London and Camerimage festivals. Japanese composer Sakamoto, who was awarded an Oscar, a BAFTA, a Grammy and two Golden Globes, had a four-decade career that stretched from techno-pop to Oscar winning scores on films including “Merry Christmas, Mr.

Patrick Frater Asia Bureau Chief Olivia Colman and John Lithgow head the cast of “Jimpa,” a multi-generational family tale involving a nonbinary teenager and her mother who take a trip to see their gay grandfather. The Australia- and Europe-set film is directed by Sophie Hyde, whose most recent film was the breakout “Good Luck to You, Leo Grande.” The film is now in its third week of production in Amsterdam and will later shoot in Adelaide, Australia and Helsinki, Finland. Rights to the film are being handled by Protagonist Pictures in much of the world and by CAA Media Finance in North America, with sales kicking off at the Cannes Market next week.

Patrick Frater Asia Bureau Chief The video-on-demand streaming sector in Southeast Asia delivered record subscription numbers and subscription revenues in the first quarter of the year, according to a new study. Those trends represent recovery after a tough 2023. Data from consultancy firm Media Partners Asia and its AMPD research affiliate showed VOD usage at a barely changed 96.3 minutes in the five Southeast Asian countries studied (Singapore, Thailand, The Philippines, Indonesia and Malaysia). Total paying subscriptions reached 48.5 million, representing net additions of 652,000 quarter-on-quarter and 1.6 million year-on-year.

Patrick Frater Asia Bureau Chief Locally-produced crime action thriller “The Roundup: Punishment” dominated the South Korea box office for a second weekend. In contrast, Hollywood’s “The Fall Guy” opened softly in third place. Data from Kobis, the tracking service operated by the Korean Film Council (Kofic), showed “The Roundup: Punishment” grossed $13.8 million between Friday and Sunday, earned from 1.92 million ticket sales. That represented a huge 83% market share over the weekend, albeit down from 92% a week earlier.