'Never Gonna Snow Again' ('Sniegu juz nigdy nie bedzie'): Film Review | Venice 2020

Not since Jeff Goldblum stocked his penis in a jar or Bryan Cranston tore apart his meth lab has a fly played such a pivotal role on screen as in Mandibles (Mandibules), the latest comic whatchamacallit from French one-man-band Quentin Dupieux.

Sony Pictures Classics has acquired Pathé's Venice-bowing comedy-drama The Duke for a range of territories worldwide, including the U.S. The distributor also picked up the film —starring Oscar winners Jim Broadbent and Helen Mirren —for Latin America, Scandinavia, Eastern Europe (excluding Poland, the Czech Republic and the former Yugoslavia), Russia/CIS, Greece, Turkey, Portugal, South Africa, India and Southeast Asia (excluding Japan and China).

Jamie Lang In today’s Global Bulletin, Netflix picks up four originals in Nigeria, Amazon Prime Video gets Noggin in several major European markets, Walter Presents buys three Polish series, and IWC Schaffhausen and the BFI announce finalists and jury for this year’s Filmmaker Bursary Award.Netflix has announced a slate of new original series and films from Nigeria, doubling down on its commitment to finding and promoting talent on the African continent.One new series and three Nigerian films

Veteran Hong Kong filmmaker Ann Hui, one of Venice’s two Career Golden Lion recipients this year alongside Tilda Swinton, brings prewar Hong Kong to exquisite if restrained life in her latest historical drama, Love After Love (Di Yu Lu Xiang).

There are still idealistic young writers out there aiming to transform the world, at least in China, and the newsroom drama The Best Is Yet to Come (Bu zhi bu xiu) catches the viewer up in the fast-paced story of an untutored youth from the provinces who breaks a scoop on hepatitis B.

Inching forward on a rocky if deeply felt cinematic path that has rarely strayed far from reflections on himself and his mother, Azerbaijan filmmaker Hilal Baydarov opens up his vistas, somewhat, in the fiction feature In Between Dying (Sepelenmis Olumler Arasinda). It’s beautiful to look at, but the story of a young man on the run who encounters death at every turn of the winding road doesn’t really make much sense even in metaphorical terms.

An accidental death in the family turns the lives of five orphaned sisters upside down in The Macaluso Sisters (Le sorelle Macaluso), the second of Emma Dante’s theatrical works to be filmed by the author and playwright. The story is set in lower middle-class Sicily, where five young women struggle to fend for themselves in a big apartment overlooking the sea.

Anyone who has spent time in a major international metropolis with a luxury shopping precinct catering to the highest income bracket will be shaken by the startling image of a massive Louis Vuitton flagship store — in this case on Mexico City's chic Avenida Presidente Masaryk — splashed with the symbolic green paint of a protest movement, the ground nearby littered with corpses not yet cold.

It’s not easy to grab hold of Julia von Heinz’s And Tomorrow the Entire World (Und morgen die ganze Welt), an attempt to describe what motivates a young political activist of the German nobility to embrace the warm chaos of a social commune, where she mulls over the use of violence in the class struggle with like-minded souls.

Set in 1940 in Kobe, Japan, with an epilogue during the bombing of the city in 1945, Kiyoshi Kurosawa’s intriguingly titled Wife of a Spy (Spy no Tsuma) bookends the Second World War in an absorbing, exotic, well-paced thriller with moments of disconcerting realism and horror. Its spot in Venice competition is a well-earned promotion for the director after his many accolades for films like Kairo, Tokyo Sonata and Before We Vanish.

Ozzy Osbourne collectable figure – check out the images below.The toy is based on the artwork for the former Black Sabbath icon’s latest album, ‘Ordinary Man’, on which he dons a pair of bat wings, a bowler hat and a black jacket.Following this look, Osbourne’s Pop alter-ego also features the musician’s hand jewellery and black nail polish.Coming soon: Pop! Rocks: Ozzy Osbourne (Hot Topic Exclusive).

Andreas Wiseman International EditorEXCLUSIVE: Venice Film Festival hit Apples has scored more European distribution deals for Paris-based Alpha Violet.Deals have closed with Lucky Red (Italy), Filmfreak (Netherlands), Fivia MCF (Ex-Yugoslavia), New Horizon (Poland) and Filmladen (Austria).Andrea Occhipinti, CEO, Lucky Red told us: “We were very impressed by Apples. It’s a strong and original film.

The three children of a poor Portuguese couple (Lucia Moniz and Ruben Garcia) living in London are forcibly removed from their home by social services, raising questions about responsible parenting and duty of care in director Ana Rocha de Sousa's emotive feature debut Listen. Although the script by Rocha de Sousa, Paula Vaccaro and Aaron Brookner tries to be at least a little bit balanced, the rules-obsessed authorities don’t come out of it well.

At a time when America looks like it's tearing apart at the seams, there’s something altogether reassuring — even downright inspiring — about Frederick Wiseman’s new documentary, City Hall, which chronicles municipal life in his old hometown of Boston.

With a compassionate eye for the downtrodden that has characterized all Gianfranco Rosi’s work, Notturno brings three years of shooting in Middle East war zones to the screen in an impressionistic collage of ordinary people caught up in conflict.

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Guy Lodge Film CriticHow much healing can a good massage provide? A fast-fading hour or so of relaxation, or a more sustained sense of general well-being and peace with the world, so long as it’s topped up with repeat appointments? In “Never Gonna Snow Again,” a searching, cryptic satire of bourgeois insularity in modern Poland, the magic hands of an immigrant Ukrainian masseur are tasked with easing a litany of woes, from middle-class guilt to climate change anxiety to terminal cancer — though

A friendship that blossoms into romance offers two mid-19th century farmers' wives refuge from their joyless marriages and routines of menial drudgery in Mona Fastvold's The World to Come. Adapted from Jim Shepard's moving 2017 short story of the same title, this Venice competition entry is set in a rugged upstate New York where the winters are harsh and the patriarchy hangs heavy.

Made as part of an international art project curated by Saint Laurent’s creative director Anthony Vaccarello, Abel Ferrara'sSportin’ Life is a 65-minute trip through the mind of the New York filmmaker, where we find a mixture of the curious and the exasperating. Screened out of competition at Venice, it was filmed and edited between February and September of this fateful year 2020, when the coronavirus brought the world to a halt.

Gia Coppola’s first feature Palo Alto chronicled teenagers stumbling toward adulthood way back in distant 2013; her new Mainstream, bowing in Venice’s Horizons section, features a trio of 20-somethings plundering the Internet culture of their time, bartering their values for big cash and followers on social media but still, of course, looking for love. It's a messy, childish scrawl of a film, but it is high on energy.