Netflix Files Lawsuit Against 'Bridgerton Musical' Creators Abigail Barlow & Emily Bear

Caroline Framke Chief TV CriticIt’s all too easy to understand the appeal of a show like “Echoes” to a streaming service like Netflix. From creator Vanessa Gazy and showrunners Quentin Peeples and Brian Yorkey (“13 Reasons Why”), “Echoes” feels like “Firefly Lane” and “Behind Her Eyes” collided to create a melodrama as deeply strange as it is quickly ingestible. Its seven episodes fly by fast enough to distract from the fact that they only barely make sense.

“The Sandman” and “Purple Hearts” led the Netflix Top 10 for the week of Aug. 1–Aug. 7 in the English shows and movies categories, respectively.

Selome Hailu Neil Gaiman’s “The Sandman” was watched for 69.5 million hours in its first three days of availability on Netflix, landing in the No. 1 position on the streamer’s Top 10 rankings during the Aug. 1-7 viewing window.

The new season of “Cobra Kai” is getting ready to kick off.

Naman Ramachandran Netflix has released the trailer of the second season of “Delhi Crime.”Shefali Shah returns in the lead role of deputy commissioner of police Vartika Chaturvedi AKA ‘Madam Sir.’ In the new season, the Delhi police must deal with a series of grisly murders in the face of escalating public fear and the growing demands for answers.The cast also includes Rasika Dugal, Rajesh Tailang, Adil Hussain, Anurag Arora, Yashaswini Dayama, Sidharth Bhardwaj, Gopal Dutt, Denzil Smith, Tillotama Shome, Jatin Goswami, Vyom Yadav and Ankit Sharma. The writing team includes Mayank Tewari, Shubhra Swarup, Vidit Tripathi, Ensia Mirza, Sanyuktha Chawla Shaikh and Virat Basoya.Shah said: “I love every character I’ve played but Vartika Chaturvedi will always be super special. And I’m so proud of the role and ‘Delhi Crime’ as a show.

Patrick Frater Asia Bureau ChiefTikTok is gaining ground strongly on YouTube among audiences in Southeast Asia, a new study finds. And the two ad-supported streaming giants took a bite out of premium subscription services’ market share in the April-June quarter.The quarterly report, “Southeast Asia Online Video Consumer Insights & Analytics” from Media Partners Asia, shows changing audience behavior as economies and consumers in the region slowly ease away from COVID restrictions. While YouTube remains the market leader, accounting for 54% of all online video consumption in the region, TikTok gained 14 percentage points year on year, to claim a 37% share.

Page Six at the ATX TV Festival in June: “Francesca’s book is like a complete mix of the both [steamy and tortured].”“I’m, like, a massive fan of ‘Bridgerton,’ so I’m like, ‘Bring on the steaminess,’ but then I’m like, ‘I don’t want to do that.’ I want it for the people who watch it, but to actually do it is quite scary,” she gushed.The “Flowers in the Attic: The Origin” star also revealed that she’s prepared to film the show this summer, however, she may not be ready for the fame that comes with being on a Netflix series as popular as “Bridgerton.”“I knew it was a big deal, it was a massive deal for me, but the day the announcement came out, I wasn’t expecting that,” she said. Her casting was reported this past May.“Weirdly, the pilot recognized me on our flight from London [to ATX TV Festival], which is really bizarre,” she said, adding, “I just go red.

The new series Keep Breathing has become a hit for Netflix and the creators of the show are explaining what happened in those final moments.

Are you ready to find “Lost Ollie?”The upcoming Netflix series, which debuts August 24, is based on a story by William Joyce, whose stories have been adapted into “Robots,” “Meet the Robinsons” and “Rise of the Guardians.” It follows a lovable, hopelessly lost toy rabbit named Ollie (voiced by Jonathan Groff) as he searches for his young owner (Kesler Talbot). His search sees him traversing many dangers in a surprisingly naturalistic deep south, as he teams up with a clown doll named Zozo (Tim Blake Nelson) and a battle-hardened bear (Mary J.

Bridgerton universe. Netflix has filed a lawsuit against Abigail Barlow and Emily Bear—the Grammy-winning duo who created The Unofficial Bridgerton Musical—for copyright and trademark infringement, days after the composers staged a sold-out live performance of the album at the Kennedy Center in Washington, D.C., as posted by Deadline, claims that Barlow and Bear used “verbatim dialogue, character traits and expression, and other elements” for their own financial gain in their unauthorized musical adaptation of Netflix’s hit Regency-era romance series, created by Shonda Rhimes’s production company Shondaland and based on . “Defendants Abigail Barlow and Emily Bear and their companies (‘Barlow & Bear’) have taken valuable intellectual property from the Netflix original series Bridgerton to build an international brand for themselves,” reads the complaint.

B the account from Bennifer's minister goes, it was a very emotional service – so much so that he’s convinced out of more than 10,000 ceremonies he’s conducted, theirs will be one that endures forever. But what about someone who knows the stars on a more personal level – like JLo’s first husband, Ojani Noa? Well, he has some thoughts of his own regarding the nuptials. The Hustlers actress and Ojani Noa wed back in 1997 following a whirlwind romance.

Trouble in the ton! Netflix’s Bridgerton has fast become one of the streamer’s most popular hit series, which soon inspired plenty of fan theories, content creation and original music.

Netflix is suing the Grammy-winning artists behind an unofficial “Bridgerton” musical for infringement after the songwriting duo, Abigail Barlow and Emily Bear, staged a live concert without the production company’s permission.

Shonda Rhimes is speaking out to defend Netflix’s decision to file a lawsuit against the creators of The Unofficial Bridgerton Musical.

Carson Burton The team behind an unofficial “Bridgerton” musical is being sued for infringement by Netflix in a Washington, D.C. U.S. District Court.Abigail Barlow and Emily Bear, the songwriting team behind the project, initially developed the musical on social media.

Netflix initially supported the idea when it debuted as a free online tribute. The problem between them began on July 26, 2022, when Barlow and Bear staged what Netflix says is a “for-profit” performance of “The Unofficial Bridgerton Musical Album Live in Concert” for a sold-out crowd at the Kennedy Center, with tickets ranging up to $149 each.According to the lawsuit, the live show featured over a dozen songs with verbatim dialogue from the series, along with “dramatic portrayals of ‘Bridgerton’ characters by Broadway actors, emoting through the performance of the songs that comprise the ‘musical.’” Netflix says Barlow and Bear “misrepresented to the audience that they were using Netflix’s BRIDGERTON trademark ‘with Permission,’ while Netflix vigorously objected.”“Defendants Abigail Barlow and Emily Bear and their companies (“Barlow & Bear”) have taken valuable intellectual property from the Netflix original series Bridgerton to build an international brand for themselves,” the lawsuit stated.

Abigail Barlow, 23, and Emily Bear, 20 — known professionally as Barlow & Bear — to stop the Grammy-winning duo from producing any future productions of their show live in concert. Earlier this week, the musical played in front of a sold-out crowd at the Kennedy Center in Washington, DC.

The Grammy-winning team behind an unofficial Bridgerton musical is being sued by Netflix in Washington, DC US District Court for infringement.

After receiving some of the best reviews of his career for his role in Apple’s Black Bird series, Taron Egerton looks to have found his next feature project. He is set to star in the Netflix and Amblin action thriller Carry On, with Jaume Collet-Serra on board to direct. TJ Fixman penned the first draft of the screenplay, with Michael Green doing the most recent polish. Dylan Clark will produce. The film marks the first production to come out of the overall deal Amblin signed with Netflix last June.