‘Monkey Man’ Review: Dev Patel Directs and Stars in an Audacious, at Times Awkward Mashup of Action Film and Slumdog Fable
12.03.2024 - 18:09
/ variety.com
Owen Gleiberman Chief Film Critic “Enter the Dragon,” starring Bruce Lee, is one of the four or five greatest action films ever made. Yet it has a thin, awkward, lurching story.
The movie gets away with it, of course; the plot is merely a frame on which to hang Lee’s singular hypnotic balletic fighting bravura. In that spirit, there are countless action films that have functional, bare-bones plots, from the revenge sagas of Steven Seagal, Jean-Claude van Damme, Chuck Norris, or Jason Statham to the “John Wick” films to the action dramas of South Korea (“The Man from Nowhere,” “I Saw the Devil”) and Indonesia (“The Raid” and its sequel).
So when you watch “Monkey Man,” a film that has blistering fight scenes and was directed and co-written by its star, Dev Patel, you’d think that the movie, like those others, would be able to transcend whatever limitations it might have as a drama. Yet “Monkey Man,” while it qualifies as a volatile, rabble-rousing action film, is a very different kind of brew.
It’s set in the squalid underbelly of Yatana, a fictional Indian city that feels a lot like Mumbai, and when I say squalid I mean squalid — Patel stages it with a feverish eye toward what poverty and desperation really look like. The movie was influenced by almost every one of the films I mentioned above, yet it’s not a stylized kamikaze Western in urban night clothes like the “John Wick” films, or a martial-arts bash.
Patel, in his first outing as a filmmaker, wants to heighten our senses, but he’s also out to tell a story steeped in Indian mythology and urban grime. Playing a character known as Kid, who works as an underground fight-club boxer who gets paid each night to put on a rubber gorilla mask and get beaten to a pulp,
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