Mohammad Rasoulof’s ‘The Seed Of The Sacred Fig’ World Premiere Gets Nearly 15-Minute, Emotional Standing Ovation – Cannes Film Festival

It is a sad state of affairs in Hollywood when you can have such talented actors as Diane Keaton, Kathy Bates and Alfre Woodard, but the best you can do is stick them in boomer-baiting forgettable comedic contrivances like Summer Camp, the latest in a long line of movies for Keaton, who also is a producer on it, in which she is cast with female peers of similar age to mix slapschtick with attempted pathos and senior romance. It is the kind of formula you can sell with a simple pitch: Take three beloved septuagenarian Oscar winning and nominated stars and send them back to the summer camp where they bonded as kids. Hilarity and hijinks ensue, along with giving each a later-in-life regret or dead husband to add a bit of drama to the proceedings. Bingo! The mid-week matinees will be sellouts!

Often, the juries at the Cannes Film Festival will try to make a political statement in their choices for the winners of the world’s most famous film festival. Not this year. At least, not in the way they might have.

Marta Balaga Mohammad Rasoulof’s “The Seed of the Sacred Fig” won the Fipresci award at Cannes. The jury of the International Federation of Film Critics called it “a courageous story set in modern-day Iran that deals with the conflict between tradition and progress, depicted in a very powerful and imaginative way.” Following a rapturous screening and 2024 record 12-minute standing ovation, the film became a Palme d’Or frontrunner, reported Variety.

“If we had to deal with cocaine, it would have been easier,” joked The Seed of the Sacred Fig filmmaker Mohammad Rasoulof this AM at a Cannes presser about his entanglement with totalitarian Iranian authorities over his cinema which prompted the filmmaker to flee his homeland from imprisonment.

Ellise Shafer Mohammad Rasoulof reflected on his decision to flee Iran at the Cannes Film Festival press conference for his latest film, “The Seed of the Sacred Fig,” on Saturday. Rasoulof received news of the charges against him in the final weeks of shooting, but decided to risk arrest and finish the film before leaving the country. “Obviously, there was tremendous pressure on my shoulders,” Rasoulof said of the decision.

CANNES – After screening “The Seed of the Sacred Fig,” a world premiere at the 2024 Cannes Film Festival, one has to breathe a sigh of relief that director and screenwriter Mohammad Rasoulof is safely out of Iran. A victim of a politically motivated jail sentence for supporting the 2022 Masha Amini hijab protests, Rasoulof‘s latest feature will likely anger the Iranian government even more.

The Artist Oscar winner Michel Hazanavicius returned to the Cannes Competition this evening with animated fairy tale feature The Most Precious of Cargoes. The warm applause for the film inside the Grand Théâtre Lumière went on for 10 minutes.

The Seed of the Sacred Fig,” Mohammad Rasoulof‘s latest film that he received an eight-year prison sentence from Iranian authorities for making, earned a rapturous 12-minute standing ovation at its Cannes Film Festival premiere on Friday. Rasoulof risked his life by appearing at the premiere as he fled Iran for Europe on May 13 to avoid going to prison.

Peter Debruge Chief Film Critic For more than two decades, Iman (Misagh Zare) has functioned as a civil servant, doing work that his kids — who represent Iran’s younger generation — would be ashamed of. Better to keep them in the dark. At last, for his loyalty, Iman has been given a promotion, not to judge (the job he wants) but to inspector (a job no one wants).

This evening the Cannes Film Festival welcomed another world premiere of an ambitious French title with Beating Hearts (L’Amour Ouf). Gilles Lellouche’s competition entry from Studiocanal was greeted with a 15-minute standing ovation inside the Grand Théâtre Lumière. 

Nick Vivarelli International Correspondent Dissident Iranian director Mohammad Rasoulof a few days ago absconded from his country with a heavy heart after being sentenced to eight years in prison and flogging by Iran’s Islamic Revolutionary Court for making his latest film, “The Seed of the Sacred Fig.” Ironically, the groundbreaking drama is centered on an investigating judge operating within the same judicial system that has been heavily harassing the film’s producers and actors, and that intended to put Rasoulof behind bars. Having made the tough decision of escaping his beloved homeland, Rasoulof – who is among Iran’s most prominent directors – prepares to attend the film’s world premiere at Cannes on Friday.

The Directors Guild of America is standing in solidarity with Iranian filmmaker Mohammad Rasoulof who had fled authoritarian Iran, and is currently at the Cannes Film Festival with his competition title The Seed of the Sacred Fig.

Nick Vivarelli International Correspondent Dissident Iranian director Mohammad Rasoulof will be attending the Cannes world premiere of his latest work, “The Seed of the Sacred Fig,” having traveled to Europe clandestinely after receiving an eight-year prison sentence from the country’s authorities for making the film. Rasoulof decided to leave Iran illegally and arrived in Europe a few days ago, shortly after being sentenced to eight years in prison and flogging by Iran’s Islamic Revolutionary Court.

Dissident Iranian director Mohammad Rasoulof will attend Friday’s Cannes screening of his competition movie The Seed of the Sacred Fig.

Now a Cannes veteran, French filmmaker Christophe Honoré has returned to the Competition with the world premiere of Marcello Mio, his French-Italian comedy that stars longtime collaborator Chiara Mastroianni — who, in the film, adopts the persona and appearance of her late father, Marcello Mastroianni. The movie received applause that lasted a touch over eight minutes during its unveiling this evening.

Demi Moore looks stunning while hitting the red carpet at the premiere of her movie The Substance held at Palais des Festivals on Sunday (May 19) in Cannes, France.

Demi Moore made her debut in the Cannes Film Festival’s official selection Sunday evening with the competition title The Substance. The much-anticipated blood-splattered horror thriller from French director Coralie Fargeat was met with 13-minute ovation, the longest for a title so far at this year’s festival.

Leo Barraclough International Features Editor Berlin-based sales agency Films Boutique has closed the first international sales for Iranian director Mohammad Rasoulof’s “The Seed of the Sacred Fig,” ahead of its world premiere on Friday in the Competition section of the Cannes Film Festival. The film has been acquired in Italy by BiM Distribuzione and Lucky Red, Benelux by September Film Distribution, Spain by Bteam Pictures, Greece by Ama Films, Hungary by Cirko Film, Norway by Selmer Media, Portugal by Leopardo Filmes, Taiwan by Hooray Films and Turkey by Bir Film.

Cate Blanchett helped make it starry red carpet Saturday evening at the Cannes Film Festival world premiere of Guy Maddin, Evan Johnson and Galen Johnson’s Rumours. The comedy, which is playing out of competition at the Cannes Film Festival, received a nearly six-minute standing ovation after it ended at the Palais.

Selena Kuznikov Neon has acquired the North American rights to “The Seed of the Sacred Fig,” directed by Mohammad Rasoulof. The thriller is set to premiere In Competition in Cannes on May 24, and marks Rasoulof’s first return to the Cannes Film Festival, after being barred from traveling.