Louis Partridge is showing his support for Olivia Rodrigo!
20.11.2023 - 16:35 / deadline.com
Here they come again, those holiday perennials. Movies, both good and bad, that year after year find their way back into theaters, onto small screens and deep into stockings that still get stuffed with digital discs.
How the Grinch Stole Christmas. A Christmas Story. Love Actually. It’s a Wonderful Life, of course. A Christmas Carol, ad infinitum. Nutcracker after Nutcracker after Nutcracker.
My personal favorite, released 19 years ago, on Nov. 10, 2004, by Warner Bros., is The Polar Express from the technophile director Robert Zemeckis (whose latest, Here, is upcoming).
This isn’t a sentimental choice, at least not in the conventional sense. It’s just that every time the picture pops up—and its seasonal DVDs are strung merrily across the Internet, from Amazon to Target—it reminds me of an important life lesson. That is: It’s much easier not to be an editor, especially at The New York Times.
When the Zemeckis Christmas fable—which starred Tom Hanks in a pioneering mash-up of live action and digital animation—was released, I was entering my third month as the movie editor of The Times. It was a new position, part of a since-revised policy that aimed to put battle-hardened “experts” in charge of specific cultural areas like film, television, books or theater.
What qualified me as an expert, I suppose, was a largely unsuccessful nine-year tour as a would-be film producer, plus about a dozen years reporting on Hollywood for too many publications. I’d been around.
But I hadn’t been around long enough to realize that at The New York Times, no matter what they say in the job description—“You’ll be in charge of the movie coverage”—nobody is (or at least was, back then) in charge of anything. Rather, all those ambitious and
Louis Partridge is showing his support for Olivia Rodrigo!
Naman Ramachandran A documentary on revered filmmaker James Ivory is part of an eclectic slate from Min(d) Studio, New York, it was revealed on the sidelines of Singapore’s Asia TV Forum and Market. The boutique studio, the brainchild of Dev Benegal (New York City), Maya Patel (London and Hong Kong), Neeraj Jain (Los Angeles), came together during the pandemic with a shared vision to tell stories about people and cultures that are often unheard and unseen.
The Pogues, covered ‘Fairytale of New York’ at Shane MacGowan’s funeral yesterday (December 8). Watch the video below.The Pogues frontman passed away “peacefully” on November 30, having died from pneumonia aged 65.
EXCLUSIVE: Kimiko Glenn, the actress best known for her award-winning work on Netflix’s acclaimed series Orange Is the New Black, has signed with Artists First for management.
Tom Hanks has revealed what he believes to be the most “stupid” moment of his career.While appearing on The Graham Norton Show, the Oscar-winning actor reflected on his 30-year career before focusing specifically on his experience filming Ron Howard’s space drama Apollo 13.Released in 1995, Apollo 13 tells the true story of Jim Lovell, Fred Haise and Jack Swigert, astronauts who find themselves in life-threatening danger when their journey to the moon goes wrong.It was while filming the movie’s most quoted line – when Hank’s Lovell says: “Houston, we have a problem” – that the actor found himself in an embarrassing situation.Hanks told Norton: “Kevin Bacon, Bill Paxton and I were recreating the serious moment right after ‘Houston we have a problem,’ and we’re going up and down on grips making us look weightless.”The Forrest Gump actor said he wouldn’t usually have been embarrassed by this, but that day, the cast and crew happened to receive a visit from Lovell himself.Hanks continued: “We looked ridiculous and when I looked down there was Jim looking up at us,” adding: “I have never felt more stupid in my life.”Apollo 13 was nominated for nine Oscars, winning two in the Editing and Sound categories.Hanks appeared on The Graham Norton Show to promote an exhibition called The Moonwalkers, which he narrates and co-wrote with director Christopher Riley.The installation tells the stories of the Apollo space missions, with the technology in the rooms designed to make audiences feel as if they’re sat alongside the astronauts.Earlier this year, Hanks admitted that he “hates” some of the movies he’s starred in, although he didn’t specify which ones.Speaking with The New Yorker, the actor explained: “Ok, let’s admit this: We all
New York is looking to help film and TV get back up and running after the strikes.
Todd Spangler NY Digital Editor Humorist and writer Andy Borowitz has gotten the axe from the New Yorker after 25 years of writing for the magazine, as part of a larger wave of cost-cutting and layoffs at parent Condé Nast. Borowitz announced that the New Yorker was dropping his long-running Borowitz Report satire features because of “its financial difficulties.” In a post on Facebook, Borowitz wrote, “IF I MAY BE SERIOUS: Because of its financial difficulties, The New Yorker has been forced to cut costs. As a result, it has decided to stop publishing The Borowitz Report.
public return to cooking on screen Friday, in a livestream of his virtual cooking show “Molto A Casa,” from his home in tiny Northport, Michigan.He fled there after a string of accusations of sexual harassment and sexual assault, including rape, became public in 2017, ending his TV career and forcing him out of restaurants including Babbo, Lupa and Casa Mono, and his Eataly food markets.Batali, 63, denied all sexual misconduct but quit public life until Friday, when he held a $50-a-head live cooking class on Zoom followed by a Q&A.Asked by The Post in the Q&A if he would ever do live cooking demos back at Eataly in New York City, Batali responded: “Me and New York have parted ways. I’m done.“It was a great town.
Julia Roberts was “crushed” when the original version of her hit 1990 rom-com “Pretty Woman” was initially scrapped.“It was going to be a much darker film called ‘$3,000,’ ” Roberts, 56, said, referring to the amount it cost Edward (played by Richard Gere) to spend the night with Vivian Ward. “Vivian was a drug addict and the movie ended with him leaving her in a side street, throwing the money at her, and driving away,” Roberts said during an appearance on “The Graham Norton Show” Friday, while promoting her Netflix film “Leave the World Behind.” “I got that part in that movie and felt really proud, but when the production company folded and the film disappeared I was crushed,” the “Eat, Pray, Love” star added.
The New York Jets are making big bucks!
The Pogues‘ Christmas hit ‘Fairytale of New York’ has re-entered the Top 40 following the news of frontman Shane MacGowan‘s death.On November 30, it was announced that MacGowan passed away peacefully surrounded by his family and friends. Since the news, fans have begun rallying to get the song to Number One.MacGowan’s wife Victoria Mary Clarke has now joined the campaign, saying she was “very much in favour” of the track topping the charts.
Shane MacGowan’s sister Siobhan has said that ‘Fairytale of New York’ “captured what Christmas was like for a lot of people”. Siobhan MacGowan was speaking about the song to Hot Press Magazine, where she said, “I thought it was absolutely amazing.
who died at 65 early Thursday — the story behind his band’s Christmas-in-the-drunk-tank classic “Fairytale of New York” began with Elvis Costello.The “Alison” singer was the Pogues’ producer at the time, and he bet the band that they couldn’t write a hit holiday single.But MacGowan and Pogues banjo player Jem Finer would prove Costello wrong after writing “Fairytale of New York” — the most-played Christmas song of the 21st century in the UK — in 1985.Finer came up with the melody and original concept for the song, which was initially about a homesick sailor on Ireland’s West Coast. But Finer’s wife suggested changing up the lyrics to be a conversation between a couple at Christmas.Then the notoriously hard-drinking MacGowan took it from there and transformed it into the Broadway-style tinsel tune we know today.“I sat down, opened the sherry, got the peanuts out and pretended it was Christmas,” he told Melody Maker in 1985.“It’s quite sloppy ….
The New York Film Critics Circle kicked off the annual year-end deluge of critics’ honors by announcing their best of 2023 today and the big winner was Martin Scorsese’s “Killers of The Flower Moon” which took Best Film. Christopher Nolan won Best Director for “Oppenheimer” while Celine Song’s “Past Lives” won Best First Film.
Refresh for updates: The oldest critics group in the U.S. is voting on the year’s best film as well as several other categories Thursday in what is a very lengthy process that soaks up most of the morning. Check back here every now and then to see who has won.
The Pogues fans have been rallying to get their track ‘Fairytale Of New York’ to the Christmas Number One after the death of frontman Shane MacGowan.MacGowan’s death was confirmed today (November 30) in a joint statement by his wife, Victoria Mary Clarke, as well as his sister Siobhan and father Maurice.“It is with the deepest sorrow and heaviest of hearts that we announce the passing of Shane MacGowan. Shane died peacefully at 3am this morning (30 November, 2023) with his wife Victoria and family by his side. Prayers and the last rites were read which gave comfort to his family,” read the statement.
Shane MacGowan, the singer-songwriter best known as the frontman of Celtic punk band the Pogues who found success with the 1987 song “Fairytale of New York,” died on Thursday. He was 65.
Shane MacGowan, The Pogues founder who sang Christmas classic Fairytale of New York with Kirsty MacColl, has died aged 65.
Shane MacGowan, frontman of The Pogues, has sadly died at the age of 65. His wife Victoria Mary Clarke, 57, confirmed the heartbreaking news and said: "Shane will always be the light that I hold before me and the measure of my dreams and the love of my life." Shane was born in Kent on Christmas Day in 1957 and is likely best known for the band's hit festive song, Fairytale Of New York, featuring the late Kirsty MacColl.
Clayton Davis Senior Awards Editor Oscar season begins this week in the Big Apple. The New York Film Critics Circle will be the first major group of film journalists to unveil its winners on Nov. 30.