Megan Thee Stallion reveals new album will arrive this week

Megan Thee Stallion has declared her interest in rebooting the classic noughties film Bring It On.During an interview with New York Magazine, the rapper revealed that she would love to return the cheerleading franchise to its routes and star as Isis, the iconic character previously played by Gabrielle Union.Speaking of her desire to play the character on the big screen, she said: “I always have wanted to be Isis. I would be perfect for that.

Megan Thee Stallion’s rise in the past few years has been as rapid as it has been exciting to watch. It hasn’t, however, been without incident.

Megan Thee Stallion has big Hollywood dreams.

Megan Thee Stallion are trying to force Warner Music Group (WMG) to share information that they think would reveal who leaked her latest album ‘Traumazine‘.WMG owns the rapper’s distributor, 300 Entertainment, and according to Stallion’s legal filing is “one of the few companies that received a copy of ‘Traumazine’ in advance of its formal release”. Her legal team, however, is not accusing WMG itself of the leak.Stallion, whose real name is Megan Pete, asked her lawyers to file paperwork in a Houston court last Monday (August 22).

Attorneys working for Megan Thee Stallion are attempting to retrieve documents from Warner Music Group revealing the source of leaks around her latest album Traumazine, Billboard reports. The album, officially released on August 12, was the subject of various online leaks, including its artwork, tracklist, and some music.

Earlier this year Megan Thee Stallion took legal action against her label 1501 Certified Entertainment, LLC over the legal definition of an album as she seeks to exit their deal. As Rolling Stone reports, she has now amended the complaint and is seeking $1million in damages.

Megan Thee Stallion is opening up about how she got Future to do the feature on her song “Pressurelicious” for her new album Traumazine.

season 2, Megan Thee Stallion originally read for the role of Mercedes Woodbine. “They had asked me to read for the part. So, I was like, ‘Okay, cool,’” Stallion tells Nadeska and Ebro Darden during an interview for Apple Music 1. The part, instead, went to Brandee Evans, whom the rapper praises for “tearing it up” on creator Katori Hall’s hit drama about lives in and outside of the notorious Chucalissa, Mississippi, strip club called The Pynk. “I’m like, ‘Oh, s**t,” I feel like I look like a little kid in my tape, in my little audition tape,” Stallion recalls.

Megan Thee Stallion has shared a black and white video for ‘Her’ from her new album ‘Traumazine’.The Houston rapper, who surprise announced her new record just a day before it was released last week, recently performed the track in New York’s Central Park.Now, Megan has dropped a stylish new clip directed by Colin Tilley, which you can view below.Describing the track in NME‘s four star review of ‘Traumazine’, Kyann-Sian Williams wrote: “‘Her’ is a buoyant electronic track. With house music creeping back into the mainstream via predominantly Black rap stars (and, obviously, Beyoncé’s iconic ‘Renaissance’), the tune adds to the trend of jubilant, joyous tracks starting the revolution.“Yet it’s Megan’s braggadocio that makes this one a femme anthem.

Megan Thee Stallion has revealed that she paid Future $250,000 (£206,500) for his guest feature on her song ‘Pressurelicious’.The track, which was released as a single last month, features on the Houston rapper’s new album ‘Traumazine’, which arrived last week.Speaking to Power 106 Los Angeles’ L.A. Leakers last week, Megan explained how she got Future to feature on ‘Pressurelicious’.“I had the beat for ‘Pressurelicious,’ right? I recorded the song, and I recorded it one way.

Megan Thee Stallion has performed songs from her new album ‘Traumazine’ in New York’s Central Park – scroll down to watch footage below.The album, which follows 2020’s ‘Good News’, was released on Friday (August 12), after the Houston rapper announced its arrival only hours before.During an appearance in Central Park for Good Morning America’s Summer Series of concerts, Megan performed her new single ‘Her’, which appears on the record, alongside ‘Pressurelicious’.‘Her’ began with the star rapping from beneath a parasol with a floor-length sheer black lace covering before two dancers took the item away, and she moved towards the front of the stage. ‘Pressurelicious’, meanwhile, saw her taking a spot in the middle of the stage where she was flanked by dancers. Watch both performances below now.Megan also appeared on The Tonight Show starring Jimmy Fallon on Thursday (August 11), co-hosting the episode with the longtime host.

Megan Thee Stallion made the most of her recent co-hosting duties on The Tonight Show Starring Jimmy Fallon, getting Stranger Things gossip from guest Natalia Dyer.Megan played co-host on Thursday night’s episode (August 11), the night before her new album ‘Traumazine’ dropped. As part of her duties, she and Fallon interviewed Stranger Things star Dyer, who plays Nancy Wheeler on the show.Fallon and Megan steered the conversation to Nancy’s love life, and the love triangle she ends up in after leaving her season one boyfriend Steve Harrington (Joe Keery) for Jonathan Byers (Charlie Heaton).“I’m team Stancy [Steve and Nancy]. I want Steve,” Megan tells Dyer.

New Music Friday! It's every audiophile's favorite day of the week, and some of our favorite artists from all different genres have blessed us with new tunes.Megan Thee Stallion thrilled the Hotties with the release of her new album,, with features from Latto, Rico Nasty, Jhene Aiko and more.

A.D. Amorosi Megan Thee Stallion has had eeeenough to last her a rap lifetime, judging from the tone of “Traumazine,” her best, most fully realized recorded work to date.Megan records usually drop with spirited, humorous displays of sensuality, assuredness and empowerment, with the twists in their sobriety coming exclusively as the Houston rapper takes time-outs to come down on those who’ve made life hard for her or bad for her #Hotties.“Traumazine,” however, is made of sterner, more serious stuff — a sound of release, of letting go, of dealing with rage – with its callouts coming quicker, often subtly and ringed with tinges of sadness and disgust. On this, her official sophomore album release, Megan lets loose the tension built up from having been in a forever-seeming contract struggle with her longtime label, 1501 Certified Entertainment, to say nothing of the ongoing court case with her alleged assailant, Tory Lanez.