Maude's New G-Spot Vibrator Is a Multi-Purpose Power Tool

In the beginning, the earth was without form and void, and darkness was upon the face of the deep. And the Spirit of God moved upon the face of the waters. And God said, “Let there be SpongeBob SquarePants Presents The Tidal Zone, the first SpongeBob Universe crossover special.

Taylor Swift took to social media on Friday with a major revelation about her boyfriend of six years, Joe Alwyn.MORE: Inside Taylor Swift's incredible $81m property portfolio: from New York to NashvilleIn a candid video, posted to her Instagram feed, the singer, 32, discussed the song Lavender Haze which will feature on her upcoming album Midnights, set to be released later this month.WATCH: Taylor Swift opens up about relationship with boyfriend Joe AlwynChatting about the track, the star revealed her relationship with Joe served as major inspiration as she has had to "dodge weird rumors" and "protect the real stuff," when it comes to her long-term beau.READ: Conversations With Friends star reveals Taylor Swift's reaction to intimate scenes with boyfriend Joe AlwynSEE: Taylor Swift talks incredible 'gift' during career high momentAddressing the camera, Taylor said: "I guess theoretically when you're in the lavender haze, you'll do anything to stay there and not let people bring you down off of that cloud and I think a lot of people have to deal with this now, not just "public figures" but because we live in the era of social media and if the world finds out you're in love with somebody they're going to weigh in on it. The pair have been together for six years"Like my relationship for six years we've had to dodge weird rumors, tabloid stuff, and we just ignore it and so this song is about the act of ignoring that stuff, to protect the real stuff.

Whoopi Goldberg has a note of her own for one reviewer of her new film Till.

The murder of 14-year-old Emmett Till is one of the lesser-known turning points in U.S. history; but the details of his case, along with the pictures of his disfigured body, haunted the nation’s consciousness back in 1955.

Taylor Swift has said that her new song ‘Anti-Hero’ hears her delve the deepest she ever has into her “insecurities”.The pop star has been sharing information about her forthcoming 10th album, ‘Midnights’, on social media and telling fans about the cover artwork over the course of the last few weeks. In August, she officially announced her new record, which is based on “the stories of 13 sleepless nights scattered throughout my life”.As of yesterday (October 3) the singer-songwriter had revealed nearly half the album’s tracklist, which she has been unveiling incrementally.

Zack Sharf Whoopi Goldberg attended the New York Film Festival on Oct. 1 to world premiere her new drama “Till,” director Chinonye Chukwu’s biographical drama about Mamie Till’s pursuit for justice following the murder of her son, Emmett. Goldberg has a supporting role in the film as Alma Carthan, Mamie Till’s mother and Emmett’s grandmother. One “Till” review was critical of Goldberg’s fat suit in the film, but the Oscar winner was not wearing a fat suit in the film. Goldberg called out the review during the Oct. 3 episode of “The View.” “There was a young lady who writes for one of the magazines, and she was distracted by my fat suit, in her review,” Goldberg said. “I don’t really care how you felt about the movie, but you should know that was not a fat suit, that was me. That was steroids. Remember last year? I assume you don’t watch the show, or you would know that was not a fat suit.”

Whoopi Goldberg had a few choice words on The View this morning for a critic who commented about her appearance in Till, the true-story film from Chinonye Chukwu about the 1955 lynching of 14-year-old Emmitt Till in Mississippi for whistling at a white woman.

Chinonye Chukwu was certain of two things setting out to tell the story of a loving and lovely 14-year-old boy lynched in 1955 Mississippi for whistling at a white woman. First, the story had to be told from the perspective of Mamie, the mother of Emmett Till. “We had to follow closely her emotional journey. For without Mamie, the world, we, would not have known who Emmett Till was.”

Joel Edgerton and Sigourney Weaver are stepping out to promote their new movie.

The stars of Till are stepping out to promote their highly-anticipated new movie.

EXCLUSIVE: Barbara Broccoli, one of the teams of producers behind the powerhouse film Till, about the extraordinary efforts of Maimie Till Mobley to find justice after the lynching of her 14-year-old son Emmett Louis Till, for whistling at Carolyn Bryant, a white woman, by white supremacists in Mississippi in 1955, told Deadline, that audiences must seek out the movie: ”This is not a time for us to look away.”

Clayton Davis We have Denzel Washington’s single teardrop. We have Viola Davis’ runny nose. And now, we have Danielle Deadwyler’s lip quiver, expertly executed in Chinonye Chukwu’s deeply moving drama “Till.” Another best actress contender emerges although I wish the film could rise to the level of Deadwyler’s performance.   The sturdy drama follows Mamie Till (Deadwyler), the mother of Emmett Till, whose abduction and lynching in 1955 sparked global outrage and served as an important catalyst in the civil rights movement. “Till” charts Mamie’s grief, as well as her pursuit of justice. But getting people to see a movie about such a horrific event will be a tough sell, even if the film avoids depicting much of the brutality of Emmett Till’s killing.  

Scooter Braun learned a big lesson after he acquired Big Machine Records in 2019, resulting in a controversial dispute with Taylor Swift.

Andrew Barker Senior Features Writer In September 1963, the first ever New York Film Festival was held in Manhattan’s Lincoln Center, and it counted as something of an experiment, an early test case as to whether the sort of serious, artistically inclined fests that were quickly becoming established in Europe could find real purchase stateside. The inaugural lineup included Luis Buñuel’s “Exterminating Angel,” Roman Polanski’s debut, “Knife in the Water,” and Yasujirō Ozu’s swan song “An Autumn Afternoon.” According to a Film Comment report at the time, the inaugural fest sold more than 20,000 tickets before a single film had unspooled. Not bad for a first time out.

Coolio recorded dialogue and new music for the upcoming Futurama revival prior to the rapper’s death earlier this week, a producer on the show has revealed.The musician voiced the character of Kwanzaa-bot in multiple episodes of the animated show during its initial run, and reappeared in the 2007 film adaptation Bender’s Big Score.Now, as TMZ reports, producer David X. Cohen has shared that Coolio recorded lines and delivered a freestyle rap in the booth for the show’s upcoming revival season just weeks ago.“Coolio was one of my favorite guests,” Cohen said.

Lover. How long has she been planning this!? Ever since she used her VMA win for “All Too Well” to , we've been counting down the days-hours-minutes 'til blondie drops Midnights, her upcoming studio album.

Jem Aswad Senior Music Editor Compton-based house-music producer-singer Channel Tres has inked a deal that sees him joining RCA Records in partnership with L.A. indie Godmode. The partnership kicks off tonight with the release of the new single “No Limit,” with his debut full-length album “Real Cultural Shit” arriving later this fall. The album will also feature his singles from earlier this year, “Acid in my Blood,” “Ganzfeld Experiment” and “Just Can’t Get Enough.” Channel Tres, who has toured with Robyn, Vince Staples, Disclosure and Toro y Moi and performed at Coachella and New York’s Gov Ball, calls his style of dance music “Compton house”; it meshes the rhythms of Chicago house and Detroit techno with the bite of West Coast rap.

Olivia Wilde is weighing in on one of the major controversies surrounding . The 38-year-old director appears on Thursday's episode of , and discusses the allegation that Harry Styles spit on Chris Pine and the premiere of their flick.«He did not,» Wilde says of her real-life boyfriend spitting on the actor. «I think it's a perfect example of people who look for drama anywhere they can.

Lana Del Rey fans attending NYU next semester will be able to put their standom to the test with a course focused on the singer. Topics in Recorded Music: Lana Del Rey will be taught at New York University’s Clive Davis Institute of Recorded Music with journalist and author Kathy Iandoli helming the two-credit course.

Lana Del Rey on a new course that’s launching next month.The Grammy-winning artist is the subject of a new course titled ‘Topics in Recorded Music: Lana Del Rey’ at the University, which is set to run from October 20 to December 8 at the Clive Davis Institute and be taught by journalist and author Kathy Iandoli.A course description (via Variety) reads: “Over the course of eight critically-acclaimed albums, the six-time Grammy nominated artist has introduced a sad core, melancholic, and baroque version of dream pop that in turn helped shift and reinvent the sound (and mood) of mainstream music beyond the 2010s.“Through her arresting visuals and her thematic attention to mental health and tales of toxic, damaged love, Del Rey provided a new platform for artists of all genders to create ‘anti-pop’ works of substance that could live in a mainstream once categorised as bubblegum.”Earlier this year, the Clive Davis Institute also launched a new course on Taylor Swift.The course began at the Davis Institute, which is part of New York University’s Tisch School of the Arts, on January 26 and ran through to March 9.Taught by Rolling Stone’s Brittany Spanos, the course covered “Swift’s evolution as a creative music entrepreneur, the legacy of pop and country songwriters, discourses of youth and girlhood, and the politics of race in contemporary popular music” (via Variety).“This course proposes to deconstruct both the appeal and aversions to Taylor Swift through close readings of her music and public discourse as it relates to her own growth as an artist and a celebrity,” a description adds.“Through readings, lectures and more, the class delves into analyses of the culture and politics of teen girlhood in pop music, fandom, media