Martin Scorsese: Filmmakers Like Christopher Nolan And The Safdie Brothers Are Leading The “Fight Back” Against Comic Book Movie Culture

Clayton Davis Senior Awards Editor Guess how many times cinema legends Martin Scorsese and Steven Spielberg have gone head-to-head at the Oscars? With 37 nominations between them and five decades of indelible classics, such as the gangster epic “Casino” (1995) and the shark thriller “Jaws” (1975), you might assume at least half a dozen ceremonies have seen both auteurs prominently recognized. Read: Variety’s Awards Circuit for the latest Oscars predictions in all categories. Well, guess again.

Christopher Nolan will be honored by the Federation of American Scientists for his cinematic portrait of J. Robert Oppenheimer in Universal’s Oppenheimer this November. The five-time Oscar nominee will be bestowed with the org’s Public Service Award which recognizes outstanding work in science policy and culture.

Martin Scorsese is weighing in on the release of Barbie and Oppenheimer which he says was the “perfect storm.”

Zack Sharf Digital News Director Martin Scorsese has not seen Greta Gerwig’s “Barbie” or Christopher Nolan’s “Oppenheimer,” but that didn’t stop him from celebrating the “Barbenheimer” phenomenon during a recent interview with the Hindustan Times. Scorsese himself has ties to “Barbie,” as it stars and was produced by his “Wolf of Wall Street” breakout Margot Robbie and shot by his longtime cinematographer Rodrigo Prieto. The latter filmed “Barbie” after wrapping up work on Scorsese’s own “Killers of the Flower Moon.” “I do think that the combination of ‘Oppenheimer’ and ‘Barbie’ was something special,” Scorsese said.

This year, we’ve seen quite a bit of talk regarding run times of films. It started earlier this year when people were concerned by the 3-hour length of Christopher Nolan’s “Oppenheimer.” Obviously, that film ended up doing just fine at the box office.

Steven Gaydos Executive VP of Content By the time Martin Scorsese‘s music documentary “The Last Waltz” premiered in 1978, the legendary Americana music progenitors the Band, whom the film explores, had gone from “Cahoots” to kaput for two years. The 1976 farewell concert at the center of the film was already a piece of rock and roll history by the time the film debuted.

Martin Scorsese has encouraged young filmmakers to “reinvent” cinema with technology, emphasising the difference between film experiences and “content”.The director discussed the future of cinema during a Screen Talk with host Edgar Wright on Saturday (October 7) at the BFI’s London Film Festival. The talk encompassed Scorsese’s entire career, from his 1974 breakthrough film Mean Streets to his latest collaboration with Robert De Niro and Leonardo DiCaprio, Killers Of The Flower Moon.When asked about his views on the film industry today, after having frequently denounced franchise films like Marvel in the past, Scorsese said its up to filmmakers and audiences to decide what the future of cinema will be.“I didn’t want to be the last line of defence,” Scorsese joked. “I honestly think it’s thrown back now on all of you.

Ellise Shafer Martin Scorsese said the entertainment industry is in a “period of reinventing” cinema during his Screen Talk at the BFI London Film Festival on Saturday, urging young filmmakers to use new technology for good as opposed to making “content.” When asked by director Edgar Wright about becoming somewhat of a spokesperson for the current state of cinema, Scorsese laughed and said, “I didn’t want to be the last line of defense.” “I honestly think it’s thrown back now with all of you. And I really mean this: I don’t know where cinema is going to go,” Scorsese continued.

Southbank Centre’s Royal Festival Hall irrupted into a flurry of cheers this afternoon as filmmaker Martin Scorsese strolled on stage to take part in a career Q&A at the London Film Festival. 

“We’re very proud of this movie,” Julie O’Keefe, Osage clothing consultant on Killers of the Flower Moon, said of the response to Martin Scorsese’s latest feature from the Native American community.

Martin Scorcese has featured again on his daughter Francesca’s TikTok account, this time revealing the exact moment he realised The King Of Comedy was deemed unsuccessful.READ MORE: Martin Scorsese almost quit Hollywood after ‘Gangs Of New York’The TikTok video shows Scorcese trying to guess various Gen-Z slang. When quizzed on the phrase “slept on” his daughter helped him out by using it in a sentence, saying, “The King Of Comedy was slept on.”She was referring to the 1982 movie starring Robert De Niro, in which a sociopathic stand-up comedian carries out a series of disturbing acts to try and achieve fame and success.Scorcese agreed with his daughter and said, “People hated it when it came out.”Despite a generally positive reception from critics, the movie made a significant loss at the box office, making just $2.5million from a budget of almost $20million.However it was not a wholly unsuccessful venture, as Scorcese did receive a nomination for the BAFTA award for Best Direction at the 1984 ceremony, losing out to Bill Forsyth for Local Hero.Having clearly not forgotten the criticism, Scorcese then recalled the precise moment he knew that it was “the flop of the year.” He said, “That’s what it was called on Entertainment Tonight, New Year’s Eve ’83-’84.”Reflecting on making the movie in a previous interview with Vanity Fair from 2015, Scorsese said, “[The King of Comedy] is about a certain aspect of our culture, and also about not taking yourself too seriously, even though I do.

With just fifteen days to go before it hits theaters, Apple Original Films wants to drum up as much hype as possible for “Killers Of The Flower Moon.” As if the film doesn’t have enough hype already: Martin Scorsese‘s first film since 2019’s “The Irishman” won unanimous praise from critics at its world premiere at Cannes in May. And the film sees the director work with two long-time collaborators: Leonardo DiCaprio and Robert DeNiro.

As much as “Taxi Driver” is an incredible acheivement and one of the greatest American films in history, it’s also just as influential as a piece of pop culture. The name Travis Bickle is used by people who probably haven’t even seen “Taxi Driver” but can point out someone who embodies that character and archetype.

Killers Of The Flower Moon at its New York City premiere, said in an interview that the term is unhelpful because it “pigeonholes” people’s work.“The thing about it is, it would be great to see not only blockbusters on a big screen, franchises on a big screen, but also what they consider now ‘indie films’. I don’t like that title,” Scorsese told IndieWire.“I think that categorises, pigeonholes.

Zack Sharf Digital News Director Martin Scorsese participated in a career-spanning video interview for GQ magazine (watch below) and lamented over how many people today resemble his “Taxi Driver” main character, Travis Bickle (Robert De Niro). The lonely and violent Travis is a Vietnam War veteran who befriends a child prostitute as his mental health deteriorates. Some film writers have described Travis as an incel-like character.

Even though Martin Scorsese’s films end up getting major distribution with large studios, the filmmaker works primarily independently. He is no longer beholden to the traditional Hollywood studio system where executives have a say in the creative aspects of a film.

Martin Scorsese is opening up about a lot of things in a new profile piece for GQ magazine.

Martin Scorsese is voicing his opinion on Marvel movies again.

When you are a legendary filmmaker with a career that spans six decades, there are inevitably people who are going to argue about which films are best. In the discussion surrounding Martin Scorsese’s career, narrowing it down is difficult enough, with many people having an issue trying to pinpoint which of his crime thrillers are best, let alone which is his overall best film.

Martin Scorsese has discussed the impact of comic book films and franchises on cinema culture, encouraging filmmakers and audiences to “fight back” against it.The director, who previously described Marvel movies as “not cinema” in the past, tackled the topic once again during an extensive interview with GQ.“The danger there is what it’s doing to our culture,” Scorsese said about the glut of comic book movies in cinemas. “Because there are going to be generations now that think movies are only those – that’s what movies are.”When the interviewer proposed many people already think that way, Scorsese agreed, adding: “They already think that. Which means that we have to then fight back stronger.