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12.06.2023 - 07:49 / variety.com
Ben Croll Playing in competition in Annecy after premiering in Cannes, Jérémie Périn’s sci-fi thriller “Mars Express” offers an uncommon spin on modern anxieties — particularly when it comes to AI. “We so often imagine that if robots became sentient, they’ll kill us,” Périn tells Variety. “Or we see many sci-fi films where robots want to become human. In short, humans are always the point of reference – so mysterious and strange and interesting, such an amazing species. We’re a bit pretentious, and I didn’t want to play on that.” Written by Périn and Laurent Sarfati, “Mars Express” serves a heady pop-culture cocktail, mixing hard-boiled fiction with science-fantasy comix, riffing on Philip Marlow and Philip K. Dick (with winks to “Watchmen” and “Robocop” and oh so many more) with a mystery yarn that places humans and cyborgs on equal footing.“The film says robots and human are different, so we have to accept those differences. There’s no need for fear, no need for opposition. I feel like I’m singing ‘We Are The World,’” the director laughs.
Not that “Mars Express” is such a gentle ride. Beyond the plot twists and action thrills that are common to the genre, the space noir throws a number of spikes into a missing-person case that follows a pair of hired eyes from Earth to Mars to the cosmos while leaving behind a growing body count. To wit, while human Aline (Léa Drucker) struggles with alcoholism, her cyborg-bearing-the-consciousness-of-a-dead-man partner Carlos (Daniel Njo Lobé) cannot rebuild the broken family his namesake left behind. “I wanted to do something a bit more mature, but without being unnecessarily violent or graphic,” Périn explains. “Selfishly, I asked myself what I wanted to see, and those questions
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Adam B. Vary Senior Entertainment Writer SPOILER ALERT: This story discusses major plot developments, including the ending, of “Indiana Jones and the Dial of Destiny,” currently playing in theaters. When director James Mangold started writing “Indiana Jones and the Dial of Destiny” with screenwriters Jez and John-Henry Butterworth, he didn’t know how the movie was going to end. Mangold inherited the film from director Steven Spielberg, who had been developing the project for three years with screenwriter David Koepp. When Mangold took over, he and the Butterworth started effectively from scratch, crafting a story in which Harrison Ford’s titular archeologist and Nazi puncher contends with his own age and irrelevance while chasing after the Antikythera, a mysterious device with the power to find fissures in time, created by the ancient Greek mathematician and inventor Archimedes.
“More Than I Want to Remember” was selected as a finalist in this year’s ShortList Film Festival, presented by TheWrap. You can watch the films and vote for your favorite here.Where did you first hear Mugeni’s story? And when did you know it would become a short film?I first heard Mugeni’s story in 2019, via Nate Bult, who worked for an organization that paired unaccompanied refugee minor children with foster families. I had reached out to him as I was researching for my next film, an animated short based on the journey of a young immigrant woman.
Marks and Spencer shoppers are raving about a £51 outfit that they "need immediately".
UGH we are going to be SICK!
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Amber Heard has a new film coming out. The actress starred in “In The Fire,” an independant film that premiered at the Taormina Film Festival over the weekend. According to the film’s director, Conor Allyn, Heard has “an incredibly bright future ahead of her.” Amber Heard pays $1 million to Johnny Depp: Defamation case overAmber Heard goes on a shopping spree to a book fair in MadridAmber Heard makes first appearance promoting a movie since her defamation trial with Johnny Depp endedIn an interview with People Magazine, Allyn discussed Heard and some of her talents.
Amber Heard has an "incredibly bright future" in Hollywood, according to her latest movie director. Conor Allyn – who directed "In The Fire," which stars Heard – recently shared that despite the actress' bombshell defamation trial against Johnny Depp, her upcoming movie will be a "platform" for a "hell of a comeback." Heard, along with Allyn and several co-stars, attended the Italy premiere of "In The Fire" at the Taormina Film Festival over the weekend.
The advice for unlocking glossy, healthy hair usually says to put the blowdryer down, but one hair expert has found one reason to keep on using it.
Henry Cavill has previously discussed James Bond as the role that got away, revealing he was in the running to star in “Casino Royale” before Daniel Craig ultimately got the part.
Coronation Street is set for dramatic scenes next week as Claire Sweeney makes her first appearance as Tyrone Dobbs' long-lost mum and Evelyn Plummer's estranged daughter Cassandra. In upcoming scenes, as Evelyn grumbles to Tyrone about Roy Cropper spending time with Yasmeen Metcalfe, Cassie watches unbeknown to them. Following Tyrone’s advice, Evelyn invites Yasmeen and Roy to join her later at the bistro.
Casino Royale director Martin Campbell believes that Superman star Henry Cavill had a good audition, but wasn’t the perfect fit when producers were looking for a new James Bond.
Zack Sharf Digital News Director “Casino Royale” director Martin Campbell revealed in a new interview with Express UK that Henry Cavill could have been James Bond had Daniel Craig not earned the role of 007 in his 2006 franchise reboot. The film reinvigorated the Bond franchise after Pierce Brosnan’s divisive “Die Another Day” in 2002, and it kicked off Craig’s acclaimed tenure as Bond. As for Cavill, Campbell had nothing but raves for the Superman actor’s audition. “He looked great in the audition. His acting was tremendous,” Campbell said. “And look, if Daniel didn’t exist, Henry would have made an excellent Bond. He looked terrific, he was in great physical shape…very handsome, very chiseled. He just looked a little young at that time back then.”
holds a 100% fresh rating on Rotten Tomatoes, with an average critic score of 7.5/10. “As a distributor, it’s always exciting to find a new, fresh and hilarious voice,” Magnolia Pictures co-CEOs Eamonn Bowles and Dori Begley said in a statement. “We’re beyond excited to be able to present Joanna Arnow to audiences.” “I am so happy to be bringing this self-deprecating deadpan comedy to audiences with a partner like Magnolia Pictures,” Arnow said. “Magnolia has such a wonderful lineup of powerful, unique independent films, and we are thrilled to be included among them.” Written, directed, edited by and starring Arnow, “That Feeling That the Time for Doing Something Has Passed” is produced by Pierce Varous and Graham Swon.
Ben Croll Sex, drugs and rock’n’roll were but three of the shared subjects animating the Annecy Animation Showcase, presented as part of the Marché du Film at last month’s Cannes Film Festival. Marking its fifth edition, this year’s work-in-progress spotlight imparted a decidedly adult flavor, with a preponderance of showcased titles tackling outré material for mature crowds. “On the market side, adult-skewing projects are no longer a trend,” says Annecy chief Mickaël Marin. “The form is now well-established. Of course, global platforms have opened new doors and widened the field of possibilities, so we encourage financiers and broadcasters if not to take risks, then to at least explore new avenues beyond traditional family animation.”
Four years ago, Taron Egerton revealed on “Watch What Happens Live” that his celebrity crush was Rachel Weisz. But he probably never thought anyone would tell her. When we surprise them both with the clip during this conversation, Egerton turns bright red with embarrassment. Beyond that connection, both actors have stretched to new heights on streaming shows this TV season. Weisz portrays identical twin gynecologists Elliot and Beverly in the Amazon Prime Video drama “Dead Ringers,” based on the 1988 David Cronenberg film starring Jeremy Irons. And Egerton gets jacked as prisoner James Keene, a former college football star arrested on drug charges, in Apple TV+’s “Black Bird.”
J. Kim Murphy Nine years after it was first announced, “The Flash” has finally dashed into theaters, speeding toward a debut ahead of the box office competition. But the DC Studios film isn’t exactly matching the lightning pace of its superhero. The Warner Bros. release got started with $24.5 million on opening day, which includes $9.7 million in Thursday previews. That’s enough to set the Ezra Miller film on a surefire pathway to a No. 1 debut on domestic charts, but it’ll be tough for the film to match its projections heading into the weekend — some bullish ones predicting a four-day bow as high as $85 million through the Juneteenth holiday.
After days of sunshine, Scotland's glorious weather came to a brief halt on Friday - and more rain is on the way. Following downpours and heavy flooding yesterday, forecasters predict a clear weekend, but this will once again change on Monday.
A dad born with a rare form of cancer was given a shock diagnosis after 40 years of not knowing he had the disease.
Naman Ramachandran Director of the National Theatre Rufus Norris has unveiled 12 new productions and has also confirmed that he will step down after 10 years as director in mid-2025 when his current term comes to an end. Under Norris’ leadership the National Theatre broadened both its program and audience and expanded its reach far beyond London. He had a key focus on widening the representation of voices and stories told on the National Theatre’s stages. Since 2015, the National Theatre stages have been on average 88% full – despite the disruption of COVID-19. Digital innovation under his stewardship has seen National Theater reach new audiences in over 180 countries, and the National Theatre at Home platform – born during the pandemic – has ensured that its work is shared with a wide audience. National Theatre Live, now in its 14th year, has reached over 11.8 million people in cinemas worldwide and broken the event cinema box office record for the U.K. and Ireland twice.