Mariah Carey Joins Producing Team Of Broadway’s ‘Some Like It Hot’

Ain’t No Mo’, playwright Jordan E. Cooper’s acclaimed but struggling Broadway comedy, has extended its run for another week and will now play through Friday, December 23, at the Belasco Theatre.

Ain’t No Mo’, the Broadway debut of author and star Jordan E. Cooper, opened at the Belasco Theatre on Dec. 1 to the sort of reviews producers and playwrights dream about. Even the few critics who weren’t completely won over couldn’t help but point out a singular brilliance at work here, not to mention a stars-in-the-making cast and more laugh-out-loud moments than most of the rest of Broadway combined. A celebrity-packed opening night, with producer Lee Daniels greeting a crowd that included Gabrielle Union, Dwayne Wade and C. J. Uzomah – who happen to be among the starry cohort of co-producers – as well as Matthew Broderick, Tamron Hall, Deborah Cox, Stephanie Mills, LaTanya Richardson Jackson, Susan Kelechi Watson, Camryn Manheim, Tony Kushner, Tituss Burgess, Gayle King, Pat Williams, Christopher Sieber, Jennifer Simard, Colton Ryan, Ari’el Stachel and Timothy Olyphant suggested nothing less than the buzzy arrival of Broadway’s next big thing, out-of-the-box division.

Mariah Carey has risen to the top of the Billboard Hot 100 charts once again with “All I Want For Christmas” and unseated Taylor Swift’s “Anti-Hero” after a six-week streak at the pinnacle of the list.

Like mother, like daughter!

It’s a three-horse, festive race for the UK’s Number 1 single this week as Mariah Carey, Wham! and Ed Sheeran & Elton John surge ahead towards the top of the Official Singles Chart.

She got it from her mama. Mariah Carey‘s 11-year-old daughter, Monroe, joined her for a duet at Friday, December 9, concert in Toronto, where she perfectly harmonized with her mother.

For the second time in a week, Broadway is losing a worthy production that attempted to find an audience that encompassed but reached beyond the usual white, middle-aged demographic: Jordan E. Cooper’s Ain’t No Mo’, the often visionary, relentlessly brilliant and forever fearless take by its Black creators and performers on the stubborn subject of race in America will close next week.

A Beautiful Noise, The Neil Diamond Musical took in more than $1 million at the box office in the week leading up to, and including, its opening night on Sunday. Filling 91% of seats at the Broadhurst, the jukebox bio-musical joins & Juliet, Leopoldstadt and The Piano Lesson as one of the strongest newcomers of the fall season.

Two new productions opened on Broadway within the last few days, demonstrating that Broadway, at the very least, can accommodate works of remarkable diversity – a diversity in levels of ambition not least. One takes remarkable chances and all but announces the arrival of a singular new theatrical voice. The other, with a team of immensely talented Broadway veterans both on stage and behind the scenes that so relies on overused formula and tired tropes that it can’t even breathe life into some of the most irresistible pop songs of the last half-century.

Her greatest job. Mariah Carey has gushed about the way becoming a mother has changed her outlook on life.

EXCLUSIVE: Slave Play author Jeremy O. Harris and New York Jets tight end CJ Uzomah are the latest high-profile names to sign on as co-producers of a currently running Broadway production: The two join the recently announced NBA champ Dwyane Wade, actor Gabrielle Union and Drag Race star RuPaul on the producing team of Ain’t No Mo’, a Lee Daniels production of Jordan E. Cooper’s comedy in previews at the Belasco Theatre.

Not always a Christmas queen. While Mariah Carey’s name has become synonymous with the festive holiday, her childhood wasn’t regal.