Disney original animation is looking at a comeback this Thanksgiving. The princess pic Wish is looking at as much as $45M-$50M over five days after the studio suffering a setback over last year’s holiday with Strange World, which did $18.8M.
01.11.2023 - 21:05 / deadline.com
Marcus Corp. CEO Greg Marcus joked that the Milwaukee-based movie theater owner has hit on a new method for predicting box office.
“We’re going to be holding a séance next week to figure out what the theater business is going to look like next year,” Marcus said during the company’s third quarter earnings call with Wall Street analysts when asked for his outlook for 2024. “We don’t know! We have no clue. We don’t even know when we know what’s coming.”
Exhibitors and others in the industry have been constantly destabilized this year by the impact of the overlapping WGA and SAG-AFTRA strikes, the latter of which is still ongoing. The labor impasses have caused a flurry of changes for movie production and release schedules. Combined with the ongoing recovery from Covid and a range of economic pressures, the industry has seen a whirlwind of unpredictable results in recent months, from the highs of last summer’s Barbenheimer to much spottier showings for a number of money-losing releases.
“It all comes down to the number of films released,” Marcus said. “And Hollywood, as you know, is not really disclosing” that number. “There have been some moves. We know that Dune 2 moved to next year. Well, that’s going to fill a little bit of a hole. It left us with a bit of a hole [in fall 2023] but all of a sudden Taylor Swift showed up. She rode in a horse to save the day.”
Swift’s concert film exploded onto the scene with the second biggest October bow in history despite being distributed outside of the studio system.
About 15% fewer films have been released in 2023 than in pre-pandemic times, Marcus noted, and box office receipts have fallen accordingly. Still, he sees more growth ahead. “As the pipeline gets refilled, the
Disney original animation is looking at a comeback this Thanksgiving. The princess pic Wish is looking at as much as $45M-$50M over five days after the studio suffering a setback over last year’s holiday with Strange World, which did $18.8M.
Joe Otterson TV Reporter “Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest” is staying put at ABC for the foreseeable future. Variety has learned that ABC and Dick Clark Productions have extended their deal for the annual New Year’s Eve show through Jan. 1 2029.
Rihanna is welcoming a new season with an incredible hair transformation! The singer and businesswoman has been photographed in recent outings in Los Angeles, showing off her new look while enjoying dinner dates with her partner A$AP Rocky, and hanging out with her friends.RIHANNA DEBUTS NEW PHOTOS BREASTFEEDING HER SON, RZARIHANNA CELEBRATES HER ‘CRAZY’ EMMY NOMINATIONSThe star went from brunette to honey-blonde hair, going for a softer color and keeping her dark roots for an easier transition. Rihanna was spotted in Los Angeles, sporting a casual chic ensemble, which consisted of a camel coat, a gray hoodie, and dark jeans.
The late Queen Elizabeth was known for her witty sense of humour and iconic one-liners which helped her connect with members of the public throughout her historical 70 year reign.
Luke Bryan and Peyton Manning are hosting the 2023 CMA Awards yet again!
Foghat isn’t tired of their mega-hit single “Slow Ride.”The ubiquitous classic rock staple, that showed up in the 1993 film “Dazed and Confused,” countless commercials and the video game Guitar Hero, still gets the band excited when they play live.“I enjoy it,” original Foghat member, drummer and Long Island resident Roger Earl told the New York Post. “It’s a nine-minute song these days.”After he shared his appreciation for the track, Earl turned the tables and lobbed a question our way.“Do you know what ‘Slow Ride’ is about?” the 77-year-old rock vet asked.Before given a chance to answer, he laughed.“‘Slow Ride’ is about sex!” Earl roared.
Sylvester Stallone has revealed details of his past in new Netflix documentary, Sly, including memories of his abusive father.The documentary, which aired last week, shows Stallone delving into his childhood and rise to stardom, and features interviews with his co-stars including Quentin Tarantino and Arnold Schwarzenegger.Directed by Thom Zinney, the film features the Rocky star sharing intimate details of his experience growing up in New York and Maryland, including his challenging home life.The actor hinted that his violent father inspired some of his previous work, saying: “My father was Rambo, in reality”, referring to his portrayal of John Rambo in the 2008 movie, Rambo.He continued, “I was raised by a very physical father. Nothing was ever settled verbally.
Manager/producer Larry Thompson is making another run for a Southern California congressional seat, this time in a district represented by Rep. Brad Sherman (D-CA).
Merrily We Roll Along, the Sondheim musical revival starring Daniel Radcliffe, Jonathan Groff and Lindsay Mendez, was Broadway‘s sole sell-out last week, filling every last seat at the Hudson Theatre with an eye-popping average ticket price of $234.40.
Radical with Eugenio Derbez built on its smash opening in Mexico to hit no. 5 at the U.S. box office with a super $2.7 million at 416 theaters. The Pantelion film had delayed its debut Stateside by two weeks to skirt The Eras Tour juggernaut, allowing word of mouth to build for the drama about a dedicated teacher in a troubled Mexican border town.
Cinemark CEO Sean Gamble said Apple and Amazon, two behemoths of the tech world but newcomers to the wide-release movie business, are so far “very pleased” with their results.
EXCLUSIVE: On the eve of AFM, Lionsgate has picked up North American and UK rights to Indian action movie Kill for theatrical release in 2024.
Alexander Payne’s The Holdovers from Focus Features pulled in an estimated $200k on six screens in New York and LA for a per-screen average of $33.3k, a good limited opening on an upbeat specialty weekend that also saw A24’s Priscilla by Sofia Coppola off to a fine start.
Refresh for latest…: Universal/Blumhouse’s Five Nights at Freddy’s is gaming its way to an estimated $130.6M global opening, higher even than we had it yesterday as this phenom is now eyeing a $52.6M bow from 64 international box office markets. As Anthony has chronicled, the domestic $78M opening is a stunner — and amid the day-and-date Peacock bow. Overseas, the play is purely theatrical and has set a number of records.
The phenomenon that is Universal/Blumhouse’s Five Nights at Freddy’s is currently looking at a global opening of $130M. Fazbear and crew are playing in 64 international box office markets where they are expected to reach $52M through Sunday.
Warner Bros. Discovery is restructuring its Global Brands, Franchises, and Experiences — overseeing worldwide consumer products, themed entertainment, franchise management and DC Comics businesses – following the departure of the division’s president Pam Lifford.
More details are coming out in the Jonathan Majors case and a new filing from prosecutors has shed some new light on what’s going on.
Broadway box office held steady last week with total grosses for 28 shows tallying up to $28,106,860, with 224,832 ticket buyers paying an average $125.01 per seat.
Patrick Frater Asia Bureau Chief “Only the River Flows,” a pitch-black crime noir from auteur Wei Shujun, comfortably topped the mainland China box office on a quietish weekend. The film, ostensibly a murder mystery, but one concerned more with atmosphere than linear plotting, earned $12.6 million (RMB90.8 million) in its opening three days, according to data from consultancy Artisan Gateway, or close to a third of the market. The film had its premiere in Cannes where Variety gave it a rave review, calling it an “inventive riff on Asian-noir” and making comparisons with films by Park Chan-wook and Diao Yinan. “Only the River Flows” has since played at a succession of festivals ever since, including New Zealand, BFI London, Vancouver, Adelaide and last week’s Pingyao event in China. Falling to second place at the box office after three weeks on top was Zhang Yimou’s “Under the Light,” which earned $6.9 million for a four-weekend cumulative of $176 million. Chen Kaige’s war, propaganda film “The Volunteers: To the War” earned $5.3 million in third place.
A trio of Indian films led by Leo: Bloody Sweet, at no. 8, and two Fathom events bulked up the specialty box office this weekend as debuted, entered week two and Dicks: The Musical expanded nationwide.