‘Mank’ DP Erik Messerschmidt on Influence of Gregg Toland, Working With David Fincher

had been married since 1920 (which means had she really been 33 in 1940, when the film largely takes place, she would have been 13 when she got married.) “We don’t feel invisible,” Nunn tweeted. “You erase us.”Herman J.

You are likely to feel whisked away to the Golden Age of Hollywood while watching “Mank,” David Fincher’s historical character study about legendary studio screenwriter Herman Mankiewicz (Gary Oldman) and his painstaking process of writing Orson Welles’ “Citizen Kane.” Still, Fincher’s Hollywood epic won’t necessarily register as tritely nostalgic or melancholic about the past in a way showbiz movies often do.

Amanda Seyfried was hesitant to step into the shoes of early 20th-century actress Marion Davis for new biopic Mank, because she didn’t know how to approach the bygone era.The David Fincher movie is based on the life of Hollywood screenwriter Herman J. Mankiewicz and chronicles the tumultuous development of Orson Welles’ iconic 1941 film Citizen Kane, with Gary Oldman starring as the titular character.Seyfried portrays Davis, alongside Charles Dance as her lover, media magnate William Randolph

Coming off a Best Actor Oscar win for Darkest Hour, Gary Oldman had a lot of choices but following up that remarkable portrait of Winston Churchill during the war years with another real life figure , an alcoholic screenwriter from Hollywood’s golden era , could not be more of a polar opposite.

Jazz Tangcay Artisans EditorWhen it came to designing the costumes of David Fincher’s “Mank,” both costume designer Trish Summerville and production designer Donald Graham Burt used the noir and monochromatic filters on their iPhones to see how color would convert for Fincher’s black and white film.The film, which tells the story of Herman J.

Even before we saw one beautiful frame of black and white footage, David Fincher’s “Mank” was already getting incredible hype and buzz as a sure-thing awards contender and one of the most anticipated films of 2020. And if you believe the reviews, it would seem as if people were guessing correctly, as “Mank” is possibly the biggest favorite to land heaps of awards this season.

Mank director David Fincher.In a profile of the filmmaker published in the New York Times, Pitt, who is a close friend of Fincher, opened up about the experience of watching a film with the director.Pitt has starred in three of Fincher’s films so far – Seven, Fight Club and The Curious Case of Benjamin Button. “He’s one of the funniest [expletive] I’ve ever met,” the actor told The Times.Discussing their movie nights, he added: “He’ll be muttering the whole time: ‘That shot works.

It’s a great irony of Hollywood that actors become stars due to their onscreen excellence, yet the fame that results can wind up interfering with the work that made them celebrities in the first place.

David Fincher seems to be the first person to admit that he’s not the easiest filmmaker to work with. That doesn’t mean he’s a terrible person or an awful director.

Netflix‘s Mindhunter, has detailed how he would like to end the show if it gets reinstated for a third season.Last year, it was reported that the psychological crime thriller’s third season would have to wait for Fincher to finish work on his latest movie, Mank, which sees Gary Oldman star as Citizen Kane writer Herman J.

Jazz Tangcay Artisans Editor“Mank” cinematographer Erik Messerschmidt and director David Fincher have a shorthand way of communicating: They worked together on Netflix’s “Mindhunter,” and Messerschmidt served as gaffer on 2014’s “Gone Girl.” Messerschmidt makes his feature film debut as director of photography on “Mank,” the story of screenwriter Herman J.

Brent Lang Executive Editor of Film and MediaDavid Fincher isn’t giving up on “Mindhunter” just yet. However, the director admits that the Netflix series about the FBI’s initial attempts to profile serial killers may not have much of a future given its price tag.“I don’t know if it makes sense to continue,” Fincher told Variety during an interview for a cover story on the making of “Mank.” “It was an expensive show.

With “Mank” in select theaters (only a handful, to be honest) and arriving on Netflix in a matter of weeks, David Fincher is doing his press tour and shedding some light on what many believe is his most ambitious, unique feature to date.

Mank” is the gripping story of the brilliant but troubled artist behind “Citizen Kane,” often considered to be the greatest movie ever made.No, it’s not about director Orson Welles. Instead, it pushes Herman J.

Acclaimed director David Fincher is sharing his thoughts on the movie Joker and why he considers it to be a “betrayal of the mentally ill.” Fincher recently talked about Joker‘s success in contrast to his movie Fight Club, which was much more difficult to get made back in the late 1990s.

Joker to be “a betrayal of the mentally ill”.The DC film, which starred Joaquin Phoenix as Arthur Fleck, has received criticism since its release for its portrayal of mental illness, and was later crowned the most complained about movie of 2019.In a new interview with The Telegraph, director Fincher, who made his big screen return this week with new film Mank, likened Joker to a “trap”.‘I don’t think ­anyone would have looked at that material and thought, “Yeah, let’s take [Taxi Driver’s] Travis

The Telegraph.

One of the best parts about awards season is getting to see big directors go through the endless press tour cycle until they run out of things to talk about from their movie, and simply start throwing hot takes at every turn. Last year it was Martin Scorsese accidentally starting a war between filmmakers and Marvel after comparing the MCU to theme park rides.

When you make a film like “Citizen Kane” as your first feature as a filmmaker, people are going to throw tons of acclaim your way. And that’s exactly what happened with Orson Welles after the release of his masterpiece, which many still consider one of the greatest films of all time.

“Once Upon a Time In Hollywood” and “La La Land” were egregiously overrated, ego-driven projects that didn’t honor Los Angeles so much as their own directors. Ryan Murphy’s “Hollywood” on Netflix was a tacky mess.