‘Licorice Pizza’ Pinball Machines, Menu Items and Waterbed Photo Op Coming to Alamo Drafthouse (Exclusive)

A proud host. Despite what Andy Cohen thought of ABC’s New Year’s Rockin’ Eve, the special dominated the competition, ratings-wise — and host Ryan Seacrest couldn’t be happier.

Kris Jenner cannot deny that Stormi Webster has perfect timing!

, at that very moment.Though have been photographed on various dates across the country, neither party has spoken publically about their courtship since in November. "Everyone is talking about Kim's new relationship with Pete Davidson.

Not so fast Andy! Kris Jenner managed to escape answering a question about Kim Kardashian and Pete Davidson with the help of Kylie Jenner’s daughter.

Pedro Almodóvar’s  opened to an estimated $41,076 this weekend on three screens for a PSA of $13,692 over three days. Distributor Sony Pictures Classics co-president Michael Barker calls that cume conservative, anticipating $42-$43K for the Penelope Cruz-starrer that he said has been attracting a diverse new audience to Almodóvar, including younger moviegoers.

Warning: This article contains major spoilers for “Licorice Pizza.”Though “Licorice Pizza” takes place over an unspecified amount of time, it has a distinctly summer feel.

Jazz Tangcay Artisans EditorPaul Thomas Anderson has surveyed L.A.’s San Fernando Valley from every angle in films like “Boogie Nights,” “Magnolia” and “Punch-Drunk Love.” For his latest, “Licorice Pizza,” which opens wide on Dec. 25, he went back to his early memories of the sprawling suburbs, combining them with events from the life of his childhood-friend producer Gary Goetzman, played by Cooper Hoffman.

On this episode of the Deep Focus podcast, my guest is none other than Alana Haim from the rock group Haim, but more appropriate for this conversation, she is the star of Paul Thomas Anderson’s latest film, “Licorice Pizza.” Anderson’s latest film is a nostalgic, shaggy return to his San Fernando Valley roots, but it’s really nothing like “Boogie Nights” or “Magnolia” and actually is more in line with George Lucas’ “American Graffiti”—a hangout movie— as if it were made by Lucas, Hal Ashby, and

Eve Barlow Guest ColumnistFor Variety‘s Writers on Writers, Eve Barlow pens a tribute to “Licorice Pizza” (screenplay by Paul Thomas Anderson).You can smell the acne on Cooper Hoffman’s chin. You can feel the heat on the pavement as Alana Haim sprints toward a feeling.

When Leonardo DiCaprio was trying to figure out what to do after “Once Upon a Time in Hollywood,” reports started coming up about some of the biggest A-list filmmakers working today trying to nab him for roles. One of those names was Paul Thomas Anderson, who was developing the film that would go on to be known as “Licorice Pizza.” The rumor went that DiCaprio passed on the film and his role eventually went to Bradley Cooper.

Malina Saval Associate Editor, FeaturesWatching “Licorice Pizza,” Paul Thomas Anderson’s cinematic love letter to 1970s San Fernando Valley, one thought continually played in my head: Alana Haim reminds me of me. I don’t mean that in any solipsistic sense — I possess zero singing talent and my ability to play a musical instrument is confined to a year of violin and flute lessons in fourth grade wherein both instructors urged me (strongly, repeatedly) to focus on the literary arts.

Taylor Swift isn't letting the coronavirus pandemic get her down on her special day. The pop star turned 32 on Monday and celebrated with a close friend of hers, HAIM band member and "Licorice Pizza" star Alana Haim, who will turn 30 on Wednesday, just days after receiving her first Golden Globe nomination for starring in the comedy.

Jenelle Riley Deputy Awards, Features EditorPaul Thomas Anderson is the rare filmmaker who doesn’t just make movies – he makes events. People eagerly anticipate his next project.

The Associated Press’ film writers picks for best movies of 2021:

The Associated Press' film writers picks for best movies of 2021:LINDSEY BAHR:1. “The Lost Daughter”: There’s an element of danger, real and theoretical, permeating every moment of Maggie Gyllenhaal’s electric adaptation of the Elena Ferrante novel.