Korean Actors Park Shin-hye & Choi Tae-joon Welcome Their First Baby

Patrick Frater Asia Bureau Chief“Broker,” the unconventional family drama which appeared in competition at last month’s Cannes Film Festival, topped the box office in South Korea on Wednesday, its opening day.“Broker” grossed $1.10 million, enough to depose crime actioner “The Roundup” from the top spot that it had enjoyed for the past three weeks and which had made it the highest performing film this year.According to data from the Kobis tracking service operated by the Korean Film Council, “Broker” played on 1,590 screens and sold 145,000 tickets for Wednesday screenings. Its cumulative total of $1.15 million includes some $44,000 of previews earned on 14 screens.The feat by a local art-house film gives further support to the notion that cinema attendance is rebounding in Korea.

Video: Johnny Depp posts video message to fans as first TikTok (The Independent)Rob Beckett Calls Politicians 'Maggots' And Mocks Dominic Raab During Gmb InterviewBoris Johnson rules out prospect of a snap election after winning confidence voteHarry and Meghan share photo of Lilibet on first birthdayCowboy lassos escaped cow on highwayKeir Starmer hits out at Tory MPs for supporting Johnson's 'law-breaking' leadershipNadine Dorries incorrectly says UK is 'at war with Ukraine'Prince Charles laughs uncontrollably while watching Platinum Jubilee pageantMeera Syal dances in royal box during Platinum Jubilee pageantBoris Johnson 'broke ministerial code': PM's anti-corruption Tsar John Penrose resignedSouth Korea and US launch missiles in response to North Korea tests. Watch Axel Blake's winning Britain's Got Talent performanceWales: Rob Page revels in ‘unbelievable feeling’ after guiding nation to World CupWetherspoon pub in chaos as rat spotted sneaking under tablesNo-confidence vote a good chance to unite party, says JavidLen Goodman shares story of his grandmother calling curry powder ‘foreign muck’Sajid Javid says Tory MPs are 'entitled' to vote for a new leader“You are, as always, my employers and once again I am whittled down to no way to say thank you, other than just by saying thank you.

Jazz Tangcay Artisans EditorNetflix’s “Squid Game” featured sets such as the M.C. Escher- like staircase and a tug-of-war area, as characters on a remote island compete in deadly versions of childhood games.Production designer Chae Kyoung-sun built killer sets on a large scale for the 456 contestants as they battle it out to be the last man standing, all for a cash prize.Its most iconic set is right at the beginning, as the contestants play Red Light, Green Light.“I wanted to fill the set for the first game with fantasy and fairy- tale-like images,” Chae says.

Eric Nam has opened up about his experience growing up Korean-American and how it has influenced his career.The 33-year-old singer-songwriter recently appeared in an episode of The Zach Sang Show, where he opened up about his Korean heritage. During the interview, Nam confessed that he previously thought of being a Korean-American as a “hindrance”.“I think for a long time, being a Korean-American, or being Asian-American in the States, it felt as if it was a hindrance, or it was like, something that was supposed to hold me back,” he shared.

Jang Nara is getting married, but she’s facing some difficulties regarding anonymity.

Dennis Harvey Film CriticOne of the most enjoyable South Korean action movies in recent years, 2017’s “The Outlaws” was a deft mix of brutal gang-warfare thrills and Keystone Cops comedics. It provided an ideal vehicle for Ma Dong-seok aka Don Lee (“Train to Busan” and “Eternals”) as the police investigator whose hit-first-ask-permission-later methods regularly got the job done while infuriating his superiors.That burly protagonist and his sidekicks are back in “The Roundup,” which despite a different directorial (newbie Lee Sang-yong replacing the prior edition’s Kang Yoon-seong) and writing crew, maintains the original’s strengths.

“90 Day Fiancé” star Deavan Clegg shared devastating news on Tuesday. Deavan posted to Instagram, sharing heartbreaking photos of her and ex Jihoon Lee‘s 3-year-old son, Taeyang, in the hospital, and revealing that he was recently diagnosed with cancer.

star Deavan Clegg shared devastating news on Tuesday. Deavan posted to Instagram, sharing heartbreaking photos of her and ex Jihoon Lee's 3-year-old son, Taeyang, in the hospital, and revealing that he was recently diagnosed with cancer.Deavan's journey was first introduced to fans on season 1 of, when she met Jihoon on a dating app and ended up moving to South Korea to be with him after she became pregnant with Taeyang.

Jay Park, Lee Hi and Jessi are among the South Korean musicians to be confirmed for MIK Festival 2022, which will take place in London later this year.MIK Festival 2022 recently announced its line-up for the second day of the festival, which it has dubbed its “hip-hop day” on July 31. Set to take place at Southwark Park, the festival’s second date will feature Korean-American singer-rappers Jay Park and Jessi, along with singer-songwriters Lee Hi and GRAY.Also new to the line-up are hip-hop trio Epik High, and rappers pH-1, Loco and Dok2.

Broker and Decision to Leave have made history at the 2022 Cannes Film Festival, marking the first time two Korean works have won at the same ceremony.The upcoming Korean films Broker and Decision To Leave have both taken home one award each at this year’s Cannes Film Festival, marking the first time two Korean films have won an award at the festival in the same year.South Korean actor Song Kang-ho, who rose to international prominence in Bong Joon-ho’s Parasite in 2019, took home the Best Actor award for his role in Broker, which was directed by Japanese filmmaker Hirokazu Kore-eda. This makes Song the second Korean, after Jeon Do-yeon for 2007’s Secret Sunshine to win the award, and the first Korean male actor to do so.During his acceptance speech, the 55-year-old actor thanked director Hirokazu Kore-eda, along with his Broker co-stars Gang Dong-won, IU, Lee Joo-young and Bae Doo-na.

Patrick Frater Asia Bureau ChiefComing only three years after the Palme d’Or for “Parasite,” the two Cannes prizes for Park Chan-wook as best director and for Song Kang-ho as best actor are further proof of the strength of Korean cinema’s originality, its elevated skills and its resilience.Korean movies have been temporarily overshadowed by K-pop and Korean TV dramas – think BTS and “Squid Game” – both of which flourished during the COVID era, while Korean film was struck down by the pandemic.Closed cinemas and disrupted release schedules meant that the film sector was not fully able to capitalize on the 2019 Cannes and multiple Oscar successes of “Parasite” and “Minari.” Korean film producers’ revenues crumbled between 2020 and early 2022. Talent from in front of and behind the camera shifted across to the more vibrant streaming sector.

The jury announces its winners at the Cannes Film Festival tomorrow, and speculation abounds over who will walk away with the Palme d’Or this year. And one of the frontrunners to win the top prize is South Korean filmmaker Park Chan-Wook for his romantic cop drama “Decision To Leave.” director is no stranger to Cannes.

The jury announces its winners at the Cannes Film Festival tomorrow, and speculation abounds over who will walk away with the Palme d’Or this year. And one of the frontrunners to win the top prize is South Korean filmmaker Park Chan-Wook for his romantic cop drama “Decision To Leave.” director is no stranger to Cannes.

Broker, starring singer-actress IU, was given a 12-minute standing ovation at the 2022 Cannes Film Festival.Broker, the first-ever Korean-language film by Japanese filmmaker Hirokazu Kore-eda, recently premiered at the 2022 Cannes Film Festival on May 27. Once the screening had concluded, the fil received a 12-minute-long standing ovation from those in-attendance, according to a report from Korean news outlet Edaily.The publication also claimed that the standing ovation began with Cannes Film Festival’s executive director, Thierry Frémaux.

When the Cannes Film Festival lineup was announced on April 14, Twitter positively exploded with excitement over the news that Lee Ji-eun would make her Riviera debut with Hirokazu Kore-eda’s Broker in Competition. The Korean actress, singer and songwriter—popularly known as IU—has a legion of fans, including 26 million followers on Instagram, and has been described as a national treasure at home. She may now be well poised for crossover success with her first commercial film.

EXCLUSIVE: has cast Alicia Hannah-Kim for Season 5 of the hit Netflix series as the formidable South Korean sensei Kim Da-Eun who factors into Terry Silver’s (Thomas Ian Griffith) plans for accelerating Cobra Kai’s expansion. Dallas Dupree Young, who joined the show last season as Kenny Payne, has been upgraded to a series regular.

Patrick Frater Asia Bureau ChiefTang Wei, the Chinese star of Korean film “Decision to Leave,” says she told director Park Chan-wook that he’d made her life complete after seeing the finished version of the film at its Cannes Film Festival gala premiere.The film played in competition this week in Cannes. She revealed her confession on Tuesday at a press event, accompanied by Park, cast member Park Hae-il and scriptwriter Chung Soo-kyung.Switching between Chinese and English, Tang Wei said: “This in not the first time I’ve worked with a Korean director.

While Park Chan-wook’s The Handmaiden dealt with a lot of sex and kink in its story of a handmaiden who gets into the good graces of her Japanese heiress, only to defraud her, the Korean filmmaker in his latest Decision to Leave, dotes on a detective Hae-Joon (Park Hae-il) who is head over heels with a very possible murder suspect, Seo-rae (Tang Wei).

Zack Sharf Welcome back, Park Chan-wook. The South Korean auteur returned to Cannes six years after “The Handmaiden” with his new detective thriller “Decision to Leave” and earned a five-minute standing ovation.Although the ovation matched the amount of time celebrating “The Handmaiden,” the reception was notably more muted. While the camera the festival uses that normally shows on the creative team’s gracious reaction after the movie, and helps to keep the applause rolling, wasn’t working, the response was quiet even before the technical snafu.“Decision to Leave” centers around a detective who falls in love with a mysterious widow who just happens to be the prime suspect in his latest murder investigation.

South Korea may have made big inroads on American TV recently with “Squid Game” and “Pachinko,” and the country’s intriguing film and television industry also has a stronger-than-usual presence at this year’s Cannes Film Festival. “Squid Game” star Lee Jung-jae’s political thriller “Hunt” premiered as a midnight screening early in the festival; Davy Chou’s “Return to Seoul” landed a pre-Cannes deal with Sony Pictures Classics and is one of the hits of the Un Certain Regard sidebar; and Japanese director Hirokazu Kore-eda is in the main competition with “Broker,” his first film shot in South Korea in the Korean language.