By Tom Grater
12.04.2020 - 06:55 / hollywoodreporter.com
Can an hour-long TV drama skate by on scampish wit alone? That seems to be the gamble that Killing Eve's new showrunner Suzanne Heathcote, taking over from Emerald Fennell, is taking for the BBC America series' third season.
The first two scenes of Killing Eve's promising premiere — set at a gloomy gymnastics training session in 1970s Russia and a ravishingly elegant castle wedding in current-day Spain, respectively — feature exactly the kind of mischievously malevolent twists with which creator
.By Tom Grater
By Audrey Cleo Yap
She also took the opportunity to ask Billie Eilish to send over vocals for their long-awaited collaboration
BARCELONA — For over four decades, the Spanish island of Ibiza has captured the imaginations -- and wallets -- of international clubbers who have headed there to hear the masters of dance music take them on hourslong musical journeys in a beachfront bacchanalia. Back in the late 1980s, Paul Oakenfold and other British DJs famously took the island’s iconic music style to Lon
Money Heist Season 2 watched Berlin sacrifice himself to help his team escape the Royal Mint of Spain. The beloved character took several bullets to the chest as Nairobi, Helsinki and others made an escape from the Mint with the money.
Russian cinema is known for its dark and moody cinema, but upcoming film maker Kirill Sokolov is here to shake things up with his feature debut, Why Don’t You Just Die!. With Why Don’t You Just Die! writer and director Sokolov demonstrates the visual style and flair of early Tarantino.
[Note: In the wake ofthe Tribeca Film Festival's postponement this year,The Hollywood Reporteris reviewing select entries that elected to premiere digitally.] An alumna of the Cannes Cinéfondation Residence program who has earned attention with her short films, Israeli writer-director Ruthy Pribar makes an assured feature debut, balancing sobriety with emotional intensity in Asia.
Money Heist Season 4 ended on a cliffhanger note. In the final moments of La Casa de Papel, Professor finds himself in trouble when Alicia Sierra locates his hideout and confronts him.
The body count nearly matches the cast list in this bloody but inventive festival favorite from first-time Russian director Kirill Sokolov.