Sharon Stone is on the market and back on the apps! The 61-year-old star spoke with ET's Lauren Zima at the Elton John AIDS Foundation Academy Awards viewing party on Sunday about the recent snafu involving her Bumble account getting blocked.
22.01.2020 - 21:26 / variety.com
In Julie Taymor’s official Sundance entry “The Glorias,” 80 years in the life of feminist icon Gloria Steinem unfold in chronological order. Except when they don’t.
The visionary director behind “Across the Universe” says she could not bear the conventions of sweeping Hollywood biopics, which are fond of flashing title cards with years and geographic locations, among other shortcuts that do the heavy lifting for moviegoers. So Taymor dreamed up her own narrative device: a rusty Greyhound that
Sharon Stone is on the market and back on the apps! The 61-year-old star spoke with ET's Lauren Zima at the Elton John AIDS Foundation Academy Awards viewing party on Sunday about the recent snafu involving her Bumble account getting blocked.
Kristen Wiig’s pixie cut at the 2020 Oscars was inspired by Sharon Stone’s look in Basic Instinct.
“Giving Voice” has won the Festival Favorite Award, selected by audience votes from the 128 features screened at the 2020 Sundance Film Festival.
GÖTEBORG, Sweden — Norway’s Stian Kristiansen (“Homeground”, “The Man Who Loved Yngve”) has signed on to direct “Doppler” for long-time production partners at Motlys (“Louder than Bombs”, Homeground”).
“Kajillionaire,” the third feature by the artist Miranda July, is about a family of grifters who deliberately lives on the margins in Los Angeles. The father, Robert (Richard Jenkins), is full of conspiracy theories and other nonsense; the mother, Theresa (Debra Winger), is mostly silent as she goes along with him; and their adult daughter, Old Dolio (Evan Rachel Wood), is the product of their abuse — half imprisoned snail, half open wound.
Norway’s Sara Johnsen has won the 2020 Nordisk Film & TV Fond Prize for her writing on NRK’s “22 July,” a six-part painstaking – and often inevitably pained – reconstruction using fictional composite characters but often meticulously recreated scenes of how Norway reacted to its 2011 terror attacks.
Indie powerhouse A24 is closing in on worldwide distribution rights to Miranda July’s long-awaited third feature film “Kajillionaire,” insiders close to the deal told Variety, fighting off numerous other interested parties in a competitive situation.
In the midst of a whirlwind press tour for her Sundance biopic “The Glorias,” activist icon Gloria Steinem reflected on the state of women’s reproductive rights in Hollywood and beyond.
PARK CITY, Utah — Julie Taymor is better with lions than people.
Scandinavian major NENT Group has commissioned romantic drama “Harmonica” from Warner Bros. International Television Production Sweden.
“Charter,” Swedish director-writer Amanda Kernell’s eagerly anticipated second feature after the multi-prize-winning “Sámi Blood,” world premieres in Sundance and moves on to Göteborg and the Dragon competition for best Nordic film.
In “The Glorias,” Julie Taymor’s pinpoint timely yet rousingly old-fashioned biopic about the life and times of Gloria Steinem, the legendary feminist leader is portrayed by four different actresses at four different stages of her life.
GÖTEBORG, Sweden — Chosen to close the discussion dedicated to discrimination against elderly people at the Göteborg Film Festival, Pamela Tola’s “Ladies of Steel” fitted right into this year’s focus on feminism and gender at the Swedish event. Which managed to deliver on its 50/50 promise, with 54% of the presented films being directed by women.
The world is a weird place. Miranda July knows that, but the rest of us sometimes forget.
With “Myth: A Frozen Tale,” Disney Animation has crafted a visually stunning virtual-reality short film — a project that flexes its VR muscles but deftly uses the technology in service of storytelling. Sometimes VR experiences feel like proof-of-concepts straining to justify their 3D settings. “Myth,” by contrast, employs virtual reality so effectively it feels like the film’s emotional punches would be pulled if it weren’t in VR.
Glenn Close said Mila Kunis became a “friend for life” after they played an estranged mother and daughter in a new drama.