James Gray Wants To Do An ‘Armageddon Time’ Sequel Focusing On Anne Hathaway’s Character

Veteran studio executives Peter Kujawski and Jason Cassidy will receive an Industry Tribute at the 32nd annual Gotham Awards ceremony, taking place live and in person at Cipriani Wall Street in New York City on Monday, November 28.

Filmmaker James Gray has arguably been trying to avoid himself and his past these last few years, perhaps in order to create something new. A filmmaker who has spent much of his time exploring America and his roots in New York, with humanistic, moral, and family stories about class within the genre of crime (“Little Odessa,” “The Yards,” “We Own The Night”), in the last few years of his filmmaking career, Gray has seemingly gone as far away from New York as possible, into the jungles of the amazon for “The Lost City Of Z” (2014) and into the far reaches of outer space for “Ad Astra” (2019).  And while those films have expanded the palette of his preoccupation, “Ada Astra” in particular tackling ideas of American exceptionalism and its myths, perhaps both films—still centered on class, family, fatherhood and more— demonstrated, as far as he travels, the filmmaker cannot escape himself or his human obsessions and concerns.

Filmmaker James Gray has arguably been trying to avoid himself and his past these last few years, perhaps in order to create something new. A filmmaker who has spent much of his time exploring America and his roots in New York, with humanistic, moral, and family stories about class within the genre of crime (“Little Odessa,” “The Yards,” “We Own The Night”), in the last few years of his filmmaking career, Gray has seemingly gone as far away from New York as possible, into the jungles of the amazon for “The Lost City Of Z” (2014) and into the far reaches of outer space for “Ad Astra” (2019).  And while those films have expanded the palette of his preoccupation, “Ada Astra” in particular tackling ideas of American exceptionalism and its myths, perhaps both films—still centered on class, family, fatherhood and more— demonstrated, as far as he travels, the filmmaker cannot escape himself or his human obsessions and concerns.

is in many ways an everywoman story, it's also a look at a specific medium in a specific moment, as star Anne Hathaway recently pointed out.Asked about a potential sequel to the 2006 hit on The View, Hathaway mused, “I don't know if there can be [one], I just think that movie was in a different era. Now, everything has gone so digital, and that movie centered around the concept of producing a physical thing, and it's just very different now,” per . As denizens of the nation known as Condé Nast we are obligated to remind readers that, actually, Vogue still publishes a physical magazine every month, but the point stands.

“Till” is sixth on the box office charts after expanding to 2,058 theaters, grossing just $2.8 million for a per-theater average of $1,366 and a running total of $3.6 million. The good news for Chinonye Chukwu’s true-story drama about the murder of Emmett Till is that critical and audience praise has been overwhelming, with a 98% Rotten Tomatoes score and an A+ on CinemaScore.

Filmmaker James Gray’s “Armageddon Time” opens in limited release this weekend, Friday, October 28. A soulful, melancholy drama about family, friendship, loss, privilege, and more, it’s also a movie, like many of Gray’s films about class and America, and how its 1980s-set Ronald Regan-era echoes back to where we are today.

James Gray‘s “Armageddon Time” finally hits theaters today after its world premiere at the Cannes Film Festival this past May. And the film, Gray’s follow-up to 2019’s “Ad Astra,” has a great deal of buzz surrounding it, with near-unanimous critical support.

Hathahate.”Hathaway faced harsh criticism after winning the Oscar for Best Supporting Actress in “Les Misérables” in 2013, with people questioning her persona and calling her “annoying.”The actress became the butt of the joke all over the internet, with the New York Times even publishing an article titled “Do We Really Hate Anne Hathaway?” in which she’s depicted as one of the “princessy, theater-schooled girls who have no game and no sex appeal and eat raisins for dessert.”During her acceptance speech at ELLE’s 29th annual Women in Hollywood event, Hathaway, 39, decided to address the issue head on, saying that “the language of hatred begins with the self.”“Ten years ago, I was given an opportunity to look at the language of hatred from a new perspective,” she said. “For context — this was a language I had employed with myself since I was 7.

Hailey Bieber, Sydney Sweeney and Anne Hathaway were in attendance showing off their phenomenal personal style all the while.  MORE: What you didn't know about the Hailey Bieber and Selena Gomez reunionRELATED: Anne Hathaway looks enchanting in silver pearl-encrusted Valentino gown at New York Film FestivalAnne Hathaway wore Ralph Lauren for the occassionHeld at the Getty Center in Los Angeles, "Hollywood’s most esteemed stars gathered to toast not only their recent Elle covers, but the whole of the film and television industry’s evolution as a field where women can thrive," the publication explained on their website.

Lise Pedersen U.S. film writer and director James Gray (“Little Odessa”, “Two Lovers”, “The Immigrant”, “Armageddon Time”) drew several laugh-out-loud moments from a packed theatre during a masterclass at the Lumiere Film Festival in Lyon.   In a disarmingly honest conversation laced with humorous self-deprecation, the Venice Silver Lion Winner (“Little Odessa”, 1994) opened up about his love of cinema and the ups and downs of his career.  Speaking about the highly autobiographical nature of his new film, “Armageddon Time”, a deeply personal look at his Queens childhood in 1980s America, Gray explained that it was a natural evolution after his two previous films, “The Lost City of Z”, which is partly set in the Amazon and left him physically exhausted, and “Ad Astra.”  

Victoria Beckham is certainly not afraid of an outfit repeat. Since launching her eponymous label back in 2008 she has proved that she knows exactly what suits her and has stuck to a wardrobe of classic elevated separates, adopting a “If it ain't broke, don't fix it” approach to her style.MORE: 5 things we desperately want from Victoria Beckham's final Reebok dropRELATED: Victoria Beckham shares photo of Nicola Peltz and Brooklyn sitting front row at her Paris Fashion Week show Victoria teases a dress from her upcoming dropYesterday she stepped out in a white dress in a flowing trench silhouette (from her own brand of course), worn with pointed red patent and perspex Saint Laurent Chica pumps, as well as black boxy VB 70s shades and a brown bucket bag - it was a real life game of spot the difference. Case in point? The day earlier she sported the exact same silhouette in green and the same accessories down to the shoes and bag.

Anne Hathaway copied her ‘Devil Wears Prada’ look at New York Fashion Week by “accident”. The ‘Brokeback Mountain’ star didn’t mean to pay homage to Andy Sachs last month when she sat front row at the Michael Kors’ show next to Anna Wintour, the editor in chief of US Vogue and the rumoured inspiration for Meryl Streep’s character Miranda Priestly in the 2006 movie. While appearing on the ‘Today’ show on Wednesday (12.

Antonio Ferme editor James Gray’s “Armageddon Time” explores the complexity of the American Dream — the idea that every citizen should have an equal opportunity to achieve success through hard work and initiative — from the perspective of a Jewish family in 1980. “In some ways,” according to star Anne Hathaway, the status of this idealistic pursuit has remained “very similar” over the years. At the same time, the actor pinpointed a notable societal change that she hopes continues to persist. “If there’s one thing that I really do hope that we keep coming to a different place about because it keeps coming up at such an impossibly high cost, is that we’re more willing to see ourselves as a part of the problem,” Hathaway told Variety on Wednesday night at the “Armaggedon Time” New York Film Festival premiere. “Not in a fragile way, but in a way that we can affect change by changing ourselves.”

Martin Scorsese gave a long shout-out to the NYFF and the art of cinema on stage at Avery Fisher Hall as the fest celebrated its 60th anniversary with the world premiere of his latest documentary, Personality Crisis: One Night Only. It followed a screening of Armageddon Time, another New York story by native New Yorker James Gray.

has gone from good to great to… well, near perfect in the hair department this year, oscillating between chic French-girl fringes and elegant side partings and simple waves. Who can forget the —reminiscent of her character, Andy—which she wore to the Michael Kors show at New York Fashion Week in September? Talk about hairstyles for days.Her latest look sees her show off yet another stellar beauty moment.