Jaclyn Philpott Named Executive Director of Association Of Film Commissioners International

Editors note: Deadline’s Read the Screenplay series debuts and celebrates the scripts of films that will factor in this year’s movie awards races.

EXCLUSIVE: Aisha Porter-Christie has signed with CAA for representation. 

Rick Tuber, a TV and film editor who won an Emmy and an ACE Eddie Award for his work on NBC’s classic medical drama ER, died January 7 of a heart attack at Ronald Reagan UCLA Medical Center in Los Angeles. He was 69.

EXCLUSIVE: Shochiku has acquired Pan Nalin’s Last Film Show (Chhello Show) for Japan and has set a theatrical release on January 20. Last Film Show is among the 15 films shortlisted for International Feature Oscar and the first Indian title to make the cut in 21 years. 

The 60+ members of the National Society of Film Critics (mostly NYFCC and LAFCA members) too some time out on the first Saturday of 2023 to select their honorees for 2022. The top prize went to Todd Field’s “TAR” for Best Film which also won the equivalent prize from the aforementioned Los Angeles and New York critic organizations.

The National Society of Film Critics has named Tár as Best Picture in the group’s 57th annual vote Saturday. The results were announced on Twitter.

James J. Murakami, an art director, production designer and set designer on numerous film and television projects, died Dec. 15 at Ronald Reagan UCLA Medical Center in Los Angeles. He was 91 and suffered complications from a fall, according to his wife.

Deadline on Thursday launched its streaming site for Contenders Film LA3C: Conversations With Contenders, the awards-season event that took place Saturday as part of the lineup of the LA3C culture and music festival in downtown Los Angeles.

Alaric McAusland Tapped For MD Role At DNEG’s New Sydney HubTop Australian film exec Alaric McAusland has joined VFX and animation company DNEG’s new Sydney hub as managing director and will take up the role in January 2023. McAusland has held a number of significant entertainment industry leadership roles in both Australia and the U.S. across his 25-year career. Most recently, he served as Executive Director for the Australian Directors’ Guild and was previously Chief Operating Officer at the Emmy award-winning, Los Angeles-based production house, Grace: A Storytelling Company. He also served as Managing Director of Deluxe Entertainment Service Group Australia and is a past Chair of Ausfilm. Recently opened DNEG Sydney’s first project is leading the visual effects work for George Miller’s highly anticipated Mad Max prequel, Furiosa.  “I am delighted to welcome Alaric onboard to lead our new DNEG Sydney team,” said Merzin Tavaria, President Global Production and Operations, DNEG.

The DGA today announced the winners of its 28th annual DGA Student Film Awards for African American, Asian American, Latino & Women directors. The awards were created in 1995 “to address the severe underrepresentation of directors of color and women in feature filmmaking by honoring, encouraging and bringing attention to exceptional diverse directors in film schools and universities across the country.”

Albert Brenner, a production designer and/or art director on such films as Bullitt, The Turning Point, Pretty Woman and Backdraft who racked up five career Oscar nominations, has died. He was 96. The Mirisch Agency told Deadline he died December 8 in his sleep.

With all the talk about the diversification of the “new” Hollywood Foreign Press Association, particularly in terms of recruiting Black members to make up for the sheer paucity of them as revealed originally in a now-infamous Los Angeles Times report, it might be one of this morning’s key surprises in the nominations for the 80th Golden Globe Awards, that not a single film with strong Black themes or actors or behind the camera talent was among the Best Picture nominees in either Drama or Comedy/Musical categories. Most egregiously missing in those key categories, as well as directing and writing were hotly awards-buzzed The Woman King, Black Panther: Wakanda Forever, and Till, the latter film completely shut out despite heavy Oscar attention expected for its star Danielle Deadwyler who last week was named Best Lead Performance at the Gothams as well as Best Actress at the Critics Choice Celebration of Black Cinema & Television. Will Smith’s return in Emancipation from director Antoine Fuqua also was AWOL, although considering its decidedly mixed critical reception and inherent controversy (although not with the Globes) that isn’t all that surprising to see it snubbed.

“Till” star Danielle Deadwyler will receive the Breakthrough Performance Award, Actress at the 2023 Palm Springs International Film Awards on Jan. 5, Palm Springs International Film Festival organizers announced Monday.The award will be presented at the Palm Springs Convention Center in the desert resort town east of Los Angeles, at the beginning of a film festival that will run through Jan.

The Los Angeles Film Critics Association Awards split the difference on its Best Picture award, naming “Everything Everywhere All At Once” and “Tar” in a tie.

The NYFCC had their say, the National Board of Review surprised and, now, the Los Angeles Film Critics Association has anointed their Best Film for 2022. Or, should we rephrase that as “films”? For the first time since 1976, LAFCA chose two films for their top prize: Todd Field’s “TAR” and The Daniels’ “Everything Everywhere All At Once.” “Tar” also took Best Director, Best Screenplay and one of the Lead Performance honors.