It Starts On The Page: Read The ‘Shrill’ Series Finale Script From Aidy Bryant, Lindy West & Ali Rushfield

The second season of Amazon Studios’ Eric Kripke-created superhero series The Boys based on the bestselling comic by Garth Ennis and Darick Robertson only gained in momentum and swagger. Debuting in September, the eight-episode sophomore season nearly doubled the Season 1 worldwide audience (+89%) in just its first two weeks, and even got a shout-out from former President Barack Obama to boot.

The powerful finale of Amazon Studios’ limited series The Underground Railroad created by Oscar winner Barry Jenkins is the latest installment of Deadline’s It Starts On the Page, a series that highlights the scripts serving as the creative backbone of the TV awards season. The scripts have all been submitted for Emmy consideration this year and have been selected using criteria that includes critical acclaim, a range of networks and platforms, and a mix of established and lesser-known shows.

After a mysterious opening scene that tracks the fallout of a decadent Paris night and an almost neglected chess match, the first episode of The Queen’s Gambit masterfully explores the forlorn early life of the orphaned Elizabeth Harmon and her rise to international fame.

“Atticus and Leti can’t believe what they’re seeing,” reads the intricate script Misha Green penned for Lovecraft Country’s jaw-dropping first episode. “They remain with their Flares out like swords. Still on high alert even though it seems the danger has passed…for now.”

Mónica Marie Zorrilla SPOILER ALERT: Do not read if you have not yet watched the series finale of “Bosch”“Bosch,” Amazon Prime Video’s longest-running series, has finally reached its conclusion— kind of. While one big seven-season-long chapter closes for the abrasive, steadfast and intensive titular Hollywood detective Hieronymous “Harry” Bosch, the disgruntled and now decamped Los Angeles Police Department veteran is headed down a new road.

At a time when we were all locked down during the pandemic, it was fun to revel in a jet-setting, high-stakes and hijinks world, and HBO Max’s freshman series The Flight Attendant delivered that and showed a Kaley Cuoco we’ve never seen before, able to play various shades in spades.

HBO’s In Treatment has seen Uzo Aduba’s Dr. Brooke Taylor help her patients process their own emotions and traumas, but in Season 4’s “Brooke Week 5,” the doctor helps herself.

The Apple TV+ original series Dickinson won a Peabody Award for its first season, sparking to creator/writer/executive producer/showrunner Alena Smith’s contemporary take on the coming of age of American poet Emily Dickinson, played by Oscar nominee Hailee Steinfeld.

“In Gilead, self-control was the essential survival skill,” reads Bruce Miller’s script for the Season 4 finale of The Handmaid’s Tale. “June’s an expert,” adds the details, which comes from the episode, which is titled “The Wilderness” and launched on Hulu on June 15.

The first Shondaland project in Shonda Rhimes’ mega-deal with Netflix burst on the scene on Christmas Day 2020, when the Regency-era drama series Bridgerton hit the streaming service.

Big Mouth spinoff series Human Resources has been announced, with an ensemble set to join Nick Kroll and Maya Rudolph.The series will take place in the world of hormone monsters Maurice (Krol) and Connie (Rudolph), who usually exist in the minds of the teenage protagonists in Big Mouth.In Human Resources, the focus is on “the far more adult world of the monsters, also inhabited by the Shame Wizards, Depression Kitties and a host of other species which guide humanity through the various stages of

The series finale of FX’s Pose this month brought to a close the story of the denizens of the House of Evangelista after three groundbreaking seasons, with the last episode featured the mix of uplifting, heartbreaking and hopefulness that has defined the drama that shined a spotlight on New York’s ballroom culture and gay and trans communities in the 1980s and early ’90s during the height of the HIV/AIDS crisis.

Keeping Up with the Kardashians has come to a glorious end after 20 seasons and as expected, the highly-awaited series finale was an emotional, nostalgic roller coaster ride of feelings for the famous Kardashian-Jenner family.

came to an emotional conclusion on Thursday, and the show's stars — and fans — had a lot of feelings about the series finale.The docuseries wrapped up after 20 seasons, after first airing on E! in October 2007.

The Kardashian-Jenner family is looking toward the future in Thursday’s “Keeping Up With the Kardashians” series finale, and for Kim Kardashian West, that means getting candid about her divorce from husband Kanye West.

The Kardashian-Jenner family is saying bye to a historic reality TV run as “Keeping Up With the Kardashians” signs off after 20 seasons on Thursday.

Most of the series finale episode of Keeping Up with the Kardashians focused on celebrating the best moments of the past decade, but there was a big revelation made by Kim Kardashian.