It Starts On The Page: Read ‘Queen Charlotte: A Bridgerton Story’ Finale Script “Crown Jewels” By Shonda Rhimes

Billy Joel has responded to Fall Out Boy‘s updated cover of his song ‘We Didn’t Start The Fire’.Last month, the pop-punk band released a new version of Joel’s 1989 Number One hit, which originally included brief references to 118 significant political, cultural and scientific events between the years of Joel’s birth in 1949 and the song’s release in 1989.In the updated version, the original lyrics were replaced with standout events from where the song left off in 1989 to 2023.While speaking with BBC Radio 2’s Zoe Ball following his headline performance at London’s BST Hyde Park this weekend, Joel said: Everybody’s been wanting to know when there’s going to be an updated version of it, because my song started in ’49 and ended in ’89 — it was a 40-year span.”A post shared by BBC Radio 2 (@bbcradio2)He continued: “Everybody said, ‘Well, aren’t you going to do a part two?’ I said, ‘Nah, I’ve already done part one.’ So, Fall Out Boy, go ahead. Great, take it away.”In a statement shared around the song’s release, the band said: “I thought about this song a lot when I was younger.

Lots of stars are stepping out for the latest day of Wimbledon!

After debuting the first footage from Paul King’s Wonka at CinemaCon last year, Warner Bros today unwrapped the latest trailer for the prequel to Roald Dahl beloved Charlie and the Chocolate Factory. Timothée Chalamet stars as the enigmatic Willy Wonka in the pic that focuses on the candymaker’s origins.

From what we've seen in the first few weeks of the reality dancing competition so far, this cohort of celebs is certainly giving it their all. 

Fall Out Boy’s Pete Wentz has been discussing his band’s updated cover of Billy Joel’s ‘We Didn’t Start The Fire’. He’s explained the thinking behind the post-1989 events that they included, and also those that they didn’t – most notably the COVID pandemic, which, in a song about significant world events from the last 34 years, you might have thought would feature quite prominently.Speaking to Zane Lowe on Apple Music 1, Wentz said that the idea to update the song had been “brewing for so long”, but until recently he had been trying to convince other artists that they should do it.“I’ve been trying to get somebody to do it for four years”, he explained. “And finally Patrick [Stump, frontman] was like, ‘We should just do it’”.With that decided, then came the task of choosing what to include in the verses.

EXCLUSIVE: UTA has signed breakout actress Arsema Thomas for representation in all areas.

Fall Out Boy put a modern twist on a classic rock hit by updating the lyrics to Billy Joel’s “We Didn’t Start the Fire” more than 30 years after its 1989 release.

Fall Out Boy have released a cover of the Billy Joel song “We Didn’t Start the Fire” – updated to namecheck newsworthy items from 1989-2023. In the original, Joel lists significant events and figures from 1949 (his year of birth) to 1989.

Fall Out Boy have released an updated version of Billy Joel‘s ‘We Didn’t Start The Fire’ with headlines from the past 30 years.Joel’s 1989 Number one hit, ‘We Didn’t Start The Fire’, includes brief references to 118 significant political, cultural and scientific events between the years of Joel’s birth in 1949 and the song’s release in 1989.Today (June 28), Fall Out Boy shared a modernised version of the track, replacing the original lyrics with standout events from where the song left off in 1989 to 2023.“I thought about this song a lot when I was younger. All these important people and events – some that disappeared into the sands of time –others that changed the world forever,” shared the band on Twitter.“So much has happened in the span of the last 34 years – we felt like a little system update might be fun.

Editor’s note: Deadline’s It Starts on the Page features standout drama series scripts in 2023 Emmy contention. It showcases the critical role writers’ work plays in a show’s success. Arrangements were made before the WGA strike began on May 2.

Great Scott!Ben Schwartz is teaming with Film Independent and Mubi for a live reading of Robert Zemeckis and Bob Gale’s iconic script for “Back to the Future.” Schwartz will both direct the production and star as Marty McFly, the 1980s teenager zapped back in time to the wholesome 1950s. Quinta Brunson, Sam Richardson, Drew Tarver, Gil Ozeri, Bobby Moynihan and Scott Aukerman (who will be providing his services as narrator) also star.

Jazz Tangcay Artisans Editor Just last May, the world got to experience a real-life coronation when King Charles ascended to the throne. Over on Shondaland’s new Netflix series “Queen Charlotte: A Bridgeton Story,” there was a coronation too that needed to take place, and it was up to production designer David Ingram to create one. When it came to pulling off Queen Charlotte’s (played by India Amarteifio) coronation, Ingram considers it fortunate that the show was shot in the U.K. “We could get the carriage,” Ingram says, stressing it was a replica one. “We could hire it and adapt it. We were able to reupholster it and repaint it.” But the golden carriage was the least of his problems. The challenge was how to approach Westminster Abbey, traditionally used for real coronations, weddings and funerals, about how to shoot the scene.

Editor’s note: Deadline’s It Starts on the Page features 10 standout drama series scripts in 2023 Emmy contention. It showcases the critical role writers’ work plays in a show’s success. All arrangements were made before the WGA strike began on May 2.

Netflix has made some big changes to the way it reports streaming viewership.

Editor’s note: Deadline’s It Starts on the Page features 10 standout drama series scripts in 2023 Emmy contention. It showcases the critical role writer’s work plays in a show’s success. All materials (the script and writers intro) were submitted before the WGA strike began on May 2.

Queen Charlotte is all about marriage and romance - but it sounds like the cast themselves have been very lucky in love too! Sam Clemmett, who plays Brimsley in the hit show, recently revealed that he was celebrating that he and his wife Danarose Clemmett were celebrating their one-year engagement anniversary - and fans didn’t even realise that he had tied the knot!Sharing a snap of himself with Danarose, the actor captioned the post: "Been a year since we got engaged. Wow. Beyond lucky to call you my wife.

The royal family is celebrating Father’s Day with some sweet family photos. The social media pages for the Prince and Princess of Wales shared a picture of Prince William with his three children, Prince George, 9, Princess Charlotte, 8, and Prince Louis, 5.

On the Friday after Tom Wambsgans became the new puppet CEO of the Waystar-Royco media empire, the actor who has spent the past five years essaying the character’s ups, downs, and withering one-liners is propping up the bar of a small boutique hotel in London’s Chelsea. Matthew Macfadyen is nursing a lime tonic and contemplating a rest after several months of hard work on Succession’s blockbusting fourth season. In some other world, one imagines his fictional alter-ego is already discovering the poison in the chalice of the job he has spent a lifetime coveting. Macfadyen, instead, is content simply to think ahead to a quiet family dinner, and to reflect on the adventure of his past half decade.

Ted Lasso is moving its way up the Nielsen streaming charts.

Jon Burlingame “Queen Charlotte: A Bridgerton Story” has one of the most complicated, and yet stylistically unified, scores of any series this year — Kris Bowers‘ original score, the 18th-century period music, and a surprising number of string-quartet covers of 21st-century hits. The Netflix series, a prequel to the 2021 hit “Bridgerton,” imagines a Black bride for England’s King George III in 1761, chronicling their initially rocky marriage and her gradual understanding of the monarch’s mental illness; flash-forwards to 1817 feature an older and wiser queen. Bowers, who earned two Emmy nominations for his work, returned for the prequel but took a different approach. “This show needed a level of intimacy that the score for ‘Bridgerton’ doesn’t necessarily have,” he says. “My initial instinct was to write for a smaller ensemble, and to mic and mix the music in a way that was more intimate and tactile, a sense of closeness to the instruments.”