“Intimate Apparel” Comes to Actor’s Express on Jan. 8

Avril Lavigne has been in the music industry for two decades and is now loved by younger singers like Olivia Rodrigo.

Scots will be required to show proof that they have received three doses of the coronavirus vaccine to enter Austria.

Avril Lavigne is getting up to some trouble in the video for the new acoustic version of her song “Bite Me.”

Avril Lavigne has shared a new take on her recent single ‘Bite Me’, flipping it from a thrashy pop-punk belter into a tender acoustic ballad.The track arrived last Saturday (December 18) alongside a video directed by Minnesota rapper Mod Sun (who also worked on Lavigne’s forthcoming seventh album).

Outside of Ari Aster, nobody does horror cinema better right now than Robert Eggers. So, take notice, horror fans: “The Northman,” Eggers’ latest film since 2019’s “The Lighthouse,” hits theaters next April.

Jay Johnston, who voiced Bob Belcher’s (H. Jon Benjamin) business rival Jimmy Pesto in 43 episodes of Bob’s Burgers, has been sidelined from the Fox animated series due to his alleged involvement in the January 6 Capitol Riot.

Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest 2022.Heating up the stage with new music and a fan favorite is internationally renowned superstar Don Omar, who will be performing his track “Danza Kuduro” along with his new song with singer Nio Garcia, “Se Menea.” The latter was produced by beloved reggaeton producer Flow La Movie, who died tragically in a plane crash yesterday.Other performances on the lineup include one from pop punk icon Avril Lavigne, who will hit the stage with

Avril Lavigne has shared more details about her upcoming pop-punk album, saying it’s inspired by Green Day and that “it’s a love letter to women”.Lavigne’s seventh record is due “at the top” of 2022 on Travis Barker’s label DTA Records (home of fellow pop-punker Jxdn).

Brian Wilson: Long Promised Road, a documentary film about The Beach Boys co-founder, will be released in UK cinemas on 21st January, 2022.Directed by Brent Wilson (unrelated to Brian), the documentary charts Wilson’s life and career through “a literal and metaphorical trip exploring Brian’s hometown”.The film features talking head appearances from Bruce Springsteen, Elton John, Nick Jonas, Linda Perry, Jim James, Gustavo Dudamel, Jakob Dylan, Steven Page, Taylor Hawkins, Al Jardin, Bob Gaudio,

Avril Lavigne has revealed that she is planning on adapting her 2003 single Sk8er Boi into a feature-length film.

Avril Lavigne’s ‘Sk8ter Boi’ is not just a great feat of songwriting, it’s one of the great contributions to the history of storytelling. And so it makes total sense that, 20 years after it was originally released, the song is going to get turned into a full-length feature film.It’s an age old story, of course.

Avril Lavigne is bringing one of her iconic songs to the big screen!

Avril Lavigne has revealed that she’s going to turn her 2002 hit ‘Sk8er Boi’ into a film.The pop-punk singer said in a new interview that the song’s story about a “missed opportunity at love” will be explored in a movie, however, she did not confirm if she’s had anything green-lit by film production companies.Lavigne was addressing the track’s upcoming 20th anniversary while speaking on the podcast She Is The Voice on iHeartRadio when she made the comments.“Recently with it being almost the 20th

Skins star April Pearson has announced that she’s pregnant after having sadly suffered a miscarriage earlier this year. April, 32, broke the news on her Instagram and explained that in the wake of her miscarriage, her current pregnancy is classed as “high risk”.The actor already knows the gender of her child, and revealed she’s expecting a baby boy.

Did the world ask for a sequel to 2020’s “Sonic The Hedgehog?” All things considered in the world arena, probably not. However, before COVID-19 shut down the globe last March, Jeff Fowler‘s directorial debut raked in nearly $320 million on a $90 million budget.

Flash, flicker, flash, cut to black. We’re watching grainy film of men walking in and out of the stalls in a West German public toilet, casting glances at each other, maybe a fumbling feel; a reverse angle shows us the camera behind the mirror. The men can’t see it, but some of them must surely guess it’s there and defy the odds anyway. Because without defiance, without desire, what are they? Without those things, they know they will only ever be half-alive.