‘Inside Out 2’ Review: New Feelings Propel a Pixar Sequel Enchanting Enough to Second That Emotion

It’s Disney/Pixar’s weekend to lose with the third session of Inside Out 2, which is expected to do $55 million-$60 million at the domestic box office — and maybe even more. At the pace it’s going, many believe it will blow past the final domestic of Illumination/Universal’s Super Mario Bros Movie which wound up with $574.9M.

Rebecca Rubin Senior Film and Media Reporter Will audiences care about the world of “A Quiet Place” without John Krasinski or Emily Blunt? That’ll be the presiding question as “A Quiet Place: Day One,” a prequel story in Paramount’s post-apocalyptic horror series, hits theaters on Friday. The film, which takes place a while before the Abbotts (the family at the center of the prior two movies) were forced into hiding from terrifying, sound-hunting creatures, is expected to collect a solid $40 million to $50 million in its opening weekend. The prequel cost $67 million to produce.

It’s no secret that theaters are struggling, and 2024 was shaping up to be another disappointing year. You know it’s a rough year when we’re already at the end of June, and “Dune: Part Two” is the highest grossing film worldwide ($711 million).

Patrick Frater Asia Bureau Chief “Inside Out 2” enjoyed a stellar second weekend at the South Korean box office, comfortably beating local thriller “Hijack 1971.” The Pixar animation recorded a week-on-week drop of only 15% to score $10.3 million between Friday and Sunday, according to data from Kobis the box office tracking service operated by the Korean Film Council (Kofic). Its market share through the weekend was a powerful 70%. Those performances give the film a $28 million cumulative after 12 days in Korean cinemas.

just as joyous for “Inside Out 2.”The Pixar sequel collected $100 million in ticket sales in its second weekend, according to studio estimates Sunday, setting a new record for an animated movie in its follow-up frame in theaters.The previous best second weekend for an animated title was the $92 million for “The Super Mario Bros. Movie.” Only six movies ever have had better second weekends.In just a week and a half, “Inside Out 2” has become 2024’s highest-grossing film to date with $724.4 million globally, including $355.2 million in US and Canadian theaters.That passes the $711.8 million worldwide total of “Dune: Part Two.” “Inside Out 2” will likely blow through the $1 billion mark in about a week, which would make it the first film since “Barbie” to do so.The extent of the “Inside Out 2” success startled Hollywood, which had grown accustomed to lower expectations as the film industry watched ticket sales this year slump about 40% below pre-pandemic totals, according to data firm Comscore, before “Inside Out 2” came along.The record haul for “Inside Out 2,” though, recalled past years when $1 billion grosses were more commonplace for the Walt Disney Co.It is also a much-needed blockbuster for Pixar, which after experimenting with direct-to-streaming releases, reconsidered its movie pipeline and approach to mass-audience appeal.Now, “Inside Out 2,” which dipped a mere 35% from its $154 million domestic debut, is poised to challenge “The Incredibles 2” ($1.2 billion) for the all-time top grossing Pixar release.It could also steer the venerated animation factory toward more sequels.

Whoever wrote that the theatrical business is dead may want to run a correction as Disney/Pixar’s Inside Out 2 is potentially headed to a historic second weekend for an animated movie, topping Illumination/Universal’s Super Mario Bros Movie‘s $92.3M.

Owen Gleiberman Chief Film Critic It may now be hard to imagine, but in 1970, Donald Sutherland, who died Thursday at 88, was the coolest movie star on the planet. The moment I saw him in “MASH,” I knew he was the person I wanted to be, the same way that I wanted to be Mick Jagger or Steve McQueen. In 1970, Pacino and De Niro hadn’t happened yet.

After the best opening box office weekend of 2024, it’s safe to declare that “Inside Out 2” is the much-needed success Pixar hoped it would be. But has the sequel righted the studio’s ship entirely? Only time will tell there, but its continued success this week foretells the film may end up, against all odds, the movie of the summer, if not the year.

Owen Gleiberman Chief Film Critic On November 16, 1964, when she was 18, Liza Minnelli stepped onto the stage of the London Palladium to join in a concert given by her mother, Judy Garland — the first time the two of them appeared onstage together. Liza, the year before, had done an Off Broadway musical, but this performance was her entrée into the world spotlight.

Second biggest domestic animated opening of all-time at $154.2M, and second largest for Pixar: Behind Disney/Pixar’s own Incredibles 2 ($182.6M) and ahead of Illumination/Universal’s Super Mario Bros Movie‘s 3-day of $146.3M. Pixar are now responsible for 3 of the top 4 domestic animated openings of all-time.The biggest opening for an animated movie worldwide at $295M: That is when using current exchange rates and in like-for-like markets; higher than Super Mario Bros Movie.

Disney/Pixar‘s Inside Out 2 continues to electric boogaloo at the box office with a Monday of $22.2M, the second highest Monday ever for a Pixar movie after 2018’s Incredibles 2‘s $23.6M.

Patrick Frater Asia Bureau Chief Pixar’s “Inside Out 2” leaped to a crushing first place debut at the South Korean box office on its opening weekend. The American animation film earned $12.3 million from 1.75 million ticket sales between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). Over the five days since its Wednesday debut, it accumulated $14.7 million and 2.08 million ticket sales.

Inside Out 2.” The animated sequel earned $155 million in ticket sales from 4,440 theaters in the U.S. and Canada, according to studio estimates Sunday.Not only is it the second-highest opening weekend in Pixar’s 29 years of making films and the second-biggest animated opening ever (behind only the $182.7 million launch of “Incredibles 2” in 2018); It’s also the biggest of 2024, and since “Barbie.” With an estimated $140 million from international showings, “Inside Out 2” had a staggering, and record-breaking, $295 million global start.Tony Chambers, who heads theatrical distribution for Disney, was confident that the film would do “extremely well.” But even he was surprised at how much it exceeded already high expectations.“People go to the theaters for great movies,” Chambers said.

Owen Gleiberman Chief Film Critic Overflowing with insight; stuffed with bracing interviews and anecdotes and archival footage; as bursting with flavor as a baked ziti; and as immersive, in its way, as the show itself, “Wise Guy: David Chase and the Sopranos” is Alex Gibney’s sensationally artful and engrossing two-hour-and-40-minute documentary about the greatest show in the history of television. If you’re a fanatic for “The Sopranos” (and who isn’t?), you probably already know a fair amount about how the show came to be, and “Wise Guy,” for a while, treads familiar ground.

Tomris Laffly While there was much Oscar buzz around “Killers of the Flower Moon” actor Lily Gladstone (one of the most exciting cinematic names of the past decade), there was another Gladstone-starrer out in the world last year, quietly captivating a smaller audience in limited release. That picture was Morrisa Maltz’s hypnotic road movie “The Unknown Country,” an original narrative touched by a documentarian’s perceptive sensibility that followed Gladstone’s Tana on a journey through the American Midwest and, ultimately, her grief.

Inside Out,” with a voice cast led by Amy Poehler, which returned it to the inventive glory days of “Toy Story” and “Ratatouille.” Almost a decade later, Pixar’s crisis is now existential. Its fortunes at the box office have plummeted, the movies often stink, it’s been forced to lay off staffers and is quickly losing its once-dictatorial grip on American childhoods.

“Hey, kids! Let’s go to the multiplex and check out that animated movie about a moderately talented teenage girl trying out for a place in a slightly older ice-hockey team,” said practically no American parent to the delight of their children ever. Yet this is the path that Pixar have chosen for the sequel to 2015’s Inside Out, a twee but nevertheless thoughtful film that sought to sort out the jumble of emotions inside an 11-year-old girl’s mind as she adapted to life in a strange new city. This time round, our heroine is settled in, facing another less seismic yet much more personal change when she is forced to choose between doing what might be best for her, long-term, and doing what (in the movies, at least) is right.

We are going to take a wild guess that when you first heard the news that 2015’s Oscar-winning “Inside Out” was getting a follow up you immediately thought, “Oh, no. Not a sequel to a beloved animated movie.

It’s been nearly a decade since the original film came out, so the animation required some updates before Inside Out 2 would be ready to go. For this, Pixar had a team of both new and returning craftspeople working tirelessly to rework the world and introduce a new set of emotions to tell a new story for the sequel.

Owen Gleiberman Chief Film Critic In “The Freshly Cut Grass,” there’s a scene that captures how people who’ve been married for a while, and are in the thick of raising children, can snipe at each other in dog-whistle ways that mean nothing and everything. Pablo (Joaquín Furriel), a professor at an agronomy college (he basically instructs his students about dirt), says that he thinks his teaching job is “shitty.” But his wife, Carla (Romina Peluffo), has no job at all (and is up for an interview), so she takes his comment as an insult. She snaps at him, then apologizes and lays her head on his shoulder; we think their snit is over.