Ben Croll Leading the news and documentary jury at this year’s Monte-Carlo Television Festival, Peabody and Emmy-winning filmmaker Tom Jennings has seen the non-fiction business trend toward premium offerings with more event series – an evolution shared across much of the larger television landscape and pushed, in no small part, by streamers. “Ten to 15 years ago, we were a ratings driven business,” he tells Variety. “Now, it’s a question of getting people to sign up and stick around because what they like is on a given platform.” For companies likes Jennings’ 1895 Films (named for the year the Lumière brothers screened their first films – all of them non-fiction, he adds) the shifting terrain has resulted in shorter episode order with greater budgets as docs and dramas find themselves showcased alongside one another with little divide.