I’m a viral ‘Fossil Daddy’ — my rocks will knock your socks off

King Charles and Queen Consort Camilla appeared locked deep in conversation as they boarded a train for the final leg of their Germany tour. The King, 74, and Queen Consort, 75, were greeted by crowds of flag-waving well-wishers when they arrived at Berlin-Hauptbahnhof railway station as they prepared to travel to the northern port city of Hamburg.

The King will become the first British monarch to address German politicians from the Bundestag, while the parliament is in session, during his historic state visit to the country. Charles will deliver a speech which will celebrate the deep historical bonds and longstanding links between Germany and the UK.The King and Queen Consort’s state visit to Germany, the first of Charles’ reign, began on Wednesday with a ceremonial greeting at Berlin’s iconic Brandenburg Gate.

King Charles and Camilla, the Queen Consort, have officially kicked off their new reign as Britain's monarchs, touching down in Germany for their first foreign trip. The king and his wife were greeted with a 21-gun salute and two flyover jets upon their arrival.They were also met by supporters as they descended from their plane, making their way to their vehicle.

The King's Coronation is just around the corner and that means It's almost time to get the bunting out, stock up on the tablecloths and bring out the 'big' chairs in anticipation.

King Charles has taken on a new ceremonial role with the British Army’s military engineers – following in the footsteps of his mother, the late Queen. Buckingham Palace announced that the King, 74, has become Colonel-in-Chief of the Corps of Royal Engineers. Known as the Sappers, the Engineers are multi-skilled soldiers and combat engineers who provide global military engineering and technical support to the armed forces and their allies.The King held an audience with Chief Royal Engineer Lieutenant General Sir Tyrone Urch at the Palace on 14 March.

King Charles III’s visit to Paris and Bordeaux has been postponed amid the ongoing mass protests against the French government.

King Charles' state visit to France has been postponed, the French Presidency has confirmed, amid the country's ongoing protests over retirement reforms.The visit would have been Charles' first to France since becoming King.The French Presidency confirmed the postponement on Friday morning, 24 March. A Government spokesperson said: “The King and Queen Consort’s state visit to France has been postponed.

Visitors to Westminster Abbey can for the first time stand in the exact spot where the King will be crowned - but only in socks. Special guided “barefoot” tours in celebration of the Coronation on 6 May will include access to the Cosmati pavement, one of Britain’s greatest medieval art treasures, which is usually roped off to the public.

increasing censorship in the city.Film distributor VII Pillars Entertainment announced on Facebook that the release of “Winnie the Pooh: Blood and Honey” on Thursday had been canceled with “great regret” in Hong Kong and neighboring Macao.In an email reply to The Associated Press, the distributor said it was notified by cinemas that they could not show the film as scheduled, but it didn’t know why. The cinema chains involved did not immediately reply to a request for comment.For many residents, the Winnie the Pooh character is a playful taunt of China’s President Xi Jinping and Chinese censors in the past had briefly banned social media searches for the bear in the country.

Winnie the Pooh: Blood and Honey was due to take place in the special administrative region of China this week. However, it would seem that the horror film‘s release has now been cancelled without a reason being provided.VII Pillars Entertainment said on its Meta socials (both Facebook and Instagram) that it was with “great regret” that the scheduled release of the film on 23 March had been cancelled.

Patrick Frater Asia Bureau Chief The theatrical release of low-budget slasher movie “Winnie the Pooh: Blood and Honey” in Hong Kong has been abruptly canceled just two days before its scheduled outing. No explanation has been offered, but suspicions that the film may have crossed one of Hong Kong’s increasingly complicated political red lines are certain to be raised. That is because the Winnie the Pooh character is unflatteringly perceived to have a physical resemblance to China’s president, Xi Jinping. Online search for Winnie the Pooh is heavily censored within mainland China and Winnie the Pooh products are not distributed. China did not permit the import and release of Disney’s 2018 Winnie the Pooh film “Christopher Robin.”

Vivienne Chow To the 12 members of Mirror, forming a boy band and becoming Hong Kong’s Canto-pop singing sensation upon winning a reality show in 2018 was a dream come true. Five years on, the boys are dreaming bigger than ever. “Some of us really want to join Marvel,” Mirror member Edan Lui tells Variety in an interview. The statement may come across as a joke. But no, it is not, as fellow member Anson Lo, Lui’s co-star in the 2021 hit ViuTV BL drama “Ossan’s Love Hong Kong,” echoes: “We want to get on some talk shows in the U.S. as well, or any Hollywood movies, TV, live performances. Yes, please invite us.” The band’s Hollywood wishlist did not emerge just out of the blue. It came after the recording of their English debut single “Rumours,” a catchy EDM-influenced tune that has just been released worldwide Friday (March 17), along with a storied music video that follows the 12 members — Frankie Chan, Alton Wong, Lokman Yeung, Stanley Yau, Anson Kong, Jer Lau, Ian Chan, Jeremy Lee, Keung To, Tiger Yau, Lui and Lo — on a secret mission after a mysterious girl, jammed with dance sequences set in the Hong Kong streetscape.

Although Filmart felt quiet on its first morning, with many attendees glued to their phones watching the Oscars, it soon turned into a reasonably vibrant market, with sales companies locked in back-to-back meetings, new project announcements and a few star appearances to liven up proceedings. 

An unexpected love triangle. The Below Deck Sailing Yacht season 4 trailer hinted at lots of drama — specifically between longtime cast members Gary King, Daisy Kelliher and Colin MacRae.

Patrick Frater Asia Bureau Chief Kowloon Walled City — one of Hong Kong’s most famous landmarks, or infamous trouble spots, depending on your point of view — fell prey to the developers’ bulldozer 30 years ago. But it remains an icon of the territory’s gritty spirit and is being painstakingly re-created for action thriller feature “Twilight of the Warriors: Walled In.” The film is a beacon for how Hong Kong cinema is now evolving. Directed by hot-shot Soi Cheang, whose “Mad Fate” recently played in Berlin and is set for imminent local release, “Twilight” boasts leading stars Louis Koo, Sammo Hung and Richie Jen, plus emerging talents Philip Ng, Raymond Lau and Terrance Lau.

Marcus Lim Chinese TV producer Linmon Media struck a decidedly international tone during the presentation of its 2023-24 slate at FilMart, with presenters speaking about their Chinese-language projects in only English and Korean, and handing out sleek project literature in multiple languages. Apart from a slate of romance, medical and crime dramas targeted at domestic audiences, the studio is actively remaking its hit female-led contemporary drama “Nothing but Thirty” in Thailand, Indonesia and Hong Kong, having previously licensed the remake rights to Korean pay TV network JTBC. The drama, which follows the lives of three women as they transition from their 20s into their 30s, is emblematic of the Linmon slate, which is heavy on female-centric contemporary romance dramas.

Patrick Frater Asia Bureau Chief “We need more love stories, even if they have their ups and downs,” says Hong Kong-based producer Cora Yim, who is behind the Hong Kong – Asia Film Financing Forum (HAF) in-development project “The Marriage Drive.” HAF runs takes place alongside the FilMart rights market.  The film is a simple-to-describe idea that writer-director Lawrence Kan has been kicking around and developing for some six years. The story involves a middle-class professional couple — he’s in the legal sector, she’s in finance — and tracks their childless, but not loveless, marriage over a period of 10 years from marriage to divorce.

Patrick Frater Asia Bureau Chief Work-in-progress film project “The Remnant” is both a spotlight on those who feel powerless and also a very Hong Kong example of elements of the city pulling themselves up. “The Remnant” is one of the projects in the Hong Kong – Asia Film Financing Forum (HAF) unspooling March 13-15 alongside Hong Kong’s Filmart market. It tells the story of a former gangster who, upon his release from prison, sets up a laundry in an anonymous district and lives a quiet life. After property developers try to grab a rundown building, young gangsters try to throw people out of the building, drug addicts cause trouble and the old-timer heeds his neighbors’ calls and fights back.

Patrick Frater Asia Bureau Chief The much-decorated Japanese drama “Drive My Car” was named the best film Sunday at the Asian Film Awards, defeating hot favorite “Decision to Leave.” Other notable awards went to Japan’s Hirokazu Kore-eda whose “Broker” debuted at Cannes, but which was largely shunned in his home country. “Decision to Leave,” which started the evening with ten nominations, was nevertheless rewarded with three awards, best screenplay, best production design and best actress for China’s Tang Wei.

Patrick Frater Asia Bureau Chief The Asian premiere of Soi Cheang’s “Mad Fate” is just one of three locally-produced movies that have been set as the opening and closing titles of the upcoming Hong Kong International Film Festival. “Mad Fate” is joined in the festival opening slot on March 30 by “Elegies,” Ann Hui’s documentary portrayal of the topography of contemporary local poetry, which will have its world premiere. The closing film, another world premiere, is “Vital Sign,” an affecting drama directed by Cheuk Wan-chi and starring Louis Koo, Yau Hawk-sau, and Angela Yuen, which will wrap up proceedings on 10 April. In total, the festival has programmed some 200 films from 64 countries and territories. These include nine world premieres, six international premieres, and 67 Asian premieres.