How we made Roald Dahl’s Matilda the Musical: from West End musical to movie marvel

Arctic Monkeys are the defining British band of their generation.

Dua Lipa has met Queen Consort Camilla. The 27-year-old pop star was greeted by the Queen Consort - who was formerly known as Camilla, Duchess of Cornwall until her husband King Charles acceded to the throne upon the death of his mother Queen Elizabeth in September - when she made a speech at the Booker Prize ceremony in London, and the pair are said to have had a lengthy conversation. In a video message, the Queen Consort said: "Welcome to my Reading Room, and to our community of lovers of all things literary.

as the brutal Miss Trunchbull in the clip — in which the plucky Matilda Wormwood overcomes cruel parents and teachers.“I like troublemakers Wormwood, they make such a lovely sound when they snap,” Thompson says, before the trailer cuts to a later scene showing Matilda standing up to her.The 2 minute, 22 second teaser also features scenes of Matilda’s abusive parents — played by Stephen Graham and Andrea Riseborough — neglecting the youngster and making her sleep in the attic when all she wants to do is read.It includes the famous scene from the book in which Matilda’s classmate, Bruce, gobbles down a decadent chocolate cake in front of the whole school. In another part, Miss Trunchbull grabs a girl’s pigtails and swings her around until the kid flies into the air.Lashana Lynch stars as the kind-hearted teacher Miss Honey, who becomes a friend to Matilda.

Roald Dahl’s classic heroine is leading a musical revolution.

, and Luke Kelly of The Roald Dahl Story Company. The film opened London Film Festival last week and will premiere on Netflix Dec. 25.Check out the trailer above or here.

The first ever trailer for Roald Dahl‘s Matilda the Musical has just arrived!

What’s not to love about Roald Dahl‘s “Matilda“? The 1998 children’s novel follows a precocious young girl who discovers she has superpowers and uses them to take charge of her destiny against the likes of her rotten headmaster, Miss Trunchbull. Movie fans of a certain generation will remember the 1996 film, but the book also became an award-winning musical in 2010.

Following its debut as the opening night gala at the London Film Festival last week, Roald Dahl’s Matilda the Musical now has an official trailer – check it out above.

Guy Lodge Film Critic Children’s literature loves few things as much as a mighty monster who remains, against all outward appearances, defiantly benign — one who sets out to soothe young nightmares after initially stoking them, ultimately proving that fears and anxieties aren’t limited to little folk. Boris, the cheerfully dorky title character in Ruth Stiles Gannett’s 1948 book “My Father’s Dragon,” is cut from the same soft felt as Frank L. Baum’s Cowardly Lion, Roald Dahl’s Big Friendly Giant or Jill Murphy’s Worst Witch. A would-be flying fire-breather who hasn’t yet found his wings or his flames, he has even more growing up to do than fearful 10-year-old hero Elmer, and their mutual guilelessness sets the tone for Irish animator Nora Twomey’s winningly sweet-natured, visually transporting adaptation.

EXCLUSIVE: eOne has struck a multi-year first-look deal with BAFTA-winning writer-director Paul Andrew Williams.

EXCLUSIVE: Oscar-winner Emma Thompson, who plays Miss.Trunchbull, the horrible headmistress who bullies a book-loving schoolgirl and her classmates in Roald Dahl’s Matilda The Musical, has revealed how she had trouble getting her child co-stars to loathe her.

Emma Thompson picks up her young co-star Alisha Weir in a cute hug during the Matilda The Musical photocall in London on Wednesday afternoon (October 5).

Tim Minchin said it is surreal hearing his music as the soundtrack to Hollywood blockbuster Matilda The Musical. The movie based on Roald Dahl’s beloved book kicked off the 66th edition of the London Film Festival on Wednesday, two months before its cinematic release. Directed by Tony winner Matthew Warchus, it stars Dame Emma Thompson as bullish headteacher Miss Trunchbull and Bafta rising star Lashana Lynch as Matilda’s kindly teacher Miss Honey.

Manori Ravindran International Editor Musicals aren’t for everyone, but “Roald Dahl’s Matilda the Musical” seemed to be right on tune for the BFI London Film Festival. The Netflix movie adaptation of the stage musical, which debuted in the West End in 2012, opened the 66th edition of the festival on Wednesday night, where despite starting 45 minutes late, it found an appreciative audience in the Royal Festival Hall crowd, which included a number of revolting children. The Netflix and TriStar Pictures pic stars Emma Thompson as psychotic headmistress Miss Trunchbull, Lashana Lynch as Miss Honey, Stephen Graham and Andrea Riseborough as Matilda’s parents and Sindhu Vee as confidante Mrs. Phelps.

There are stories so good they can withstand any amount of retelling. Matilda began life as Roald Dahl’s rollicking tale of an outrageously spirited, clever little girl who defeats the bullying headmistress whose vocation is to make children miserable. The Royal Shakespeare Company turned it into a Christmas musical that burst the banks of the festive season, running for years and winning seven Olivier Awards in 2012 in London, then five Tonys the following year in New York. Now, director Matthew Warchus, along with writer Dennis Kelly and songwriter Tim Minchin, has directed the London Film Festival opener Roald Dahl’s Matilda the Musical for the screen. And once again, it is an absolute blast.

Guy Lodge Film Critic What children love about Roald Dahl’s books is the very thing other writers tend to dodge when adapting them: that icy, unapologetic streak of misanthropy, so exhilarating to kids who have been instructed to see the good in everyone, opening their eyes to the nastier, more ironic adult world that awaits them. Even the craftiest, classiest Dahl adaptations tend to mollify that cruelty somewhat: Nicolas Roeg’s “The Witches” is viciously frightening but tacks on an unmitigatedly happy ending, while Wes Anderson’s “Fantastic Mr. Fox” muffles the violent survivalism of its source tale with its director’s more gently quirky world-building. Already based on one of his kindlier stories, “Roald Dahl’s Matilda the Musical” further softens matters by pruning the presence of its funniest adult grotesques to accommodate more child’s-eye exuberance. The long-late author probably would have grumbled; young viewers will be delighted nonetheless.