How not to catch a thief: the glamorous history of Cannes jewellery heists

Her debut chat show may have been delayed before it began, due to the pandemic, but presenter Angela Scanlon still had a profitable year, the Irish Mail on Sunday revealed.

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iOS - Android The limit on attendance at weddings and funerals will increase to 200 people.Travellers who are fully vaccinated through a UK vaccination programme and children arriving into Scotland will no longer be required to self-isolate and take a day eight test, but adults and children over 12 will still take tests before travelling and on day two after arrival.Face coverings will continue to be mandatory in certain settings.Ms Adamson said: “It is good news to see the move to level 0 from

Arnaud Desplechin returns to the Cannes Film Festival with Deception (Tromperie), a self-indulgent Philip Roth adaptation that’s only marginally better than 2017’s derided Ismael’s Ghosts. One of the late Roth’s most openly personal novels, it details a string of affairs conducted by Jewish-American writer “Philip,” here played by French actor Denis Podalydes, speaking French.

Jazz Tangcay Artisans EditorWscripted has unveiled its inaugural Cannes Screenplay List of scripts in the English language to option at Cannes.Wscripted is the first online marketplace for sourcing and curating excellent work written by women and women-identifying writers in film TV, and publishing.

Oliver Stone has argued that American financiers appear reluctant to support films about U.S. political history after he had to turn to Europe to fund his documentary JFK Revisited: Through the Looking Glass.

Jodie Turner-Smith’s jewel-encrusted gown and accompanying accessories caught the eye at the Cannes Film Festival.

EXCLUSIVE: Streamer and theatrical distributor Mubi has closed its first on-the-ground Cannes business, signing a multi-territory deal for Sebastian Meise’s second feature Great Freedom, which premiered here in Un Certain Regard.

CANNES – If you’ve already read Graham Swift’s novel “Mothering Sunday,” you’re well aware of the sensual and provocative nature of many of the scenes. The description of young English housemaid Jane Fairchild and the relatively young lord of the manor Paul Sheringham’s coupling leaves little to the imagination.

Clio Barnard returns to the Cannes Film Festival with the British drama Ali & Ava. While billed as a romance, the Directors’ Fortnight entry doesn’t take the path of a traditional idealized love story, instead exploring the connection between a new couple within Barnard’s social realist world. Based on locals that she encountered while filming The Arbor (2010) and The Selfish Giant (2013) in Bradford, it stars Claire Rushbrook (Secrets & Lies) as Ava and Adeel Akhtar (Four Lions) as Ali.

“The Story of Film: A New Generation,” which was afforded the honor of unofficially opening the 2021 edition, the Thomas film is split into thematic sections looking at sex, politics, death and stars.Thomas grew up on film sets. His father and uncle — Ralph and Gerald — were hugely successful producers and directors, making the iconically British series of “Doctor” films and “Carry On” comedies.

EXCLUSIVE: Principal photography has started in Tunisia on contemporary drama Contra, set in the aftermath of the powerful anti-government protests that provoked a wave of change in the region, known as the Arab spring.

If the Merchant Ivory factory of well-appointed period British cinema was still in operation, a film adaptation Graham Swift’s novella Mothering Sunday, debuting today as part of the Cannes Film Festival Cannes Premiere section, might have been something they would have snapped up immediately.

Eran Kolirin is best known to worldwide audiences for his debut breakout, 2007’s The Band’s Visit. That film was Israel’s submission to the Oscars and had a good shot at taking the Foreign Language prize, but its use of English ultimately saw it disqualified. Since then, Kolirin has made just three features, including this year’s Un Certain Regard premiere Let There Be Morning.

Andrea Arnold turns her astute observational skills to the bovine world in Cow, a Cannes Premiere with a difference. It’s a documentary that follows a cow on an English farm over time, watching her intently as she gives birth and gives milk. Humans are only featured when they enter her orbit, and snatches of dialogue inform us of basic information. Her name is Luma, she is protective of her calves, and she isn’t getting any younger.

EXCLUSIVE: Netflix has swooped on world rights to horror film CURS>R out of the Cannes virtual market, we can reveal.