Naman Ramachandran As the mercury soared, collections plummeted as the heatwave across England took its toll on the U.K.
22.07.2020 - 17:39 / deadline.com
Tom Grater International Film ReporterEXCLUSIVE: When Netflix chief Reed Hastings recorded an audio essay for the BBC last month, one comment stood out within his message of solidarity for an industry besieged by virus disruption: “Throughout the pandemic, we’ve seen our members watching more content from other countries or cultures.”The streamers and their global reach have evidenced over recent years that audiences will consume film and TV from outside their immediate experiences, and that the
.Naman Ramachandran As the mercury soared, collections plummeted as the heatwave across England took its toll on the U.K.
Sam Mendes' harrowing World War I movie 1917 debuted at the top of China's box office this weekend, as the country's theatrical business still deals with pandemic-related restrictions on operations. China's cinemas are now into their third week of reopening after a novel coronavirus enforced lockdown in January, and theatrical companies are operating with limits on the number of screens and with strict social distancing measures in place.
Patrick Frater Asia Bureau ChiefAction thriller, “Deliver Us From Evil” had a $10.6 million opening weekend in South Korean cinemas, lifting the country’s overall box office by 75%.The film, directed by Hong Won-chan (“Office”) and starring Hwang Jung-min and Lee Jung-jae, was released on Wednesday and ran off with a $15.0 million total over five days.
Rebecca Davis editorSam Mendes’ World War I saga “1917” took the top spot at China’s box office this weekend with a $5.3 million debut, according to data from industry tracker Maoyan, as overall nationwide ticket sales dipped down from the week before.Meanwhile, the China premiere of the 20th Century Fox’s racing drama “Ford V. Ferrari” flopped and came in fifth with just $1.2 million.
Nancy Tartaglione International Box Office Editor/Senior ContributorChina’s third Friday back to the movies scored a slight increase on last week’s comparable day at $4.38M. It’s short of the $7.6M generated last Sunday which was boosted by Warner Bros’ reissue of Christopher Nolan’s Interstellar, but still a jump on last Friday, while midweeks were solid.
Nancy Tartaglione International Box Office Editor/Senior ContributorWhile Universal’s Dolittle and Warner Bros’ reissue of Interstellar were the big kahunas in China this weekend, Russell Crowe-starrer Unhinged hit the road in 19 new markets over the session. Among them, the UK, Australia, Netherlands and New Zealand where the Solstice Studios pic was No.
Rebecca Davis editorLocal content is proving more of a draw than Hollywood films as China’s cinemas get back on their feet.
Nancy Tartaglione International Box Office Editor/Senior ContributorSATURDAY UPDATE: Since cinemas reopened in China’s low-risk areas on July 20, the market today had its biggest day yet. Box office was $5.74M (RMB 40M) overall for the day, according to Maoyan figures.
Nancy Tartaglione International Box Office Editor/Senior ContributorChina’s second Friday with cinemas back to business in low-risk areas rang up another $4M at local turnstiles, a 39% increase versus the same day last week. About 60% of movie theaters are now operating, with capacity limits and social distancing still in place, so all numbers are to be taken with a grain of salt, though they are encouraging.
Patrick Frater Asia Bureau ChiefZombie action thriller, “Peninsula” dominated the South Korean box office for the second weekend. I beat competition that comprised a mix of reruns and smaller local titles.“Peninsula,” a sequel to the 2016 hit “Train to Busan,” earned $4.49 million between Friday and Sunday.
Nancy Tartaglione International Box Office Editor/Senior ContributorOn their first Friday back to operations, Chinese cinemas did roughly $2.92M worth of box office business — more than tripling Thursday’s figures and making a sizable jump from Monday when theaters opened to about $501K in low-risk areas across the country.
Nancy Tartaglione International Box Office Editor/Senior ContributorWith some of China’s cinemas reopened this week in low-risk areas, and as tomorrow sees Beijing get partially back to business as well, box office has continued to rise. As of 11:30PM tonight local time, Thursday’s takings hit $940K, according to ticketing service Maoyan.
Nancy Tartaglione International Box Office Editor/Senior ContributorAs expected, Chinese authorities have given the go-ahead for cinemas in Beijing to reopen this coming Friday. That’s also when the first new Hollywood titles will hit the market, including Dolittle and Bloodshot.
Nancy Tartaglione International Box Office Editor/Senior ContributorEXCLUSIVE: Lots of movement on the international box office front this past weekend, and into the beginning of the week. Korean zombie sequel Peninsula, as we reported Sunday, made a meal of five overseas markets with a $21M Wednesday-Sunday frame.
Anthony D'Alessandro Editorial Director/Box Office EditorEXCLUSIVE: In a weekend where Warner Bros.’ Christopher Nolan’s Tenet was expected to reopen the major circuits, Disney’s reissue of 2017’s Beauty and the Beast led all titles with an estimated $467K at 527 locations. Disney/Marvel’s Iron Man was second with $430K at 462 sites. Beauty and the Beast ranked No.
South Korean filmmaker Yeon Sang-ho’s Peninsula — a follow-up to the 2016 cult zombie action flick Train to Busan — scored an impressive $20 million in its international debut in a much-needed boost for the box office, according to early industry estimates. That includes $13.2 million in South Korea despite capacity limitations and ongoing concerns amid the novel coronavirus.
Nancy Tartaglione International Box Office Editor/Senior ContributorAs Chinese cinemas began the reopening process today, box office crossed $472K by 8PM local. Maoyan’s real-time ticketing platform reports that play is led by new entry A First Farewell at around $184K.
Nancy Tartaglione International Box Office Editor/Senior ContributorYeon Sang-ho’s Peninsula, the follow-up to his 2016 zombie smash, Train To Busan, made a meal of the international box office this weekend, in Korea and four other markets. The thriller sequel (aka Train To Busan Presents: Peninsula) already logged the biggest opening day score of the year in its home market on Wednesday and went on to rule the weekend with what Kobiz estimates is a $13.2M Korea bow.
Nancy Tartaglione International Box Office Editor/Senior ContributorPeninsula, Yeon Sang-ho’s follow-up to his 2016 zombie smash, Train To Busan, is off to a thrilling start at the international box office where it kicked off in three markets beginning yesterday. In the home hub of Korea, Peninsula (aka Train To Busan Presents: Peninsula) had a Wednesday take of $2.4M on 2,338 screens to log the biggest opening score of the year.
A 40-year-old Star Wars film has topped the box office chart in the UK, as cinemas continue to resort to old favourites to woo back customers.