How ‘Across the Spider-Verse’ Pays Homage to The Sex Pistols, Graphic Artist Syd Mead and Canadian Hockey

our box office analysis last week of the struggles of “The Flash” and Disney/Pixar’s “Elemental,” the DC film suffered from multiple problems, including tepid word-of-mouth upon release, the deep disinterest among casual audiences in DC given its impending reboot, and lead star Ezra Miller’s public scandals, which left Warner Bros. unable to build a marketing campaign around the actor playing the film’s title star like most superhero films.

Naman Ramachandran Sony’s “Spider-Man: Across The Spider-Verse” led the U.K. and Ireland box office for the second consecutive weekend with £4 million ($5.1 million), according to numbers from Comscore. The web-slinging animation now has a total of £16.2 million. Paramount’s “Transformers: Rise Of The Beasts” debuted in second place with a healthy £2.9 million. In its third weekend, in second position, Disney’s “The Little Mermaid” collected £2.1 million for a total of £19.9 million. In fourth place, another Disney title, “Guardians Of The Galaxy Vol 3” earned £511,837 in its sixth weekend for a total of £35.5 million. Rounding off the top five in its fourth weekend was Universal’s “Fast X” with £475,640 and a total of £14.2 million.

Jazz Tangcay Artisans Editor It took a village to build the costumes for Shonda Rhimes’ latest “Queen Charlotte: A Bridgerton Story.” Costume designer Lyn Elizabeth Paolo and co-costume designer Laura Frecon paired up to tell young Queen Charlotte’s (India Amarteifio) story and her rise to power in Britain, after her marriage to King George III. But even though Rhimes told Paolo it was going to be a “small spin-off,” the costume designer who had worked with her on “Scandal” and “How to Get Away With Murder” knew that Rhimes would want “everything to be glorious.” There were going to be grand scenes, such as a funeral and a coronation. Frecon says, “We were told there were no balls,” referring to the grandiose costume fetes that marked almost every episode of “Bridgerton.”

Jazz Tangcay Artisans Editor Composer Daniel Pemberton pushed a few boundaries and “made something really creative and different” when he scored 2018’s “Spider-Man: Into the Spider-Verse.” When he returned to score the sequel, “Spider-Man: Across the Spider-Verse,” he knew he would have to “push it as far as we can go.” Pemberton says he had to build the score from the ground up, which was complicated. “You’re trying not to make a score that sounds like other film scores. You’re trying to invent your own language.” Inventing that language took experimentation, research and failure. He explains, “I spent two years researching and developing this score, going through ideas, coming up with concepts and throwing them out.”

Spider-Man: Across the Spider-Verse” using Legos. The trailer became such a viral sensation that he got a call from the film’s writer-producers Phil Lord and Chris Miller, who wanted him to make a scene for the film.

Zack Sharf Digital News Director The name Preston Mutanga might not ring a bell, but anyone who has contributed to the $235 million and counting box office haul for “Spider-Man: Across the Spider-Verse” has seen his work on the big screen. Mutanga is a 14-year-old from Toronto, Canada, who landed a role as an animator on “Across the Spider-Verse” after he recreated the film’s trailer shot-for-shot in the style of LEGO blocks and left producers Chris Lord and Phil Miller dazzled (via The New York Times). Not too bad for your industry debut. Mutanga uploaded his LEGO remake of the “Across the Spider-Verse” trailer to Twitter on Jan. 2 (see the post below). Lord and Miller, both active Twitter users, caught wind of the clip and were impressed — the directors know a thing or two about crafting LEGO-inspired sequences as the directors of 2014’s “The LEGO Movie.” When the team decided they wanted a scene in “Across the Spider-Verse” set in a LEGO universe, they decided to reach out to Mutanga.

according to IMDB’s Box Office Mojo.The computer-animated flick enjoyed the biggest opening day of any movie so far this year, according to Deadline. It is also the third highest earner of any animated film, after “Incredibles 2” and “Finding Dory.”The Post called the follow-up to 2018’s “Spider-Man: Into the Spider-Verse” “a dazzling, brilliant sequel.”“The Little Mermaid,” which opened last week and made a big splash in theaters, fell to second place, with $11.8 million in sales.Disney’s live-action adaption of the 1989 classic made headlines this week after IMDB announced it was changing its rating system due to “unusual voting activity” involving the film.

Adam B. Vary Senior Entertainment Writer SPOILER ALERT: This story discusses major plot developments and surprises throughout “Spider-Man: Across the Spider-Verse,” now playing in theaters. For months, the directors of “Spider-Man: Across the Spider-Verse” had been working exhaustively on a critical sequence that launches the movie’s second act. For the first time in his life, the animated film’s hero — Miles Morales (Shameik Moore), a.k.a. the Spider-Man of Earth-1610 — enters a different dimension: Earth-50101, a.k.a. Mumbattan, a dazzling amalgamation of New York City and Mumbai. Within minutes, Miles and his BFF from 2018’s “Spider-Man: Into the Spider-Verse,” Gwen Stacy (Hailee Steinfeld), encounter that world’s Spider-Man, Pavitr Prabhakar (Karan Soni), an Indian teenager who received his powers not via spider bite, but through magic. The sequence launches them all through the vertiginously vertical metropolis, as they frantically try to stop the film’s villain, the Spot (Jason Schwartzman), from using Mumbattan’s supercollider to increase his dimension-hopping abilities.

Marvel‘s Spider-Verse franchise in a new interview.The suggestion came up while Isaac was speaking to to the British edition of GQ to promote the latest animated Spider-Man movie, Spider-Man: Across the Spider-Verse.Isaac – who voices Spider-Man 2099, a futuristic version of the web-slinger in the film – was asked by journalist Lucy Ford if there was anyone he hoped would join the cast in the franchise’s coming films.“I don’t know,” he responded. “They’re so brilliant at finding the right person for the right character, but maybe Pedro Pascal.

After the massive weekend success of Sony Animation’s Spider-Man: Across the Spider-Verse, there are a lot of rival studios that are looking at executing their comic book IP differently on the big screen. Quite often, animated superhero projects are released directly to the home (think Warner Bros DC’s myriad superhero toon movies like 2010’s Superman/Shazam!: The Return of Black Adam and Disney+/Marvel Studio’s avant garde series What If?). Leave it to the guys who bedazzled many with the near half billion grossing The Lego Movie, Phil Lord and Christopher Miller, to revolutionize the family animated genre once again.

Oscar Isaac is already imagining the next Spider-Verse film and has a role for Pedro Pascal.

Naman Ramachandran Sony’s “Spider-Man: Across The Spider-Verse” debuted atop the U.K. and Ireland box office with £9.1 million ($11.3 million), per numbers from Comscore. Disney’s “The Little Mermaid” continued its strong performance in the territory, collecting £4.2 million in second place in its second weekend for a total of £16.2 million. In third position, in its third weekend, Universal’s “Fast X” earned £1 million for a total of £13.3 million. Occupying fourth place in its fifth weekend was Disney’s “Guardians Of The Galaxy Vol. 3” with £993,389 for a total of £34.6 million. Disney’s “The Boogeyman” debuted in fifth position with £492,071.

WARNING: Spoilers ahead for “Spider-Man: Across the Spider-Verse”Miles Morales’ journey in “Spider-Man: Across the Spider-Verse” takes him into a world filled with Spider-Men from across the superhero’s long history of comics, movies and other media. This means that there were plenty of surprise cameos for hardcore fans, including one by none other than Donald Glover.

Oscar Isaac is just like us! By that, we mean that he also binges reality television in his downtime.

Jordan Moreau SPOILER ALERT: This article contains major spoilers for “Spider-Man: Across the Spider-Verse,” now playing in theaters. Just like the infinite Spider-Verse itself, there are so many different versions of Spider-Man and other spider-themed heroes that pop up in “Across the Spider-Verse” that it’s almost impossible to keep track of everything.

“Spider-Man: Across the Spider-Verse,” the sequel film to 2018’s “Into the Spider-Verse.” Miles Morales (voiced by Shameik Moore) returns to meet even more Spider-people as he and Gwen Stacy (Hailee Steinfeld) travel to more crazy dimensions, meeting Oscar Isaac’s Spider-Man 2099.Another loaded soundtrack accompanies the even more ambitiously animated sequel film. Executive Produced by Leland “Metro Boomin” Wayne (who features in many of the songs) and Ethan Stevens, the “Across the Spider-Verse” soundtrack also includes Swae Lee, Lil Wayne, A$AP Rocky, Offset, James Blake, Lil Uzi Vert, Don Toliver, Nas, 2 Chainz and 21 Savage.

Spider-Man: Across The Spider-Verse has received overwhelming praise from critics, who have described it as “in the running for the best superhero film ever”.Directed by Joaquim Dos Santos, Kemp Powers and Justin K. Thompson, the animated superhero film is the sequel to 2018’s Oscar-winning Spider-Man: Into The Spider-Verse.In the follow-up, Miles Morales (Shameik Moore) is launched on another adventure into the multiverse alongside Gwen Stacy (Hailee Steinfeld).A synopsis reads: “Miles Morales catapults across the multiverse, where he encounters a team of Spider-People charged with protecting its very existence.

“Spider-Man: Across the Spider-Verse.” Somehow, the movie is even more ambitious and complex than the original film. Not only is it significantly more complicated on a visual level, but the emotions this time around are even deeper, as we traverse the larger Spider-Verse with Miles and Gwen (Hailee Steinfeld), meet the hard-assed Spider-Man 2099 (Oscar Isaac) and ponder the question: can you even be Spider-Man without being saddled with a tragic backstory?TheWrap sat down with “Spider-Man: Across the Spider-Verse” writers and producers Phil Lord and Chris Miller, along with the directors Kemp Powers, Justin K.

Hailee Steinfeld is extremely grateful to be a part of the Marvel Cinematic Universe (MCU).

WARNING: MAJOR spoilers ahead for “Spider-Man: Across the Spider-Verse”When you open up the entire Spider-Verse, you’re going to meet a lot of Spider-Men. But, “Spider-Man: Across the Spider-Verse” brought the appearance of more than just Spider-men, -women, and -animals — it also brought a few major live-action characters.Once again, spoiler warning; this is where you turn back if you don’t want to know who we’re talking about just yet.OK, still here? Let’s get into it.