‘Holy Spider’ Producers Look to Hit High Note With Jazz Drama ‘Köln 75’ (EXCLUSIVE)

Love Island fans have been left shocked after Luca Bish made a huge blunder by talking to his current partner Paige Turley about his potential love interest Tasha, making Paige's 'head spin'. Whilst the UK public voted to put Luca, 23, and Paige, 20, in a couple together from Day One of season eight of the hit ITV show, Luca’s attentions have been focused on 23 year old Yorkshire dancer, Tasha Ghouri. It seems that his affections are being returned by the blonde beauty, however, drama has ensued, after Luca has accused Tasha’s partner Andrew Le Paige, 27, of ‘snaking him’.

Emiliano De Pablos Two of Portugal’s most international production houses – SPi, producer of the country’s first Netflix Original series “Gloria,” and Caracol Protagonista – are teaming to co-produce police drama series project “O Último Lobo” (“The Last Wolf”).The show tells the true story of Franklim Lobo, one of the greatest European drug lords, exploring his rise, and the corruption in the Portuguese police in the late 1990s. Portuguese filmmaker Bruno Gascon, whose credits include “Carga” and “Shadow,” is the writer-director.The eight-episode series focuses on Castilho, an honest police investigator with a dark past, who sees it as his personal mission to capture Lobo.

Wilson Chapman editorMidge is taking Los Angeles by storm. A new two-day pop-up based on “The Marvelous Mrs. Maisel” is coming to the city June 18 and June 19, Prime Video has announced.Titled “Making LA Marvelous,” the pop-up site will feature sets inspired by the recent fourth season of the popular Rachel Brosnahan starring comedy series, including a recreation of Susie Myerson’s office from the show, as well as areas inspired by real-life New York locations Russ & Daughters deli and the Blue Note Jazz Club.

Naman Ramachandran Streamer and distributor MUBI has acquired Ali Abbasi’s Cannes Film Festival competition title “Holy Spider” for the U.K., Ireland, Latin America and Malaysia. The film will be released theatrically followed by an exclusive MUBI streaming release. The film follows family man Saeed as he embarks on his own religious quest — to “cleanse” the holy Iranian city of Mashhad of immoral and corrupt street prostitutes.

MUBI has acquired rights to Cannes hit Holy Spider for the UK, Ireland, LatAm and Malaysia.

review of the film for TheWrap, Ben Croll wrote that Abbasi with “Holy Spider” turns the murder thriller “upside down, telling a story where the killer’s identify is never in doubt and his intentions are always crystal clear, and where the greatest source of tension comes from wondering whether anyone in power will lift a finger to stop him.”Abbasi wrote “Holy Spider” with Afshin Kamran Bahrami. Sol Bondy and Jacob Jarek produced the film.

Nick Vivarelli International CorrespondentDanish-Iranian director Ali Abbasi’s boundary-pushing serial killer thriller “Holy Spider has been acquired by U.S. sales and distribution company Utopia for North America.Based on a real Iranian crime case, “Holy Spider” – which made a major splash when it premiered in the Cannes competition on Sunday – is about a family man named Saeed (Mehdi Bajestani) who becomes a serial killer as he embarks on his own religious quest to “cleanse” the holy Iranian city of Mashhad of street prostitutes. Pic chronicles a killing spree in the streets of Mashhad, where 16 prostitutes were found dead from 2000 to 2001.  A local journalist, Rahimi (Zar Amir-Ebrahimi), is trying to crack the case as she grows frustrated by the police’s apathy toward finding the murderer.

EXCLUSIVE: Utopia has finalized its North American deal for Cannes Competition pic Holy Spider, the noir thriller from Danish-Iranian filmmaker Ali Abbasi. We told you the deal was all but there a couple of days ago.

A drastic departure from his prior films “Border” and “Shelley,” Ali Abbasi’s newest film, “Holy Spider,” draws inspiration from the 2000-2001 crimes and subsequent trial of Saeed Hanaei (played here by Mehdi Bajestani), a war veteran-turned-serial killer in the Iranian city of Mashhad who murdered 16 sex workers, claiming that he was cleansing the holy city of sinners and corruption in the name of Islam.

Forbes). “I know we are human beings and that we are very complicated, and the power of art is that it knows no color. Because human beings, when they sit and watch art they want to feel less alone.

unleashed smoke bombs and unrolled a list of murdered women just before the world premiere of Ali Abbasi’s serial-killer drama “Holy Spider.” And if the demonstration’s cause was only too just, its context was all too uncommon, since these protesters were seemingly there to support, not oppose, Abbasi’s violent and disturbing film. To follow up his Un Certain Regard-winning “Border,” the Iran-born Denmark-based director has burrowed into a chilling bit of true-crime from his native country, reimagining the 2001 case of a religious fanatic who slaughtered 16 young women and using that premise to explore systemic misogyny writ large. He does so by turning the murder thriller upside down, telling a story where the killer’s identify is never in doubt and his intentions are always crystal clear, and where the greatest source of tension comes from wondering whether anyone in power will lift a finger to stop him. The killer in this case is middle-aged construction worker Saeed (Mehdi Bajestani).

EXCLUSIVE: Holy Spider, the Ali Abbasi-directed Iranian serial killer thriller, is nearing a deal for U.S. rights with Utopia, the U.S. sales and distribution firm owned by Robert Schwartzman and Cole Harper. The provocative Cannes Competition film premiered today on the Croisette to strong applause.

Ramin Setoodeh Executive Editor“Holy Spider,” a gritty drama about a real-life Iranian serial killer, stunned the Cannes Film Festival at its premiere on Sunday afternoon, earning a thunderous seven-minute standing ovation and bringing a jolt of electricity to what’s been a sleepy festival so far.The film, from Iranian-Danish director Ali Abbasi (“Border”), chronicles a killing spree in the streets of the religious city of Mashhad, where 16 prostitutes were found dead from 2000 to 2001.  A local journalist, Rahimi (Zar Amir-Ebrahimi), is trying to crack the case as she grows frustrated by the police’s apathy toward finding the murderer. But in one of many twists in this drama, the identity of the serial killer is revealed early on — he’s a war veteran named Saeed (Mehdi Bajestani), a seemingly normal family man who spends his nights picking up women on his motorcycle and brutally strangling them in his home as a religious cleansing ritual.

Jessica Kiang It is hard to watch the brutalization of women on screen, especially when you know it is a re-creation of an actual crime. But it is harder still — rightly, valuably so — if you’ve been made to notice the way this woman’s lipstick is smeared over her cracked lips, if you’ve seen the old bruises that mottle that woman’s body beneath her chador, or watched her carefully stash her flats in a crinkled plastic bag as she switches into heels in a dingy bathroom.

Sometimes it hardly matters whether we know a story is based on truth or not. Watching Ali Abbasi’s thunderously damning Holy Spider, on the other hand, it drives a wedge into your mind knowing that a serial killer really did terrorize the Iranian holy city of Mashhad in the early 2000s, that he killed 16 street prostitutes, that there were police who conspired to help him escape and that there were people in Iran — a lot of people, he keeps assuring his family — who were on the murderer’s side. He was doing God’s work.

stormed the Cannes red carpet donned in body paint to disrupt the “Three Thousand Years of Longing” premiere, a new protest erupted at the start of the red carpet for competition title “Holy Spider,” in which a group of women held smoke bombs and a massive poster — though this time the demonstration appears to have been pre-planned. The group involved in the demonstration is Les Colleuses, a guerilla feminist movement in France.

Matt Donnelly Senior Film WriterA group of women protestors staged a dramatic scene at the Cannes Film Festival on Sunday, releasing plumes of smoke from handheld devices and displaying a long banner for the global press.At the premiere of “Holy Spider,” director Ali Abbasi’s female-centered thriller, roughly 12 women in formalwear gathered on the famed stairs of the festival’s Grand Palais with raised fists — filling the space with thick black smoke and holding a long scroll of women’s names.Security seemed unfazed by the event, allowing the protestors to be filmed and photographed. One insider close to the production said the protest was not a coordinated stunt to promote the film, about a journalist who travels to the Iranian holy city of Mashhad to investigate a serial killer murdering sex workers.

Cannes has had another protest on the red-carpet, a couple of days after a naked woman demonstrated against violence towards women in Ukraine.

Vanessa Lachey is enjoying the success of . ET spoke to the star of CBS' hit TV drama at the Paramount+ upfront event, about the show, and having her big career moment in her 40s.«I was just driving here with my friend and agent, Logan, and we were talking about, 'Wow, I’m in my 40s, I have worked my whole life doing what I love, and now it's come to a place where it gets to be what I love in a place I love — Hawaii, with the people I love,» Lachey gushed. «My family moved there, doing other things, like, hosting other shows for Netflix, or being able to finally write the book that I wanted to write, have the show -- it all just feels very surreal, but like, all the hard work has come to fruition.»While it's definitely a pinch-me moment for the host and actress, Lachey said she's just trying to live in the moment and «relish in it.»She continued, «I'm just really trying to live in the moment. I just recently saw, I think it was Tom Hanks who said — he gave an analogy about how when you're on top of the world, you're on top of the world, but that also, it will pass, so, just take in the moment, live in the moment and just relish in it.»The latest spin-off of the  franchise sees Lachey as Jane Tennant, NCIS' first female special agent in charge of NCIS Pearl Harbor.