‘Hollywood 2.0’: How the Rise of AI Tools Like Runway Are Changing Filmmaking
23.02.2023 - 03:53
/ variety.com
Jazz Tangcay Artisans Editor When “Everything Everywhere All At Once’s” visual effects artist Evan Halleck was working on the rock universe scene, he brought in cutting-edge artificial intelligence tools from Runway — such as the green screen tool that removes the background from images. “It was cutting things out better than my human eye was, and it gave me a clean mat that I could use for other things.” From the rise of deepfake technology to AI being used to generate scripts, AI is on the rise. It’s faster, cheaper and Halleck says, on a film like the Oscar-nominated A24 film, “Rotoscoping, in my opinion, has been a very slow and painful process. So, it was nice to automate things.”
For the film’s rock scene, Halleck says, “We used a green screen tool. Pulleys pushed the rocks, gravel and sand forward. But when I was cutting those things out of the shot, things were not clear.” Not only did he have a tight deadline, but the VFX team on the film was small — made up of eight people — so he sought out alternatives that would speed things up and turned to Runway CEO Cris Valenzuela, who helped build the tools.
Time was of the essence. Runway AI tools optimized his work, Halleck says, “I was cutting out the characters, placing them cleanly on a plate shot in minutes versus what takes half a day.” Admittedly, Halleck wishes he had discovered a tool like Runway sooner. In the scene where Michelle Yeoh’s Evelyn flips through multiverses in seconds, all 300 shots were handmade. “I look back and I wish I had that for when we were working on it, instead of spending weeks working on it and photoshopping aliens,” Halleck says. Valenzuela has seen the growth of Runway working on projects for New Balance, Alicia Keys and even
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