‘Godzilla X Kong: The New Empire’ Final Trailer: Monsterverse Duo Return To Fight A New Titan Threat On March 29

Naman Ramachandran Honors were even atop the U.K. and Ireland box office as Universal’s “Kung Fu Panda 4” and Warner Bros.’ “Godzilla X Kong: The New Empire” battled for top spot during the Easter holiday weekend. While “Godzilla X Kong: The New Empire” won the three-day weekend, “Kung Fu Panda 4” had the higher gross including previews.

Patrick Frater Asia Bureau Chief Legendary Entertainment’s “Godzilla x Kong: The New Empire” had the best opening in China of any Hollywood film this year. It scored $44.6 million (RMB317 million) in mainland Chinese cinemas between Friday and Sunday, according to data from consultancy firm Artisan Gateway. That was a nearly 70% share of the country’s weekend box office. Nationwide, cinemas enjoyed $64.1 million of business, a significant leap from the $39.5 million they earned in the previous weekend.

Godzilla-King Kong combo stomped on expectations as “Godzilla x Kong: The New Empire” roared to an $80 million opening on 3,861 North American screens, according to Sunday studio estimates.The monster mash-up from Warner Bros. and Legendary Pictures starring Rebecca Hall and Brian Tyree Henry brought the second-highest opening in what has been a robust year, falling just short of the the $81.5 million debut of “Dune: Part 2.”Projections had put the the opening weekend of “Godzilla x Kong: Frozen Empire” at closer to $50 million.Last week’s No.

Barbenheimer. Barbie, listed in our 2023 spring movie preview, and Oppenheimer, which was not, had yet to assert their primacy over the year’s box office and pop culture conversation.Few conceived those two films would spark a phenomenon that rippled through media, fashion, merchandising, music, and awards show after awards show after awards show.After all the hype and hot takes, red carpet looks, historic victories and milestones, the Barbenheimer convo only really finally abated with the Oscar wins that shuffled Barbie, Ken, and Oppy off the stage in March, ushering cinema into the spring/summer season.Now, new cinematic fascinations await, new soundtracks of the summer, your next new favorite character or performance, some star-making smash that’ll keep the world talking until 2025.

Godzilla x Kong: The New Empire is huge!

Selena Kuznikov Although Fala Chen teams up with the massive Kong to battle against a humongous hidden creature in “Godzilla x Kong: The New Empire,” a minuscule monster snuck up on her at the premiere. “I got stung by a bee, but it’s okay,” Chen said. “I saw it on the carpet and was like ‘Oh there’s a bee, I should try to get rid of it,’ and then it stung me.” The TCL Chinese Theater and a portion of Hollywood Boulevard was transformed into a jungle wonderland on Monday for the premiere of the film.

Rebecca Rubin Film and Media Reporter After three days of release, “Godzilla x Kong: The New Empire” stands as the third-highest-grossing movie of the year. It has collected a mighty $194 million globally in its opening weekend, ranking behind only “Dune: Part Two” ($626 million after five weeks of release) and “Kung Fu Panda 4” ($347 million after four weeks of release) in terms of overall ticket sales. The monster mashup, from Warner Bros.

whopping $37 million during its first week in theaters, according to IMDB’s Box Office Mojo. The Rebecca Hall-helmed big budget beastly buddy film, which The Post said has “a brain-busting plot,” opened in 3,861 theaters, and follows 2021’s “Godzilla vs.

J. Kim Murphy Some movie stars don’t lose their luster. A 90-year-old ape and a 69-year-old reptile are taking over domestic charts this weekend, as Warner Bros.

Warner Bros/Legendary Entertainment’s Godzilla x Kong: The New Empire is out and roaring at the international box office, generating $15.9M from 49 markets through its first two days overseas (Wed/Thurs). Not included in that total is the strong China opening day today which came in at an estimated RMB 96.9M ($13.4M).

Brent Lang Executive Editor “Godzilla x Kong: The New Empire” is looking mighty as it heads into its opening weekend, earning an impressive $10 million in Thursday previews. The muscular results come despite the fact that the film suffered meh reviews — critics faulted the latest clash of the primordial beasts for hectic pacing and overstuffed plotting. Variety‘s Owen Gleiberman, for instance, dismissed the film as “overly busy boilerplate” (though he liked the finale).

In the wake of Dune: Part Two, Kung Fu Panda 4 and Ghostbusters: Frozen Empire, Legendary/Warner Bros‘ Godzilla x Kong: The New Empire continues to provide momentum to the box office following a lack of event titles in Q1 due to the strikes. Tonight, sources tell us that the Adam Wingard directed monster mash movie is seeing $8M from previews that began at 3PM Thursday in roughly 3,400 locations. That’s arguably the second-best previews ever for a Legendary’s Monsterverse movie following the first 2014 Godzilla which posted $9.3M. That Gareth Edwards directed lizard movie went on to make $38.4M on its first Friday with a 3-day of $93.1M.

Jennifer Maas TV Business Writer Warner Bros. and Legendary are hoping for a monster-sized opening weekend for “Godzilla x Kong: The New Empire” and are tapping every method possible to pull in moviegoers, including partnering with Roblox to grab the attention of its young audience so that they will sway their parents to take them to the theater. Over the past two weeks, Warner Bros.

between lizard and monkey. A creaturely collab.But “x” is also the symbol that should have been prodigiously used to cross out the script’s many, many stupid ideas.

The utterly convoluted lengths filmmakers will go to contrive some excuse to make monsters fight has become exasperating. Moreover, the unique paradox at the heart of Legendary’s Monsterverse series continues.

There is a twist with the latest offering from the now-decade-old Monsterverse, a franchise that has featured Kong and Godzilla in their own movies and then in 2021’s Godzilla vs. Kong battling each other to the death. (These monsters never really die. But you knew that). The twist this time is there an even greater threat for these iconic giant creatures to each other and the world, so instead of being on opposite sides of the ring, they team up against an evil new villain, a batshit-crazy ape on steroids named Skar King, in order to save not just Hollow Earth — where most of the action takes place in a dense rainforest — but just about everyone else.

Owen Gleiberman Chief Film Critic Watching “Godzilla x Kong: The New Empire,” I realized that the movie, a standard overly busy and mediocre blockbuster with a pretty awesome wow of a clash-of-the-titans climax, was demonstrating one of the essential principles of Hollywood movie culture today. Namely: All blockbuster movies are now connected! Kong, living in the Hollow Earth, where most of the film is set (the Hollow Earth is a place I’ve never much liked the idea of, since it seems like Earth’s version of a storage basement), is supposedly the last of his kind, but he discovers a child ape who actually looks like an homage to the cuddly creature in the 1967 Japanese film “Son of Godzilla.” This kid gorilla leads Kong to a tribe of scraggly hostile apes who are living in a slave society presided over by the Skar King, an evil ape with blotchy red hair who’s as tall as Kong and wields a skeletal bone whip that looks like it was fashioned out of the spine of a sea serpent.

Rebecca Rubin Film and Media Reporter What happens when two otherworldly beasts team up to take on the box office? Theater owners will find out this weekend as “Godzilla x Kong: The New Empire” touches down in North America. The monster mashup, from Warner Bros. and Legendary Entertainment, is targeting $50 million to $55 million from 3,850 theaters in its first weekend of release.

Adam Wingard has always had a flair for the most ultra-vibrant and loud segments of the color spectrum. Growing up in the ’80s, the golden age of movie tie-in merchandise, the director vividly remembers the neon palette, the yellows, blues, and reds of seemingly every toy from “Transformers” to “Thundercats” to even just “the mellow yellow NASCAR” from “Days of Thunder.” Bold visuals and bright colors were a staple of “Godzilla vs.

Nothing says Easter tentpole quite like Godzilla x Kong: The New Empire which is set to conquer the world with a box office debut around $135M, bolstered by 63 foreign markets and 3,850 theaters stateside.