‘Ghost Cat Anzu’ Review: Innovation Meets Narrative Struggle In Animated Feature – Cannes Film Festival

Patrick Frater Asia Bureau Chief Going all-in on its exploration of the role of artificial intelligence in filmmaking, South Korea’s Bucheon International Fantastic Film Festival (BiFan) has unveiled a 15-title AI Film competition. The films will compete for jury-selected and audience awards and cash prizes of up to KRW1.5 million ($11,000).

Patrick Frater Asia Bureau Chief The imminently upcoming Sydney Film Festival has added eight titles that premiered at Cannes to its lineup. They are: Guan Hu’s “Black Dog”; Mohammad Rasoulof’s “The Seed of the Sacred Fig”; Francis Ford Coppola’s passion project “Megalopolis”; Guy Maddin, Evan and Galen Johnson’s “Rumours,” starring Australia’s Cate Blanchett; documentary “Ernest Cole: Lost and Found,” Jia Zhangke’s “Caught by the Tides”; “The Girl with the Needle”; and revenge thriller “Ghost Trail.” Due to demand, the SFF organizers have also added additional screenings of “The Substance,” the Demi Moore-starring film already set as the festival’s closing night title. The festival runs June 5-16.

Elsa Keslassy International Correspondent Ahead of its broadcast premiere on France’s TF1, “Cat’s Eyes,” the anticipated live-action show set in Paris and based on the cult manga series, has been sold by Newen Connect to a flurry of European broadcasters. The eight-part action-packed show was picked up by Germany’s ZDF and Italy’s Rai, among others. The show was previously sold to Belgium (RTL) and Switzerland (RTS).

Naman Ramachandran Tarsem Singh Dhandwar’s “Dear Jassi” and Arati Kadav’s “Mrs” will open and close this year’s New York Indian Film Festival. Punjabi and English-language “Dear Jassi,” a tale of star-crossed lovers based on a true story, arrives in New York after a glittering festival run that began in 2023, at Toronto, where it won the Platform Prize.

Ankama-backed animation company Studio Unagi has officially launched in Montreal after setting up under the radar over the first half of 2024.

Nick Vivarelli International Correspondent Oscar-nominated Swiss animator Claude Barras (“My Life as a Zucchini”) will be honored by the Locarno Film Festival with its Locarno Kids Award given to personalities credited with infusing younger generations with a love for cinema. Barras’ beloved stop-motion film “Life as a Zucchini,” about an orphaned boy who lives in a foster home, played at Directors’ Fortnight in Cannes in 2016, and went on to be nominated for best animated feature at the Oscars and secured distribution in over 50 territories.

Peter Debruge Chief Film Critic CANNES — Hosted by “Call My Agent” star Camille Cottin, the awards show for the 2024 Cannes Film Festival competition is underway. Presenters started making political statements right away, as short film jury president and Belgian actor Lubna Azabal called for the release of all hostages in Gaza.

The Match Factory has finalized a raft of international deals for Coralie Fargeat’s Cannes Palme d’Or contender The Substance, following its buzzy premiere over the weekend in the presence of co-stars Demi Moore, Margaret Qualley, and Dennis Quaid.

EXCLUSIVE: Francis Ford Coppola‘s $120 million passion project Megalopolis has closed a fresh raft of deals following its buzzy world premiere in Competition at the Cannes Film Festival last week. 

Elsa Keslassy International Correspondent Sideshow and Janus films (“Drive My Car”) have acquired all North American rights to Payal Kapadia‘s “All We Imagine as Light,” the first Indian film to screen in official competition at the Cannes Film Festival in 30 years. The movie will world premiere on Thursday, May 23. It’s also one of only four films in the Competition directed by a woman.

Patrick Frater Asia Bureau Chief The 27-member European Film Agency Directors Association and the Asian Film Alliance Network, which was established this time last year and currently has seven members, have agreed to work together on topics of common interest and to jointly develop a better world film ecosystem. At a meeting this week held on the sidelines of the Cannes Film Festival, EFAD and AFAN promised to enhance understanding and collaboration between Asian and European national film agencies. Topics included: dialog on policy and regulations; the development of the film industry in both regions; and addressing new media and challenges ahead. Separately, the founding AFAN members convened for a closed-door roundtable discussion on May 16.

Marta Balaga German Films celebrated its 70th anniversary at Cannes on Sunday, with its guests looking back but also looking forward. “It has gotten much better,” Managing Director Simone Baumann told Variety at the event. “We’ve had Oscar-winning ‘All Quiet on the Western Front,’ Oscar-nominated ‘The Teachers’ Lounge’ [for best international feature], films by Wim Wenders and with Sandra Hüller! Sure, Wim showed a Japanese movie and Sandra a French one [‘Perfect Days’ and ‘Anatomy of a Fall’], but it doesn’t matter: It’s more ‘mixed’ these days and I am proud of it, to be honest.” At Cannes, 11 German productions and co-productions have been selected this year, including Match Factory’s main competition offerings “Motel Destino” by Karim Aïnouz – who also attended the bash – and Miguel Gomes’ “Grand Tour.” Run Way Pictures is behind Mohammad Rasoulof’s anticipated “The Seed of the Sacred Fig.” As festivals get “more competitive,” underlines Baumann, international collabs are here to stay.

In Japan the very first few snowflakes begin to fall signaling the change of seasons. Another clue is we see young Takuya (Keitatsu Koshiyama) and his baseball-playing buddies taking those final swings at bat and moving on to ice hockey. That is basically how this quiet and lilting charmer of a coming-of-age story is introduced, and it sets the table perfectly for what is to follow.

Ellise Shafer Cate Blanchett‘s new film “Rumours” took its name from the iconic Fleetwood Mac album, it was revealed on Sunday at a Cannes Film Festival press conference. The dark comedy, directed by Guy Maddin, Evan Johnson and Galen Johnson, follows a group of world leaders who meet at the G7 — a political and economic meeting of the minds between Canada, France, Germany, Italy, Japan, the United Kingdom and the United States — but get lost in the woods while trying to compose a joint statement.

Karen Idelson When Studio Ghibli receives its honorary Palme d’Or May 19 at the Cannes Film Festival, the creative home to Hayao Miyazaki — arguably the most admired and influential living animation director — will make history. This marks the first time an honorary Palme d’Or has been given to a group, which sits well with the helmer.

Cate Blanchett blew kisses to the Cannes Film Festival audience as her new film, “Rumours,” earned a four-minute standing ovation at Cannes Film Festival on Saturday night. The crowd welcomed the film’s dark humor, laughing throughout the entirety of the late-night screening. While some of the auditorium emptied out while the credits rolled, the majority of filmgoers waited patiently to pay their respects to the film’s stars.

Patrick Frater Asia Bureau Chief Leading Hong Kong actor Tony Leung has been set as the president of the jury that will decide the main competition prizes at the Tokyo International Film Festival later this year. “Japan is close to my heart in more ways than one. And to be involved in celebrating film in this way, is a big deal for me.

Patrick Frater Asia Bureau Chief Korea’s Barunson E&A has picked up world sales rights to Vietnamese horror-comedy “Don’t Cry Butterfly.” Sales will be launched this week at the Cannes Market. Written and directed by Duong Dieu Linh, the Hanoi-set film follows a housewife who uses voodoo to try and get her cheating husband fall back into love with her, but instead invites a mysterious presence into the house.

In our first encounter with Una (Elín Hall) and Diddi (Baldur Einarsson) in the long dusk of a Reykjavik spring night, they are thinking only of the future. The immediate future: will they be able to sleep overnight together without Diddi’s flatmate noticing? The near future, meaning the next couple of days, when Diddi officially breaks off his longstanding relationship with his high-school sweetheart Klara and starts a new life with Una. And the long term. A trip to Japan. A different life with a wider scope than Iceland can provide. “Should we make babies?” Diddi murmurs into Una’s ear as they lie, wrapped around each other like kittens, in his single-pillowed bed.

Patrick Frater Asia Bureau Chief Female stunt performer Wiriya Caesar will step up into the lead performer role in upcoming Thai action film “The 24.” The film project is being launched this week in the Cannes Market by new international sales firm Boz Pictures. Wiriya (aka Porntip Wiriya, aka “Fan”) has previously been a stunt double for Mary-Elizabeth Winstead in “Kate” and Golshifteh Farahani in “Extraction,” and has other credits on “Thirteen Lives” and “Hidden Strike.” In “The 24” she will star as an assassin who wakes up with a time bomb strapped to her body. She has clear instructions to kill a hit list of 24 members of the Bangkok underground, with each successful hit buying her more time alive. Caesar is joined in the cast by Japan’s Sakaguchi Tak (“Re:Born,” “One Percenter,” “Versus”), Dan Chupong (“Ong Bak 1 &2,” “Born to Fight”), Sunny Pang (“The Night Comes for Us,” “Headshot” and Gareth Evans’ upcoming “Havoc”) and Simon Kook (“Ip Man 3,” “Mayhem”). The film, which will shoot in the fourth quarter of this year, is written and directed by Lee Thongkham (“The Maid,” “The Lake,” “Kitty the Killer”).