The new movie Amsterdam has been in theaters for just one week, but it’s already been deemed a massive failure due to its disappointing box office performance.
06.10.2022 - 18:47 / deadline.com
Predictions are always a hazardous thing. And I truly hope this one is wrong. But it sure looks like the movie box office, disastrously low in September, will be stuck on the bottom again this month.
September is rarely a great month for ticket sales, but last month is better left undiscussed. Putting aside the first Covid year, 2020, when theaters were mostly closed, this year’s September take, about $319 million, was the worst in recent memory. The monthly total was down more than 13 percent from last year’s, and was less than half of the month’s box office in 2019. It ranked as the lowest since 1996, when ticket sales were just $303.6 million, according to the numbers so conveniently sliced and diced by Box Office Mojo.
And that’s without adjusting for ticket price inflation. Adjust the numbers, and this September’s performance, led by some $41.5 million in monthly sales for The Woman King, was actually much worse, matching low points in the 1980s, when the month was treated as a dumping ground for the unreleasable and a convenient receptacle for summer spill-over.
Now, with the collapse of Bros and the fair-to-middling performance of the horror flick Smile, the industry is marching toward mid-October with its prospects hanging on a modest kid pic from Sony, Lyle, Lyle Crocodile, and a tricky dark comedy from 20th Century/Disney, Amsterdam.
As Deadline’s Anthony D’Alessandro politely suggested in his box-office preview, “Hopefully, something overperforms this weekend.”
But even if that happens, we could be staring at another 26-year low, barely beating the $314.3 million take from 1996, when the top-selling October film was a September left-over, First Wives Club, with about $51.7 million in ticket sales for the
The new movie Amsterdam has been in theaters for just one week, but it’s already been deemed a massive failure due to its disappointing box office performance.
While tentpoles resuscitated moviegoing this past summer with pics like Top Gun: Maverick, it’s true that the more, adult-skewing fare is having a much harder time now. No where was this more true than with David O. Russell’s Amsterdam which rivals believed had a shot at opening to $12M-$15M this past weekend based on the period absurdist comedy’s glossy ensemble of Christian Bale, Margot Robbie, John David Washington, Rami Malek, Robert De Niro, Anya Taylor Joy, Taylor Swift, Michael Shannon (the list doesn’t stop…).
During an interview for her new movie “Amsterdam” with MTV News, Robbie was asked for her thoughts on her fellow Oscar-nominated actress taking over a role she helped launch to new heights in a pair of “Suicide Squad” films and the spinoff “Birds of Prey.” Not only did Robbie give Gaga her blessing, but she also said that she wants Harley to have a long list of famous actors to play her the same way Batman and Joker do.“It makes me so happy,” Robbie said, “because I said from the very beginning that all I want is for Harley Quinn to be one of those characters the way … like Macbeth or Batman always gets passed from great actor to great actor. Someone gets to do their Batman, or someone gets to do their Macbeth.”Robbie continued: “I feel like, in not so many cases, are there female characters — Queen Elizabeth I, but beyond that, which I got to have a crack at as well, which I was honored to do.
Just recently, it was revealed that Lady Gaga will be starring in the upcoming Joker: Folie à Deux, as Harley Quinn.
Matthias Schoenaerts has been cast opposite Kate Winslet in HBO’s limited series The Palace, from Succession duo Will Tracy and Frank Rich and The Queen director Stephen Frears.
Joe Otterson TV Reporter Matthias Schoenaerts will star opposite Kate Winslet in the upcoming HBO limited series “The Palace,” Variety has learned. The series was picked up at HBO in July. Per the official logline, it “tells the story of one year within the walls of the palace of an authoritarian regime as it begins to unravel.” Exact character details are being kept under wraps. Schoenaerts can currently be seen in the David O. Russell film “Amsterdam” in the role of Detective Lem Getweiler. Up next, he will be seen in the Canal+/Sky series “Django” and the feature “The Way of the Wind” from Terrence Malick. He also recently wrapped filming on the Netflix film “The Old Guard 2.” His past credits include films like “Rust and Bone,” “The Danish Girl,” and “Far from the Madding Crowd.”
Jordan Moreau “Lyle, Lyle, Crocodile” is slowly getting ready to take a bite out of the weekend box office. It earned $575,000 from 3,453 theaters in Thursday previews, while David O. Russell’s “Amsterdam” picked up $550,000 million from 3,005 theaters. Sony’s live-action/CGI hybrid, co-financed by TSG, is a family-friendly movie about a singing crocodile, starring Grammy-nominated artist Shawn Mendes as the titular reptile. The studio projects an opening haul of $11 million to $12 million, with some projections belting out upwards of $15 million. With a budget of $50 million, it will need plenty of support from kids and families over the fall to snap up a profit. The cast includes Javier Bardem as Hector P. Valenti, Lyle’s flamboyant owner, Brett Gelman as Mr. Grumps and Constance Wu, Scoot McNairy and Winslow Fegley as the Primm family. The Primms move to a new house in New York City, where they discover Lyle, a saltwater crocodile with the voice of a high-end recording artist, living in their attic.
according to The Daily Beast. Sciutto had since recovered, and CNN directed Sciutto to deal with a “personal situation,” the report said.CNN has since given him leave, The Daily Mail reported on Wednesday.
Every role is designed for Leonardo DiCaprio, according to Christian Bale.
Brent Lang Executive Editor In one corner, a star-studded murder mystery from one of the most acclaimed directors in Hollywood. In the other, a family fable that features a CGI crocodile who sounds a lot like Shawn Mendes. As Hollywood heads into another quiet fall weekend at the box office, David O. Russell’s “Amsterdam” is squaring off against “Lyle, Lyle, Crocodile,” and both new releases are facing strong competition from reigning champ “Smile.” Of the two new entrants, “Lyle, Lyle, Crocodile” seems to be in the stronger position. There haven’t been many movies geared toward kids — the last one was “DC League of Super-Pets” way back in July. The $50 million production will open in more than 4,300 locations, where it should make $15 million or more. Sony Pictures, the studio behind the film, is being more conservative and projecting an opening in the $11 million to $12 million range. That could be enough for a first-place finish, depending on how steeply “Smile,” which opened to $22.6 million, drops in its second weekend of release.
Christian Bale, Margot Robbie, John David Washington, Rami Malek, Robert De Niro, Chris Rock, Anya Taylor-Joy . . .
Despite being months and months away from when we should be revving up the Oscar chats, we’re officially in the season when people start them early. While September was a big month for film festivals, October continues the trend with ones such as the New York Film Festival as we continue to seek out the gems and buzzy options.
Christian Bale has played Batman in three “Dark Knight” movies, battled lethal machines in “Terminator Salvation” and assassinated gods in “Thor: Love and Thunder”, yet the one thing he’s yet to do is appear in a movie set in a galaxy far, far away.
Christian Bale has had a lifelong dream of being in Star Wars.
Amsterdam.” It’s a film from established auteur David O. Russell, whose reputation for delivering the goods allowed him to attract a murderer’s row of talent that includes Christian Bale, Margot Robbie, John David Washington, Chris Rock, Anya Taylor-Joy, Taylor Swift and Robert De Niro. And yet, the film, bolstering more stars than in the heavens, to quote an old line — and a budget that’s upwards of $80 million — is arriving in theaters having been pulverized by the critics who have published so far and hoping to rescue its investment by overcoming the reviews to be a commercial success.
problematic uncle in the industry family, certain to entertain and disturb in equal measure, depending on what one is willing to overlook when the sausage is being made (or even, considering some reports, when he’s away from the factory).That the Oscar-nominated writer-director is in the mix again with the period comedy-adventure “Amsterdam” after seven years away (since 2015’s lumpy “Joy”) indicates a willingness in Hollywood to endure the reminders of his behavioral issues and to bet on the recipe of star power, emotional smarts and provocative farce that forged “Flirting with Disaster,” “Silver Linings Playbook” and “American Hustle.”Only the first ingredient is in evidence with “Amsterdam,” however, and no amount of wattage from Christian Bale, Margot Robbie, John David Washington, Zoe Saldana, Anya Taylor-Joy, Rami Malek or Robert De Niro — or even an A-list B-team of Taylor Swift, Chris Rock, Andrea Riseborough, Matthias Schoenaerts, Alessandro Nivola, Mike Myers and Michael Shannon — can lift this flat, unfunny genre-fluid whatsit from its performative stumbling toward contemporary relevance.At first, when it’s 1933 New York, we sense an eccentric buddy-picture in the making, centered on themes of integration and the treatment of veterans. Bale’s character (and semi-narrator) is Burt Berendsen, a scraggly, half-Catholic/half-Jewish doctor focused on new medicines for wounded Great War soldiers like himself (he lost an eye) and estranged from his status-conscious Park Avenue wife (Riseborough).