French Exhibitors Worry That SAG-AFTRA and WGA Strikes Will Cause Delay in U.S. Releases, Hurting 2024 Box Office

Rebecca Rubin Film and Media Reporter “Barbie” towered over the box office for the third consecutive weekend, taking down newcomers “Teenage Mutant Ninja Turtles: Mutant Mayhem” and “Meg 2: The Trench.” Grega Gerwig’s fantasy comedy added a remarkable $52 million in its third weekend of release, a decline of just 43% from its prior frame. “Barbie” has generated $459 million in North America and will imminently cross the $1 billion mark globally. Christopher Nolan’s “Oppenheimer,” too, stayed strong in its third outing with $28.7 million, dropping only 39% from last weekend and bringing domestic ticket sales to $228 million.

Christopher Nolan’s Oppenheimer has reached the $500M global milestone, on its way to an estimated $551M through Sunday. This would make it the filmmaker’s fifth-highest-grossing film of all time, ahead of Dunkirk. The worldwide total through Friday is $499.3M, meaning that it has already topped the five-century mark today.

Clayton Davis Senior Awards Editor Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender.

Elsa Keslassy International Correspondent An edgy new voice within the world of French genre, Adrien Beau worked as a designer and scenographer for the likes of Dior, John Galliano and Agnes B before making his feature debut with the offbeat vampire movie “Vourdalak.” Produced by Judith-Lou Levy at Les Films du Bal, “Vourdalak” will world premiere at Venice Critics’ Week and will likely be one of its boldest entries. At a time when horror has become a mainstream genre overloaded with special effects, “Vourdalak” couldn’t be more radical.

Zack Sharf Digital News Director Christopher Nolan’s “Oppenheimer” has generated a lot of headlines due to its nudity and sex scenes, the first of the director’s career. Cillian Murphy, who plays the title character in Nolan’s biographical drama, was recently asked by GQ UK to weigh in on all of the buzz surrounding the “Oppenheimer” sex scenes, to which Murphy said they were “vital” to the film.

Elsa Keslassy International Correspondent While Greta Gerwig’s girl-power blockbuster “Barbie” is ruling over the French box office, another much younger female-led franchise, “Miraculous: Ladybug & Cat Noir” has managed to pull approximately €8 million ($8.9 million) at the local B.O., from more than 1.1 million tickets, since bowing on July 5. Budgeted around $80 million and directed by Jeremy Zag, “Miraculous: Ladybug & Cat Noir” ranks as one of France’s most ambitious animated films to date. Featuring eight original songs, a queer storyline and a postcard-worthy Parisian backdrop, the musical film broke ground as the first female-powered superhero movie set in the French capital. Even as it faces stiff competition from “Barbie” and Christopher Nolan’s “Oppenheimer,” “Miraculous: Ladybug & Cat Noir” has enough legs to match or surpass recent non-U.S. animated hits such as “Ballerina,” which sold 1.8 million tickets in France. It garnered 318,144 admissions on its opening day in theaters, a record for a French animated film. In Germany, the movie sold 586,148 tickets in three weeks and is currently the leading family title at the box office.

Zack Sharf Digital News Director SPOILER ALERT: This story contains spoilers for “Barbie,” now playing in theaters nationwide. Greta Gerwig’s “Barbie” ends with an ingenious final joke. Margot Robbie’s eponymous doll has become human and appears to be walking into a job interview when it’s revealed that she’s actually at a doctor’s office. “I’m here to see my gynecologist,” Barbie says with a huge smile despite not having any genitals (which is joked about earlier in the film). The movie cuts to black. “With this film, it was important for me that everything operated on at least two levels,” Gerwig told USA Today about crafting that final line. “I knew I wanted to end on a mic drop kind of joke, but I also find it very emotional. When I was a teenage girl, I remember growing up and being embarrassed about my body, and just feeling ashamed in a way that I couldn’t even describe. It felt like everything had to be hidden.

Joe Biden would look like in a Barbie World? You’re in luck: An enterprising film editor is cashing in on the rabid “Barbie” movie craze by giving the US president and other A-listers Mattel-inspired makeovers with the aid of artificial intelligence. “I absolutely loved making these photos — I was laughing the whole way through,” freelancer Duncan Thomsen, 53, said of his star-studded AI “Barbiefication” campaign.

While there’s been much debate over “Barbie” and “Oppenheimer”‘s box office film projections — given their shared release date — the two films happen to have something else in common, far more unexpected.

If you’re seeing Oppenheimer on the big screen, you might want to get there early as certain screenings will not be showing any trailers… and there’s a fascinating reason.

Clayton Davis Senior Awards Editor “Oppenheimer” has burst into the Oscar race. With the earnest and urgent cultural fabric of “To Kill a Mockingbird” and the philosophical measure of “The Tree of Life,” writer, director and producer Christopher Nolan’s chronicle of the creation of the most destructive weapon ever used stands as the most ambitious and vital piece of filmmaking of his career. Adapted from the book “American Prometheus” by Kai Bird and Martin J. Sherwin, “Oppenheimer” tells the complicated and morally fraught story of American scientist J. Robert Oppenheimer who led the effort to develop the atomic bomb. Nolan and his stellar ensemble of actors have amassed 27 Oscar nominations collectively throughout their careers. One of those who surprisingly hasn’t nabbed one is Irish actor Cillian Murphy, who plays the titular scientist. With dry wit and womanizing charm that effectively makes him the scientific version of Michael Fassbender in “Shame,” Murphy is an effective vehicle to lead the viewer through through reams of scientific terminology. In addition, his tour-de-force performance, which is sure to be in real consideration for best actor, is best displayed when showcasing the emotional toll such a creation can have on a person. Lead actors from competitive best picture players, especially from biopics, have been consistently recognized over the past few decades in Oscar history (see Benedict Cumberbatch for “The Imitation Game” or Christian Bale for “American Hustle”). Murphy could find his time has come after decades of memorable turns in “28 Days Later” (2002) and “Breakfast on Pluto” (2006).

Elsa Keslassy International Correspondent French film guilds representing authors, directors and producers have released a joint letter pledging their “full solidarity” with the SAG-AFTRA and WGA double strike. “This battle that’s shaping tomorrow’s industry crosses borders. It’s also ours,” reads the letter, which was signed by the ARP (authors, directors, producers) and SRF (society of French directors), the governing body of Cannes’ Directors’ Fortnight. The letter says the double strike “signals a turning point where the questions of sharing of wealth and integration of new models and AI are central.”

Zack Sharf Digital News Director As a producer of “Barbie,” it was up to Margot Robbie to convince a studio that her vision for the film would lead to financial success. No wonder the Oscar nominee flat out said during pitch meetings that she believed a “Barbie” movie could bring in $1 billion at the worldwide box office. Such success depended on landing writer-director Greta Gerwig, Robbie stressed to execs. “I think my pitch in the green-light meeting was the studios have prospered so much when they’re brave enough to pair a big idea with a visionary director,” Robbie said in an interview with Collider. “And then I gave a series of examples like, ‘dinosaurs and [Steven] Spielberg’ – pretty much naming anything that’s been incredible and made a ton of money for the studios over the years. And I was like, ‘And now you’ve got Barbie and Greta Gerwig.’ And I think I told them that it’d make a billion dollars, which maybe I was overselling, but we had a movie to make, okay?”

Christopher Nolan’s “Oppenheimer” is a kinetic thing of dark, imposing beauty that quakes with the disquieting tremors of a forever rupture in the course of human history.

Elsa Keslassy International Correspondent French actor-director Nicolas Bedos, who is facing trial in February 2024 for an alleged sexual assault under the influence of alcohol dating from June 1, is now being investigated on rape and sexual assault charges after three complaints were filed with the Paris prosecutor. News of the preliminary investigation was first reported in a bombshell investigative report published by French outlet Mediapart. The investigation cites four women, two of whom addressed a letter to the public prosecutor. The prosecutor’s spokesperson confirmed to Variety that a preliminary investigation was opened on July 5 on charges of alleged sexual assault and rape “after receiving three distinct complaints against Nicolas Bedos.”

Zack Sharf Digital News Director Christopher Nolan’s “Oppenheimer” has already received a handful of strong first reactions, but now comes a huge claim from “Taxi Driver” writer and “The Card Counter” director Paul Schrader. The Oscar nominee attended the New York premiere of Nolan’s atom bomb epic and took to social media afterwards to hail it as “the best, most important film of this century.” “If you see one film in cinemas this year it should be ‘Oppenheimer,'” Schrader added in a Facebook post shared widely across social media. “I’m not a Nolan groupie but this one blows the door off the hinges.” “Oppenheimer,” based on the 2005 book “American Prometheus” by Kai Bird and Martin J. Sherwin, tracks the creation of the atomic bomb during World War II through the eyes of theoretical physicist and Manhattan Project leader J. Robert Oppenheimer. Cillian Murphy stars in the lead role. The film also features Matt Damon as Manhattan Project director Gen. Leslie Groves Jr. and Robert Downey Jr. as Lewis Strauss, a founding commissioner of the U.S. Atomic Energy Commission. Emily Blunt, Florence Pugh and Benny Safdie also star.

Matt Damon has been going hard in the past few years, working as an actor, a producer, a screenwriter — sometimes all at once. So it's not too surprising that the celebrated Oscar-winner might want to take a little break.Recently Damon sat down at a panel discussion for 's «Around the Table» segment — where he was joined by his co-stars Cillian Murphy, Emily Blunt, and Robert Downey Jr., and director Christopher Nolan.At one point, Damon admitted that he'd promised his wife he wanted to take a hiatus, right before signing on to star in Nolan's World War II-era drama.«This is going to sound made up, but it's actually true,» Damon shared.

Elsa Keslassy International Correspondent Jane Birkin, the beloved British-French actor and singer who spent most of her life in France and is known for a tumultuous relationship with French singer-songwriter Charles Gainsbourg, died on Sunday (July 16) at her home in Paris, according to Le Parisien newspaper. She was 76. No cause of death has yet been confirmed. Birkin was best known internationally for her steamy 1969 duet “Je t’aime… moi non plus” which she sang with Gainsbourg, one year after meeting him. Together, Birkin and Gainsbourg had a daughter, the actor and singer Charlotte Gainsbourg (“Melancholia,” “Nymphomaniac”).

Christopher Nolan has confirmed that he will “absolutely” not be working on more films until after the Hollywood strikes end.This week (July 13), the cast of Nolan’s new film Oppenheimer walked out of the UK premiere at the moment an actors’ strike began.The national board of SAG-AFTRA (Screen Actors Guild–American Federation of Television and Radio Artists) – Hollywood’s largest union, which represents 160,000 actors and performers – voted unanimously to strike, according to The Los Angeles Times.SAG-AFTRA was seeking better pay and working conditions in the age of streaming, while other negotiations related to safeguards against the unregulated use of artificial intelligence in the industry.Thousands of Hollywood productions are therefore currently paused, and Nolan discussed the meaning of the strike in an interview with BBC News, saying: “It’s not about me.”Asked whether he would be working on new films during the strike, he responded: “No, absolutely. It’s very important that everybody understands it is a very key moment in the relationship between working people and Hollywood.“This is not about me, this is not about the stars of my film.”The AMPTP said in a statement that “a strike is certainly not the outcome we hoped for as studios cannot operate without the performers that bring our TV shows and films to life”.“The Union has regrettably chosen a path that will lead to financial hardship for countless thousands of people who depend on the industry,” it added.The separate WGA (Writers Guild Of America) strike, which began on May 2, occurred following unsuccessful negotiations with AMPTP, who represent major Hollywood studios like Netflix, Disney, Apple, Amazon, Paramount, Warner Bros.

Elsa Keslassy International Correspondent Hollywood talent agency CAA is in advanced talks to sell a majority stake to Francois-Henri Pinault, the French billionaire behind luxury and fashion empire Kering, according to a report in Bloomberg. The deal would value CAA, which was founded in 1975 and is backed by TPG, at $7 billion, as per Bloomberg’s report, based on anonymous sources. Reached by Variety, a spokesperson for Pinault and his investment vehicle Artemis declined to comment. A rep for Kering, meanwhile, denied any involvement of the group. CAA did not respond to requests for comment by press time.