Paul Feig, director of such mega-hits as Bridesmaids, Spy, The Heat, Ghostbusters and A Simple Favor, has branched out into the fairytale genre with The School for Good and Evil, which hit Netflix this week.
18.10.2022 - 04:31 / justjared.com
Christopher Landon, the director of the horror movie Freaky, is slamming Hollywood studios for “day-and-date” releases amid the disappointing box office performance of Halloween Ends.
The new horror film grossed $43 million in its opening weekend, which is still a great number, but many experts predicted that it would gross at least $50 million for its first weekend. Last year’s Halloween Kills also opened to $49.4 million with the same day-and-date release strategy.
The two Halloween films were available for streaming on Peacock on the same day the movies were released in theaters.
Freaky came out in theaters in November 2020, when many theaters were still shut down due to the pandemic. The film was released on VOD less than a month after it hit theaters.
Click inside to check out Christopher Landon’s “rant” about the release strategy…
Christopher took to his Twitter account over the weekend to voice his frustration with day-and-date releases.
“Ooooooh I feel another rant coming on: Today it’s the Day & Date release strategy for Halloween Ends. Stop doing this. Please. It doesn’t work. Studios: stop gambling with filmmakers and their movies to try and prop up your fledgling streaming services. This happened to me on Freaky and it destroyed us,” Christopher tweeted.
He continued, “We worked SO HARD to make a fun movie. Blood sweat and tears. Months away from our families. And for what? They love to use the term: ‘two bites of the apple’ but that’s just another way of saying ‘we’re gonna use your movie as a Guinea pig’ for our Streaming service. Sorry. I begged the studio not to do this. Either circle the wagons and protect it for theatrical or just go all in on streaming. Don’t split hairs. At least the Halloween
Paul Feig, director of such mega-hits as Bridesmaids, Spy, The Heat, Ghostbusters and A Simple Favor, has branched out into the fairytale genre with The School for Good and Evil, which hit Netflix this week.
Lena Dunham said she is “upset” by the treatment of Don’t Worry Darling director Olivia Wilde, which she believes can be “more intense” for women in the public eye. The making of Don’t Worry Darling became a source of global intrigue following Shia LaBeouf’s departure from the film and Florence Pugh’s perceived lack of public support for the project on her social media accounts.
In a Twitter thread on Saturday, Landon talked about how “Freaky,” his horror comedy about a teenage girl who switches bodies with a wanted serial killer, was released theatrically in November 2020 during the height of the COVID-19 pandemic but then released as a video-on-demand title less than a month later, in keeping with Universal’s then-newly-signed agreement with major theater chains allowing them to release films on-demand as early as 17 days after theatrical release. “Studios: stop gambling with filmmakers and their movies to try and prop up your fledgling streaming services. This happened to me on Freaky and it destroyed us.
Christopher Landon is resurrecting the day-and-date release topic after initial box office results for Halloween Ends have it coming in under studio estimates. The Freaky director is calling out movie studios for releasing movies in theatres and streaming services at the same time.
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Weinstock was joined by former IMAX Entertainment CEO Greg Foster for a virtual one-on-one discussion that began with a rundown of Paramount’s numerous box office hits this year, including “The Lost City” “Sonic the Hedgehog 2,” and the year’s highest grossing film “Top Gun: Maverick.” While “Maverick” took up much of the discussion, Weinstock noted that “Lost City” and “Sonic 2” were seen as big wins for Paramount not only for helping to bring women and families back to theaters, but also in drawing in new subscribers to Paramount+ when they were released on streaming after the 45-day theatrical exclusivity window. Weinstock sees that success as an example of how the recent industry-wide move cutting the long-standing 90-day window in half for many theatrical films is one that has allowed theaters and streaming to coexist in a media environment that has radically changed since the pandemic began.“I think 45 days is the perfect length for the window,” Weinstock said.
Jamie Lee Curtis wants to see Lindsay Lohan be a "sexy grandma" in a "Freaky Friday" sequel. Curtis and Lohan originally starred together in the 2003 movie. "I've already written to Disney, my friends at Disney," Curtis said during Monday's appearance on The View.