TORONTO – “American Fiction,” the directorial debut from Cord Jefferson, is genuinely a very, very funny movie. And that’s hyperbole on our part.
01.09.2023 - 16:11 / deadline.com
Who can forget the delightful hitchhiking scene in It Happened One Night, or Clarence the angel earning his wings in It’s a Wonderful Life, or Mr. Smith collapsing in the midst of his epic filibuster in Mr. Smith Goes to Washington?
Those black and white moments and the films they’re a part of are deeply embedded in our collective cultural memory, all crafted by an unlikely cinematic author: Frank Capra, a diminutive immigrant from Sicily, born to uneducated parents, who appeared destined not for a life in the dream factory of Hollywood, but a faceless working stiff’s existence.
Capra not only achieved great success as a director, winning three Academy Awards, but his films managed to capture a basic Americanness, bedrock qualities the mass of people wanted to believe about themselves in the 1930s and ‘40s – resilient, altruistic, and optimistic despite enormous hardships.
Frank Capra: Mr. America, premiering tonight at the Venice Film Festival, examines the director’s achievements and core elements of his biography. But far from being hagiographic, the documentary by Matthew Wells delves equally into a darker side to Capra’s work and of the man himself. This nuanced portrait offers a fresh perspective on one of the motion picture industry’s seminal figures.
“He made some of the greatest movies in the history of cinema,” Tom Rothman – CEO of Sony Pictures Motion Pictures Group, the umbrella entity over Columbia Pictures where Capra made his greatest films – observes in the documentary. “They’re foundational in the craft of cinema… And they’re fucking great entertainment.”
Francesco Rosario Capra was born in 1897 in the Palermo, Sicily area and came to America at age six – baffled, apparently, at his parents’ decision
TORONTO – “American Fiction,” the directorial debut from Cord Jefferson, is genuinely a very, very funny movie. And that’s hyperbole on our part.
Watching Mountains, which just made its international debut as part of the Toronto Film Festival’s Centerpiece program, I could not help but think of two other landmark films it seems to recall in its own way. One was 2019’s The Last Black Man In San Francisco, a remarkable story of gentrification and its effect on those being edged out of their home that starred Jimmie Falls and launched the career of Jonathan Majors. The other was the 1960 film version of Lorraine Hansberry’s oft-performed A Raisin In The Sun in which Sidney Poitier as Walter Lee Younger played a struggling husband, son, and father with a dream for a new house and a better life for his family.
Owen Gleiberman Chief Film Critic Of all the stories and sides of Leonard Bernstein that Bradley Cooper decided to leave out of “Maestro,” the most infamous is surely the “Radical Chic” episode. In 1970, a New York magazine cover story, written by Tom Wolfe and entitled “Radical Chic: That Party at Lenny’s,” spent 20,000 words describing, in delectable you-are-there detail, a party thrown by Lenny and his wife, Felicia, at their Park Avenue apartment to raise funds for the Black Panthers.
Manchester United have spent around £1.5billion since legendary manager Sir Alex Ferguson retired a decade ago and, as yet, they are yet to get a proper return on that jaw-dropping investment.
It was inevitable that Ricky Hatton’s life story would be made into a film.
You wouldn’t want a documentary about Tom Wolfe to mimic his style. That could be challenging (just imagine all the on-screen exclamation marks!!!!!!!, idioSYNcratic CAPITALIZATION, and onomatopoeic spelling) not to mention possibly embarrassing.
Numerous clips have been shared online regarding how self-importantly Aaron Sorkin and company took themselves while they were making “The Newsroom,” a show that practically announced itself as the last stand for human rights and journalistic decency in the world. Holding that impossible standard high in its third season is Apple TV+’s expensive hit “The Morning Show,” a program that makes it feel like if morning news in America falls, then the apocalypse is just around the corner.
Peter Debruge Chief Film Critic While it’s easy to imagine lawyers screaming “objection, your honor!” to the exaggerated courtroom theatrics of “The Burial,” good luck convincing audiences that this David v. Goliath legal showdown between a small-time Southern funeral home operator and an unethical Canadian billionaire should have played out any other way.
Chances are potentially relatively high that all of us, at some point or another, have abandoned a project or two that could revolve around almost any task, from upgrades to one’s home to that yet-unfinished memoir to a rusty car in dire need of some TLC, still occupying space in an out of the way carport ready for that day when motivation strikes and the time comes to get back to work.
The high-concept elevator pitch description for Christy Hall’s “Daddio” would probably be something along the lines of “‘Locke’ as a two-hander,” or maybe “‘Collateral’ without the killing,” though it’s better than either of those loglines might lead you to believe. The premise is a simple one: Dakota Johnson (never named on-camera) plays a young woman coming home to New York who takes a cab from JFK to her home in Hell’s Kitchen.
It is only appropriate that Sony’s terrific new comedy, Dumb Money starts with the Columbia Pictures logo. That was the studio that Frank Capra famously helped build with his movies where the little guy triumphs over the corporate bad guys. Dumb Money is positively Capraesque in the way it tells its David vs Golitath improbable story about how an internet geek started a movement that blew up the heretofore loser stock of shopping mall game store GameStop and became the toast of Wall Street while bankrupting a couple of billionaire hedge funds in the process. It had its World Premiere tonight at the Toronto International Film Festival before its theatrical release later this month.
When British-Palestinian filmmaker Farah Nabulsi was watching the UK media coverage of the Gilad Shalit prisoner exchange in 2011, it had a profound impact on her. At the time, Shalit was an Israeli occupation soldier who had been abducted in 2006 by Palestinian freedom fighters and the first Israeli soldier to be captured by Palestinians since 1994. Shalit was eventually released five years later in exchange for more than 1,000 Palestinian political prisoners, including hundreds of which were women and children.
Former The Only Way Is Essex stars Tommy Mallet and Georgia Kousoulou have opened up about planning their wedding, Tommy shares that Georgia has been taking the lead in that department. Earlier this year the couple put their wedding on hold after they suffered a heartbreaking miscarriage when Georgia was 12 weeks pregnant. But the pair have since started back up with their wedding planning, opening up about this to OK! at the National Television Awards.Tommy told us: "[Georgia] does like planning it, and anything I say she goes against it" to which George interjected that he had suggested having "no flowers" on the big day.
Numerous clips have been shared online regarding how self-importantly Aaron Sorkin and company took themselves while they were making “The Newsroom,” a show that practically announced itself as the last stand for human rights and journalistic decency in the world. Holding that impossible standard high in its third season is Apple TV+’s expensive hit “The Morning Show,” a program that makes it feel like if morning news in America falls, then the apocalypse is just around the corner.
Gayle Hunnicutt, whose best-known work came as Vanessa Beaumont, the mother of J.R. Ewing’s illegitimate son, in the final three seasons of Dallas, has died per multiple U.K. reports. Hunnicutt died last Thursday at a hospital in London, according to her ex-husband Simon Jenkins. She was 80 years old.
Made in Chelsea favourite Ollie Locke and his husband Gareth spoke exclusively to OK! on the National Television Awards red carpet tonight. The pair announced they had welcomed twins Apollo Magnus Obi and Cosima Emily Bex via surrogacy just a couple of weeks ago, this glittery event at London's O2 Arena marked a drastic switch in their routines. "This is officially our first night out," said Ollie, 36, while Gareth pointed out: "We feel like we've left something behind..." "It doesn't feel right leaving the house," added his famous husband, before confessing how he's "looking forward to a glass of wine".
Exactly who are these people? They’re rich, obviously. They’re Parisian, which means that they are already fantasy figurines in the European curiosity shop of Woody Allen’s imagination. But does any actual modern man, no matter how rich and unfathomably French, come home from work in 2023 to request a cognac from his wife, who then calls out to the maid to bring Monsieur a cognac while she configures herself into a glamour position on the couch? Is this actually 1953? Or maybe 1923 – the Gatsby era, where Woody Allen is clearly a very enthusiastic visitor?
TELLURIDE – Every year, almost without fail, there is an American hero, somehow lost to history, who finally gets their moment on the big screen. This year’s honoree is Bayard Rustin, a key figure in the Civil Rights Movement who was a primary organizer for the historic March on Washington for Jobs and Freedom in 1963.
As the world mourns the loss of Jimmy Buffett, celebrities have been taking to social media to pay tribute to the “Margaritaville” singer, who died Friday at age 76.
Chris Willman Senior Music Writer and Chief Music Critic “Be kind, because everyone you meet is fighting a great battle” — that popular maxim (or some variation thereof) is often brought up in the context of remembering to have some sympathy for jerks. But it could also be applied to people whose lives seem too charmed to be true.