‘Flee’ Wins Top Prize at Cinema Eye Honors for Documentaries

Jazz Tangcay Artisans EditorThe American Society of Cinematographers handed out its top prize in feature film visual storytelling to “Dune.” Last year’s winner, Erik Messerschmidt for “Mank,” presented the feature film prize to Greig Fraser.The 36th Annual ASC Awards ceremony returned to a limited in-person component at the the ASC Clubhouse in Hollywood. Debbie Allen served as the night’s host.Other winners included “Pig,” which won the spotlight award ,and James Laxton, who took home the motion picture, limited series, or pilot made for television award for “The Underground Railroad.”Rachel Morrison, Stephen Hopkins and Jay Holben were among the cinematographers who presented the honoree awards.

**WINNER.Feature FilmBruno Delbonnel, ASC, AFC for “The Tragedy of Macbeth”** WINNER Greig Fraser, ASC, ACS for “Dune”Dan Laustsen, ASC, DFF for “Nightmare Alley”Ari Wegner, ACS for “The Power of the Dog”Haris Zambarloukos, BSC, GSC for “Belfast”SpotlightRuben Impens, SBC for “Titane”** WINNER Pat Scola for “Pig”Adolpho Veloso, ABC for “Jockey”Documentary** WINNER Jessica Beshir for “Faya Dayi”Isabel Bethencourt and Parker Hill for “Cusp”Daniel Schönauer for “The Hidden Life of Trees”Motion Picture, Limited Series, or Pilot Made for TelevisionSteve Annis for “Foundation” – Pilot Episode: “The Emperor’s Peace”Tim Ives, ASC for “Halston” – Episode: “The Party’s Over”** WINNER James Laxton, ASC for “The Underground Railroad” – Episode: “Chapter 9: Indiana Winter”Christophe Nuyens, SBC for “Lupin” – Pilot Episode: “Chapter 1”Ben Richardson, ASC for “Mare of Easttown” – Episode: “Illusions”Episode of a One-Hour Television Series – Non-CommercialStuart Biddlecombe for “The Handmaid’s Tale” – Episode: “The Wilderness”David Garbett for “Sweet Tooth” – Episode: Big ManDavid Greene, ASC, CSC for “Chapelwaite” – Episode: “The Promised”** WINNER Jon Joffin, ASC for “Titans” – Episode: “Souls”Boris Mojsovski, ASC, CSC for “Titans” – Episode:“Home”Kate Reid, BSC for “The Nevers” – Episode: “Hanged”Episode of a One-Hour Television Series – CommercialThomas Burstyn, CSC, NZSC for “Snowpiercer” – Episode: “Our Answer for Everything”** WINNER Tommy Maddox-Upshaw, ASC for “Snowfall” – Episode: “Weight”Ronald Paul Richard for “Riverdale” – Episode: “Chapter Eighty-Nine: Reservoir Dogs”Brendan Steacy, CSC for “Clarice” – Episode: “Silence is Purgatory”David Stockton, ASC for “Mayans M.C.” – Episode: “The Orneriness of Kings”Gavin Struthers,

“CODA” won the top prize at Saturday night’s Producers Guild Awards, giving momentum to the possibility that the small film could have a big night at next week’s Oscars.

LOS ANGELES -- “CODA” won the top prize at Saturday night's Producers Guild Awards, giving momentum to the possibility that the small film could have a big night at next week's Oscars.The story of three adult family members who are deaf and a fourth who is not and seeks a singing career beat out bigger contenders including “The Power of the Dog,” “Dune” and “West Side Story" to take an award that — more often than not — goes on to win the Academy Award for best picture.“This movie has been an amazing ride, it was such a special one to make, there was so much love and so much heart put into it,” said Fabrice Gianfermi as he accepted the award with his “CODA” co-producers Philippe Rousselet and Patrick Wachsberger at the 33rd PGA Awards.An American Sign Language translator, who had been off to one side of the stage throughout the night’s speeches, stood front and center during the “CODA” acceptance and another stood in front of the stage to translate for the three actors from the film who are deaf: Troy Kotsur, Marlee Matlin and Daniel Durant.“CODA,” an acronym for “children of deaf adults,” is nominated for three Oscars at the March 27 ceremony, including best adapted screenplay for writer-director Sian Heder and best supporting actor for Kotsur, who is expected by most to become the first actor who is deaf since Matlin in 1987 to win an Oscar.After it won best ensemble at last month's Screen Actors Guild Awards it began to appear “CODA” could get real consideration for best picture. The odds may be getting better.

Apple Original Films’ CODA has won the Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures at PGA Awards tonigtht, making a Best Picture win at Oscar next Sunday highly likely — while also making history as the first ever streaming film to win this award at the Producers Guild Awards.

The PGA Awards is always one of the longest awards ceremonies. This year, however, there was joy in the room as it returned to an in-person event and fine career honoring acceptance speeches by Kathleen Kennedy, George Lucas, Greg Berlanti, and Issa Rae.

Motion Picture – Live Action: “Dune”Motion Picture – Animated: “Encanto”Motion Picture – Documentary: “Summer of Soul (…Or, When the Revolution Could Not Be Televised)”Non-Theatrical Motion Picture or Limited Series: “Mare of Easttown”: Ep. 6 “Sore Must Be the Storm”Television Series – 1 Hour: “Yellowstone”: S4 Ep.

This weekend's Lotto draw could see one lucky winner £4.1million richer after no player scooped up last night's top prize.

The SXSW 2022 Film Festival Awards:Feature Film Grand Jury AwardsNARRATIVE FEATURE COMPETITION Presented by PanavisionWinner: I Love My DadDirector/Screenwriter: James Morosini, Producers: Bill Stertz, Patton Oswalt, Sean O’Grady, Dane Eckerle, Phil Keefe, Daniel Brandt, Sam Slater“A bold, funny film that marks an impressive feature debut for writer-director-star James Morosini, I Love My Dad finely threads the needle with its tale of an estranged father (Patton Oswalt) who catfishes his son (Morosini) in an attempt to reconnect. Working from a screenplay based on his own real-life story, Morosini displays massive empathy as a filmmaker to get into the mind of the father he feels betrayed by, and also as an actor portraying the impact of that betrayal.

Ariana DeBose is unstoppable! The Afro-Latina won in the best supporting actress category at the 2022 Critics Choice Awards for her stunning performance as Anita in Steven Spielberg’s West Side Story.“Wow, this is wild. I wrote some things down, and yet my phone is over there.

Like many other awards shows, the DGA Awards returned to an in-person event for 2022. This year’s event was hosted by Judd Apatow and featured a number of minor upsets.

annieawards.org.Here is the complete list of winners:Best Feature: “The Mitchells vs. The Machines”Best Indie Feature: “Flee”Best Special Production: “Namoo”Best Short Subject: “Bestia”Best Sponsored: “A Future Begins”Best TV/Media – Preschool: “Ada Twist, Scientist” Episode: “Twelve Angry Birds”Best TV/Media – Children: “Maya and the Three” Episode: “The Sun and the Moon”Best TV/Media – General Audience: “Arcane” Episode: “When These Walls Come Tumbling Down”Best Student Film: “Night of the Living Dread” Student director: Ida Melum Student producer: Danielle GoffBest FX – TV/Media: “Arcane” FX Team: Guillaume Degroote, Aurelien Ressencourt, Martin Touze, Frederic Mace, Jerome Dupre Episode: “Oil and Water”Best FX – Feature: “The Mitchells vs.

Jon Spaihts is a very busy man. Not only is he currently writing “Dune: Part Two” with Denis Villeneuve, but he’s exploring other aspects of Frank Herbert’s universe beyond his one-time association with a television spin-off, “Dune: The Sisterhood.” Throw in “Exodus,” an original screenplay for “I Am Mother” director Grant Sputore and a – breaking news – adaptation for acclaimed director Park Chan-wook and it’s clear the pandemic hasn’t slowed him down.

Morgan Wallen won album of the year at the Academy of Country Music Awards on Monday night for “Dangerous: The Double Album,” a year after he was removed from the ACMs ballot after he was caught on camera using a racial slur.Wallen made no direct reference to the incident or his absence from recent awards shows while accepting the trophy at Allegiant Stadium in Las Vegas, but may have dropped a hint about it.“To my son, this award will signify that his daddy was a fighter,” Wallen said, finishing his speech by enthusiastically thanking the fans in attendance.Miranda Lambert took home the night's top prize, entertainer of the year, for the first time after losing out in five previous years, but was not in Las Vegas to accept it.“I cannot believe I’m not there to celebrate,” Lambert said in a video message from London, “it’s the first time I’ve missed the ACMs in 17 years.

Summer of Soul” were among the big winners at the 37th Film Independent Spirit Awards Sunday.The ceremony hosted by Nick Offerman and Megan Mullally was held in a tent by the beach in Santa Monica, California, broadcast on AMC and IFC. It is the cool, casual counterpart to some of the more traditional film awards shows.“If you don’t win, you can just walk straight into the ocean,” Offerman said.Gyllenhaal won best feature, director and best screenplay for her adaptation of the Elena Ferrante novel “The Lost Daughter.”Through tears, Gyllenhaal said that more than anything she believes in love.

Lee Jung-jae of the breakout Netflix hit “Squid Game” and Thuso Mbedu from “The Underground Railroad” took home series acting awards. The 37th show was in keeping with the Spirit Awards’ history of celebrating films and (more recently) television series that embody the independent spirit through a combination of financing, creativity and subject matter.

J. Kim Murphy “The Power of the Dog” took top honors from this year’s edition of the Latino Entertainment Journalists Association (LEJA), winning best picture, best director and best editing from the organization.The Latino Entertainment Journalists Association announced its winners on Sunday afternoon, honoring the top achievements of 2021 films.

Flee and Summer of Soul divided honors at the 37th Annual IDA Awards tonight, with Flee claiming Best Feature Documentary, and Summer of Soul capturing three awards, including best director for Ahmir “Questlove” Thompson [full winners list below].

Best Feature: “Flee”Director: Jonas Poher RasmussenProducers: Monica Hellstrӧm, Signe Byrge Sorensen and Charlotte De La GournerieBest Director: Ahmir “Questlove” Thompson, “Summer of Soul (…Or, When the Revolution Could Not Be Televised)”Best Short: “A Broken House”Director/Producer: Jimmy GoldblumProducer: Matt Weaver, Richard Gephardt and Harrison NalevanskyBest Curated Series: “Independent Lens”Executive Producers: Lois Vossen, Sally Jo FiferBest Episodic Series: “My Love: Six Stories of True Love”Executive Producer: Mo-young Jin, Andrew Fried, Dane Lillegard and Jordan WynnBest Multi-Part Documentary: “Exterminate All the Brutes”Director/Executive Producer: Raoul PeckProducers: Daniel Delume. Executive Producers: Remi Grellety, Nancy Abraham, Lisa Heller, Jamie Morris, Jack Oliver and Poppy DixonBest Short-Form Series: “Viral Dreams”Producer: Georg TschurtschenthalerExecutive Producer: Christian BeetzBest Stand-Alone Audio Documentary: “VICE News Reports: Monaea, A 2020 Diary”Reporters: Monaea Upton and Jen KinneyProducers: Jen Kinne, Ashley Cleek, Adizah Eghan and Adreanna RodriguezExecutive Producer: Kate OsbornBest Multi-Part Audio Documentary or Series: “Suave” from Futuro Studios and PRX Reporters: Maggie Freleng and Julieta MartinelliProducers: Maria Hinojosa, Maggie Freleng, Julieta Martinelli, Marlon Bishop, Audrey Quinn and Stephanie LubowExecutive Producer: Maria HinojosaBest Music Documentary: “Summer of Soul (…Or, When the Revolution Could Not Be Televised)”Director: Ahmir “Questlove” ThompsonProducers: Joseph Patel, Robert Fyvolent, David DinersteinDavid L. Wolper Student Documentary Award: “Seahorse”Director/Producer: Nele DehnenkampProducer: Christine DuttlingerBest Cinematography: “Faya