‘Fire Of Love’ Team On Their Volcanic Love Story For The Ages – Contenders Film: The Nominees

Al Roker and his wife have been married for over 27 years and are still going strong. While the 68-year-old weatherman and the 62-year-old journalist have faced some challenges as of late due to Roker's recent health scares, their love story stands the test of time.Here's a look at their romance. Roker and Roberts first met at in 1990. «Al was so sweet,» she told in 1999.

When filmmaker-actor-writer Miranda July was approached about narrating the documentary Fire of Love, she didn’t see herself as an obvious choice.

Oscar voters scanning their final ballot may do a double-take when they get to Best Documentary Feature: the name Shane Boris really does appear twice in the same category. 

The Oscar-nominated documentary “Fire of Love” is getting the narrative remake treatment. The acclaimed non-fiction movie, concerning the scientific research and on-the-job romance of French volcanologist filmmakers Katia and Maurice Krafft, will become a live-action narrative feature film.

EXCLUSIVE: Searchlight Pictures is making a deal to turn Fire of Love into a narrative feature. The film, which tells the story of the scientific research and romance of preeminent French volcanologist filmmakers Katia and Maurice Krafft, is a frontrunner in the Oscar race for Best Documentary after premiering at 2022 Sundance, winning a Jury Prize and being acquired by National Geographic Documentary Films.  

Something is missing from the year’s Best Picture nominees.

MLS Season Pass, available on Apple TV for $14.99/month or $99 for one season.Get the Season PassNorth American teams have brought us some of our favorite soccer players, like Frank Lampard, Landon Donovan, Steven Gerrard and David Villa. World-renowned soccer star and former LA Galaxy midfielder David Beckham now owns MLS team Inter Miami.

Dancing With the Stars seems to have a better success rate at making successful couples than some of your favorite dating reality shows!

Clayton Davis Senior Awards Editor Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages are Davis’ assessment of the current standings of the race and do not reflect personal preferences for any film or performance. Like any organization or body that votes, each individual category is fluid and subject to change. Predictions are updated every Thursday. LAST UPDATED: Feb. 21, 2023 CATEGORY COMMENTARY: Sara Dosa won the Directors Guild of America Awards, where The guild crowned “Fire of Love” from National Geographic Documentary Films and Neon. A feel-good documentary that recalls the story of Katia and Maurice Kraftt, two scientists who die in a volcanic explosion.

Deadline has launched the streaming site for its Contenders Film: The Nominees awards-season event, which took place on Saturday and highlighted the cast and creatives behind 12 films that have been Oscar-nominated this year.

All is fair in love and war and, um, MMA. That’s the gist of “Perfect Addiction,” an upcoming romantic thriller on Amazon Prime Video.

Todd Gilchrist editor Composer Nicolas Godin is part of the creative team responsible for “Fire of Love,” the Oscar-nominated documentary directed by Sara Dosa about volcanologists Katia and Maurice Krafft. As one half of the electronic group Air, he’s no stranger to collaboration: between 1995 and 2016, he and partner Jean-Benoit Dunckel released six albums and two soundtracks that sold millions of copies and earned them worldwide accolades as the downtempo counterparts of French contemporaries like Daft Punk. But even if he and Dunckel haven’t recorded anything completely new together since “Music for Museum,” their work for a 2014 art project at France’s Palais des Beaux-Arts de Lille, the sound they created lives on just as vividly in their solo work, echoing the lush cinematic aesthetic they first premiered on their debut LP “Moon Safari.”

Colm Bairéad’s appearance at Deadline’s Contenders: The Nominees event marks a year since his film The Quiet Girl first debuted at the Berlin Film Festival. A dual release in the UK and Ireland followed in May, and a slow international rollout has kept the director busy ever since. Indeed, as the film’s Oscar campaign enters the final stretch, The Quiet Girl is only now going wide across America: not bad going for a film with no stars that’s shot almost entirely in Irish, a language spoken by fewer than 2 million people worldwide.

Making eat-the-rich comedy Triangle of Sadness, with a gross-out scene that rivals Farrelly Brothers movies, was simple for Swedish director Ruben Östlund.

When Brian Tyree Henry was approached for the Causeway role of James, a New Orleans auto mechanic “traversing this land of grief and pain and shame alone,” he found himself doing something unlike him — judging the character based on “the choices that he made,” and why he wound up where he was. 

The Oscar-nominated Argentina, 1985 shines a light on everyday people doing extraordinary things — real-life superheroes not unlike the fictional tales told by Marvel to much fanfare. The film’s protagonists are based on real-life people led by prosecutors Julio César Strassera and Luis Moreno Ocampo who took on an unwinable case against Argentina’s military junta for crimes against humanity and put on a fight that inspired a nation.

“I used to lie on my bed and stare at the ceiling and see snowfall and imagine the characters in the book moving. It was a dream of mine to take them further than the static book drawings,” said writer-director Charlie Mackesy during a panel at Deadline’s Contenders Film: The Nominees to discuss The Boy, the Mole, the Fox and the Horse.

When cinematographer Mandy Walker boarded Elvis, one of her principal goals was to make the camera “dance with” the King of Rock and Roll, as played by Austin Butler. 

“I was always a big fan of the original movie, but I did feel while watching subsequent American or British war films that is a question of perspective that I can’t tell,” All Quiet on the Western Front director Edward Berger said of his motivation in finally bringing a German version of the iconic World War I tale to the big screen. 

“I saw the Disney film when I was very, very young, and it made a huge impression,” Guillermo del Toro said during a panel for Guillermo del Toro’s Pinocchio at Deadline’s Contenders: The Nominees event, where he was joined by director Mark Gustafson. “What sat wrong with me was the idea that you needed to be obedient to be a real boy, and that you needed to be transformed into something you were not to be loved.”