Filmmaker: Officials arrest Iran movie industry workers

The Chairman is calling everyone to order.

Isabel Sandoval Days after my episode of “Under The Banner of Heaven” premiered, I received a private message on Twitter from a Mormon consultant on the show though we never managed to connect during the shoot. “I just wanted you to know how beautiful your episode turned out. The response here in Utah has been epic.

Peter Debruge Chief Film CriticThese days, it’s refreshing to speak with someone like Mike Leigh whose vocabulary hasn’t been corrupted by the latest Hollywood trends. For example, when Leigh uses the word “content,” it’s doesn’t mean the same thing as 98% of his peers, for whom the term has come to describe the swill that fills the various streamers’ pipelines.For Leigh, “content” refers to the substance of a film or play, as I found when asking Leigh, who is the subject of a 14-film, career-spanning retrospective by New York’s Film at Lincoln Center — from “Bleak Moments” to “Peterloo,” with two shorts  thrown in for good measure — where he thinks audiences unfamiliar with his work ought to begin.

Peter Debruge Chief Film CriticIn “Leila’s Brothers,” a once proud, now pathetic Persian family teeters on the brink of ruin, held together by the assertive sister who’s tired of relying on men to decide her fortune. Taking matters into her own hands may be empowering to watch — there’s no question that “The Salesman” alum Taraneh Alidoosti, who plays Leila, towers over this male-dominated ensemble — but it’s also a recipe for potential tragedy in Iranian writer-director Saeed Roustaee’s novelistic, nearly-three-hour saga, his first to be selected for Cannes.Some audiences may recognize Roustaee from another turbulent family portrait, “Life and a Day” (2016), whereas it was his terrific cop thriller “Just 6.5” (2019) — the closest thing Iran has produced to “The French Connection,” still unreleased in the U.S.

Nick Vivarelli International CorrespondentDanish-Iranian director Ali Abbasi’s boundary-pushing serial killer thriller “Holy Spider has been acquired by U.S. sales and distribution company Utopia for North America.Based on a real Iranian crime case, “Holy Spider” – which made a major splash when it premiered in the Cannes competition on Sunday – is about a family man named Saeed (Mehdi Bajestani) who becomes a serial killer as he embarks on his own religious quest to “cleanse” the holy Iranian city of Mashhad of street prostitutes. Pic chronicles a killing spree in the streets of Mashhad, where 16 prostitutes were found dead from 2000 to 2001.  A local journalist, Rahimi (Zar Amir-Ebrahimi), is trying to crack the case as she grows frustrated by the police’s apathy toward finding the murderer.

The International Coalition For Filmmakers At Risk (ICFR) has demanded “an end to a growing environment of fear and insecurity” in Iran after two documentary creators were arrested then released on bail, preventing them from travelling or working.

A drastic departure from his prior films “Border” and “Shelley,” Ali Abbasi’s newest film, “Holy Spider,” draws inspiration from the 2000-2001 crimes and subsequent trial of Saeed Hanaei (played here by Mehdi Bajestani), a war veteran-turned-serial killer in the Iranian city of Mashhad who murdered 16 sex workers, claiming that he was cleansing the holy city of sinners and corruption in the name of Islam.

Forbes). “I know we are human beings and that we are very complicated, and the power of art is that it knows no color. Because human beings, when they sit and watch art they want to feel less alone.

“We didn’t do the movie to highlight women’s conditions in Iran, we didn’t do the movie to do activist work,” exclaimed Swedish-Iranian filmmaker Ali Abbasi about his latest in competition Cannes Film Festival title, Holy Spider at the pic’s press conference this morning.

EXCLUSIVE: Holy Spider, the Ali Abbasi-directed Iranian serial killer thriller, is nearing a deal for U.S. rights with Utopia, the U.S. sales and distribution firm owned by Robert Schwartzman and Cole Harper. The provocative Cannes Competition film premiered today on the Croisette to strong applause.

Ramin Setoodeh Executive Editor“Holy Spider,” a gritty drama about a real-life Iranian serial killer, stunned the Cannes Film Festival at its premiere on Sunday afternoon, earning a thunderous seven-minute standing ovation and bringing a jolt of electricity to what’s been a sleepy festival so far.The film, from Iranian-Danish director Ali Abbasi (“Border”), chronicles a killing spree in the streets of the religious city of Mashhad, where 16 prostitutes were found dead from 2000 to 2001.  A local journalist, Rahimi (Zar Amir-Ebrahimi), is trying to crack the case as she grows frustrated by the police’s apathy toward finding the murderer. But in one of many twists in this drama, the identity of the serial killer is revealed early on — he’s a war veteran named Saeed (Mehdi Bajestani), a seemingly normal family man who spends his nights picking up women on his motorcycle and brutally strangling them in his home as a religious cleansing ritual.

Jessica Kiang It is hard to watch the brutalization of women on screen, especially when you know it is a re-creation of an actual crime. But it is harder still — rightly, valuably so — if you’ve been made to notice the way this woman’s lipstick is smeared over her cracked lips, if you’ve seen the old bruises that mottle that woman’s body beneath her chador, or watched her carefully stash her flats in a crinkled plastic bag as she switches into heels in a dingy bathroom.

Annika Pham Half a dozen Sweden pics and co-prods are set to storm the Croisette, flagships of the solid public support system in place, and fully or partly shot in a foreign language. Headlining the slate are the completion entries “Triangle of Sadness” by former winner Ruben Östlund (“The Square”), shot in the English language, and the Arabic-speaking thriller “Boy From Heaven” by Tarik Saleh (“The Nile Hilton Incident”), set in Cairo.

Nick Vivarelli International CorrespondentThough Iran is in the throes of a deep economic crisis, battered by hard-line politics and a mismanaged pandemic, it’a shaping up to be a great year for Iranian cinema.Paradoxically, Iran’s cinematic landscape is bursting with powerful, fresh films likely to make an international splash just as talks between Tehran and world powers continue to be deadlocked on reviving the nuclear deal that could lift the country’s crippling sanctions that block exports.This filmmaking fervor is reflected in the fact that Iranian pics have scored two Cannes competition berths, plus one in the Cannes Critics’ Week, which marks Iran’s first presence in this section dedicated to first and second works in almost two decades.

John Hopewell Chief International CorrespondentBrazil’s Gullane, one of Brazil’s biggest production powerhouses, has attached Fernanda Montenegro, Oscar-nominated for “Central Station,” to star in “The Hanged,” the anticipated new film from “Narcos” director Fernando Coimbra.The news comes as Gullane unveiled in Cannes its first post-pandemic movie slate, led by two movies from director Cao Hamburger.For “The Hanged,” Montenegro joins real-life daughter Fernanda Torres in the film.Produced with Globo Filmes and Telecine, “The Hanged” is co-produced by Portugal’s Fado Filmes Paris Filmes distributes in Brazil.” ‘The Hanged’ has been long delayed due to the pandemic but we are very honored to have two of the biggest acting stars, part of recent Brazilian cinema history,” said producer Caio Gullane. Other pics on the Gullane slate include Hamburger’s “Paulo Freire: The Story of Revolution,” a drama about a successful adult literacy initiative launched by Freire in the humble city of Anglicos.

Leo Barraclough International Features EditorPicture Tree Intl. has acquired international sales on “A Whole Life,” which is based on the bestselling novel by Robert Seethaler, and was adapted for the screen by Ulrich Limmer, whose credits include Oscar nominee “Schtonk.”The film is directed by Hans Steinbichler, whose films include Berlin Film Festival entry “The Diary of Anne Frank,” and the third season of pay TV operator Sky’s TV series “Das Boot.” Austrian actor Stefan Gorski takes the lead role.“A Whole Life,” produced by Germany’s Tobis Film and Austria’s Epo-Film, is shooting now and is scheduled for release in the summer or fall next year.The film tells the story of Andreas Egger over eight decades of the last century, a life marked by poverty, war and violence, but also moments of bliss and love.

John Hopewell Chief International CorrespondentIn February, Carla Simon’s “Alcarràs” walked off with Spain’s first Berlin Golden Bear in nearly 40 years as Spain notched up its biggest main competition presence at the Berlinale since 1997.This May, Spain has four movies selected for Cannes – Albert Serra’s Competition entry “Pacifiction”; Rodrigo Sorogoyen’s “The Beasts,” in Premiere; Elena López Riera’s Directors’ Fortnight bow “The Water”; and José Luis López Linares’ “Goya, Carrière and the Ghost of Buñuel,” a Cannes Classics doc feature. That reps a Cannes presence roughly on par with recent standout years such as 2018 and 2019.With Netflix launching “Through My Window” in February, three of the streaming giant’s five most-watched non-English language movies are from Spain.