Donald Trump has taken a jab at the Oscars for awarding this year’s best picture honor to Parasite, because the film is South Korean. “How bad were the Academy Awards this year?” Trump asked a rally in Colorado Springs, Colorado.
05.02.2020 - 03:26 / hollywoodreporter.com
Fueled by the box office successes of Star Wars: The Rise of Skywalker and Frozen 2, each of which have exceeded $1 billion worldwide, Walt Disney's quarterly financial results beat the expectations of Wall Street on Tuesday, causing shares of the $262 billion entertainment conglomerate to rise slightly in after-hours trading.
The company reported that it earned $1.53 per share in the first fiscal quarter, while analysts expected it to post $1.43.
Revenue was $20.9 billion, while analysts
.Donald Trump has taken a jab at the Oscars for awarding this year’s best picture honor to Parasite, because the film is South Korean. “How bad were the Academy Awards this year?” Trump asked a rally in Colorado Springs, Colorado.
Oliver Stone will serve as jury president of the international competition at the inaugural Red Sea Film Festival, set to take place in the Saudi Arabian city of Jeddah next month.The Platoon and Wall Street director will oversee a jury that will be focused on "original, daring productions by emerging and established voices," the festival said, adding that there would be an emphasis on features from the Arab world and the "Global South," meaning emerging markets in Africa, Asia, Latin America
By Anthony D'Alessandro
The upcoming WWE WrestleMania 37 event just got all the more exciting. Seth Rollins has challenged WWE Hall of Famer Hulk Hogan to lock horns with him in the ring at the event which is scheduled to take place in California. On February 11, the wrestler took to twitter and called out Hogan for a match. “The greatest wrestling company in the world bringing the greatest event of the year to LA in 2021 #hollywoodrollins vs. #hollywoodhogan Book it, brother!” he wrote.
By Erik Pedersen
Landlocked by South Africa on all sides, the kingdom of Lesotho is a place of high skies, wide landscapes and narrow prospects for its two million inhabitants: a set of dimensions somehow captured in every exquisitely constructed, square-cut frame of “This Is Not a Burial, It’s a Resurrection.” A haunted, unsentimental paean to land and its physical containment of community and ancestry — all endangered by nominally progressive infrastructure — this arresting third feature from Lesotho-born
A man new to retirement believes his decision to get studio space in the Perth Creative Exchange is the key to unlocking his talent as a writer and illustrator.
Swedish model and actor Mini Andén and model Taber Schroeder sold a stylishly renovated, 1930s Cape Cod-style residence in a leafy and sought-after pocket of L.A.’s ever-more expensive Studio City late last year for $2.65 million and a plugged-in real estate insider swears the new owners are married actors Beth Behrs and Michael Gladis.
Sixty years. That’s how long a Louisiana judge sentenced Rob Richardson to serve for armed bank robbery. Garrett Bradley covers more than a third of that term in “Time,” and the cumulative impact — boiled down into an open-minded and deeply empathetic 81 minutes — will almost certainly rewire how Americans think about the prison-industrial complex.
Every summer, more than 1,000 teens swarm the Texas capitol building to attend Boys State, the annual American Legion-sponsored leadership conference where these incipient politicians divide into rival parties, the Nationalists and the Federalists, and attempt to build a mock government from the ground up.
If there's one thing that Jimmy Fallon has taught us over the years, it's that he's game for anything, even if that's trying to keep up with fitness icon John Cena in about five different sports. The 45-year-old Tonight Show host does just that in the 2020 Super Bowl commercial for Michelob Ultra.
Those nostalgic for the fond portraits of eccentric Americana in Errol Morris’ early work — and pretty much everyone else — will be delighted by “Some Kind of Heaven.” Lance Oppenheim’s first feature is a peek at life in The Villages, an increasingly vast Central Florida retirement community where those who can afford it spend their twilight years “being on vacation every day.”
It took four movies before Lee Isaac Chung was ready to tell the kind of story first-timers so often rush to share straight out of the gate. Not a coming-of-age movie so much as a deeply personal and lovingly poetic rendering of his Korean American childhood — specifically, how it felt for his immigrant family to adjust to life in small-town Arkansas — “Minari” benefits from the maturity and perspective Chung brings to the project.