Film Review: ‘The Night House’ Starring Rebecca Hall

After so much bad news over the past – oh, it’s been awhile – many viewers might be in the mood for entertainment that’s a little sweeter, gentler and kinder. Enter the adorable and effortlessly charming Marcel the Shell (Jenny Slate), a one-eyed, child-like anthropomorphic shell living in an Airbnb with his grandmother, Connie (Isabella Rossellini).

A pop-culture pastiche artist, filmmaker Ana Lily Amirpour has anchored her now three-strong filmography less around a shared a visual aesthetic or thematic concern than around a very singular vibe: It’s as if the girl walked home alone one night, music in her ear buds, perspective chemically altered, imagination running wild and decided, in that moment, to spend the rest of her career exploring it in film. Which is a noble project, don’t get me wrong, especially given the ways Amirpour takes

has happened – would be some kind of spoiler. But it would be a stretch to tell you to relax, that all will be revealed, because it won’t, not everything.

th anniversary concert. The day before that show, a friendly publicist snuck me into Madison Square Garden, where we sat at the back of the hall to be as inconspicuous as possible.But in that setting, casual but focused as they rehearsed for the concert, they were spectacular.

Dansette record player as hand luggage. But her eccentric, old-fashioned ways mean student halls are too bitchy for her, and she eventually takes lodgings in a dingy room just north of Soho, at the top of a creaky house run by mysterious landlady Mrs.

th birthday, pharmaceutical magnate/billionaire Humberto Suarez (José Luis Gómez) wants to secure his legacy and his name for perpetuity. Maybe he’ll finance a brilliant art film, or maybe he’ll build a bridge.

It comes as no surprise that for her feature directorial debut Maggie Gyllenhaal would choose the challenging job of adapting Italian author Elena Ferrante’s searingly compact novel The Lost Daughter which just made its World Premiere at the Venice Film Festival and next heads to Telluride this weekend.

not available, at least not yet) would be like driving a speedboat in a bathtub, and that’s because the world of “Dune” is huge: Caladan, the Atreides’ home planet, is wild and magnificent, while Arrakis is even wilder and more forbidding.

Self-billed as “a fable from a true tragedy”, Pablo Larrain’s “Spencer,” which had its World Premiere at the Venice Film Festival on Friday, hones in on the unravelling of Diana, Princess of Wales over three bitter days of Christmas in the Queen’s country house at Sandringham.

In movies as disparate and vividly imagined as Il Divo, Loro, the Oscar winning The Great Beauty, as well as English language efforts like This Must Be The Place, Youth, and his TV miniseries The Young Pope and The New Pope  Paolo Sorrentino has always seemed to be a director with a large brush and even more of a Fellini influence in some cases.

Rebecca Rubin Film and Media ReporterNetflix has announced release dates for its entire fall and winter film slate, a list of buzzy films that includes “Don’t Look Up,” a dark comedy starring Jennifer Lawrence and Leonardo DiCaprio and directed by Adam McKay; Jane Campion’s drama “The Power of the Dog” with Benedict Cumberbatch, Kirsten Dunst and Jesse Plemons; and Rebecca Hall’s directorial debut “Passing.”Those titles, along with Idris Elba’s Western “The Harder They Fall”; “The Starling,

This story on David Bruckner’s “The Night House” was first published in January 2020 after the film’s premiere at the Sundance Film Festival. Director David Bruckner, who first broke out at Sundance with 2007’s “The Signal,” dropped by TheWrap studio at Sundance to discuss the obstacles he faced on his second solo-directed feature film, the psychological horror thriller “The Night House” starring Rebecca Hall.