‘Father Soldier Son’ on Netflix: Film Review

Leslye Davis, the filmmaker behind recent Netflix documentary Father Solider Son,has signed with UTA in all areas. The Brooklyn-based Davis co-directed, co-produced and served as cinematographer on the doc, her first feature film, which follows one military family over the course of 10 years, becoming an intergenerational exploration of values and American manhood in the aftermath of war.

Also Read: 'An American Pickle': Seth Rogen Falls Into a Vat of Pickles and Meets His Own Great-Grandson in HBO Max Trailer (Video)It opens in 1919, in black and white and in the fictional Eastern European country of Schlupsk, where Herschel Greenbaum is a ditch digger whose shovel keeps breaking and whose wildest dream is to one day be able to afford seltzer water.

Brent Lang Executive Editor of Film and MediaBradley Cooper is poised to team up with Paul Thomas Anderson, a meeting of the mega-talents that should please film lovers.The “American Sniper” star is in talks to appear in Anderson’s next, deeply secretive venture, which is being described as a coming-of-age story set in 1970s San Fernando Valley.

Owen Gleiberman Chief Film Critic“An American Pickle” is a comedy that connects you to something so old world that it seems, at times, to be an artifact of prehistory.

An entry into the "visual album" format stuffed with so much visual stimulation you want to stare at clouds after watching it, Beyoncé's Black Is King is a sometimes thrilling showcase for African artists whose work fuses brilliantly with that of Americans who have roots on the continent.

William Earl administratorIn one extended sequence of the 2017 documentary “Angry, White, and American,” Black British journalist Gary Younge faces off with alt-right leader Richard Spencer, who, at one point, says, “Look at the life of any African American living in the United States. It’s far better than any African living in Africa.”Translation: Slavery was good.

There's a fascinating juxtaposition in Shalini Kantayya's cautionary documentary Coded Bias. The engaging principal guide in this journey through our 21st century algorithmic hellscape is Joy Buolamwini, a young African American MIT Media Lab researcher who discovered that most facial recognition software is wildly inaccurate when it comes to darker-skinned faces and those of women.

Bruce Haring, Tom Tapp UPDATE: The Los Angeles Dodgers and San Francisco Giants joined an earlier demonstration by their major league brothers honoring Black Lives Matter in a pregame ceremony.As at the earlier Yankees/Nationals game, opening day at Dodger Stadium saw the playing of a video from The Players Alliance, a group of African American players, calling for racial justice.The Dodgers coaching staff and the entire San Francisco Giants squad wore T-shirts with “Black Lives Matter” written

At a moment when Americans and their institutions are acknowledging the consequences of long-held racist assumptions and policies, Khadifa Wong's Uprooted couldn't be more timely.

Jazz Tangcay Artisans EditorTo get to the center of the story of documentary “Father Soldier Son,” about a single dad raising two boys while fighting in Afghanistan, editor Amy Foote locked herself in a bubble for two months poring over 10 years of footage.Journalists-turned-filmmakers Catrin Einhorn and Leslye Davis make their feature debut with the doc, now streaming on Netflix.

In 2009, President Barack Obama deployed 30,000 troops to Afghanistan in what would later be dubbed “the longest war.” The men who sacrificed their lives provide the title for the documentary, “Father, Soldier, Son,” which questions whether leaving one’s family for months or years (or forever) is worth it? Directors Leslye Davis and Catrin Einhorn draw from one man’s journey—and, more importantly, interviews with his family—to explain the toll war can take on a military household.

Jessica Kiang “I’ve never been to Lebanon,” Lebanese-American high-schooler Marjoun (Veracity Butcher) tells us in voiceover. “Just here: Arkansas.” There’s the slightest uninflected irony in her delivery of that last word, suggesting that her story will archly observe the conundrum of many a second-generation immigrant: belonging to a place that often fails to recognize you as one of its own.

If you're old enough to remember a time when Nazis were scary enough all by themselves, you may be a bit flummoxed by Ghosts of War. Combining war and horror movie tropes in an awkward manner more silly than scary, this belated sophomore feature from writer/director Eric Bress (2004's The Butterfly Effect) makes you long for the days when American G.I.s didn't have to fight supernatural beings as well as German soldiers.

An early scene in Father Soldier Son shows the tearful reunion between a U.S. soldier on leave from serving in Afghanistan and his two young sons.

Also Read: 'The Outpost' Film Review: War Is Hell in Immersive Combat MovieEinhorn and Davis are sympathetic to Eisch, but the object isn’t to get us to root for him the way many moviegoers rooted for Kyle; the filmmakers just want us to understand where he comes from, where his family is going and what that says about the state of American manhood, particularly in the heartland.What is says is sobering and at times disturbing, which gives the film a quiet power even if it’s at times

Identifying Features, from first-time director Fernanda Valadez, is like water in the desert for the mostly myopic genre of "la frontera" action films that depict the migration crisis at the southern border of the United States. Shot on location in rural Guanajuato, Mexico, this poignant film (which scooped two awards in the World Cinema Dramatic Competition at this year's Sundance fest and will be distributed in the U.S.

For a debut feature, writer-director Charlène Favier’s powerful coming-of-age sports drama Slalom couldn't come at a more timely moment.

Stateless (now streaming) that I just can't get out of my head. It's said by Ameer (Fayssal Bazzi), an Afghani refugee seeking Australian protection visas for both himself and his young daughter, Mina (Soraya Heidari).

The timing couldn't be more fortuitous for the release of Mary Mazzio's uplifting documentary about the nation's first African American high school rowing team, which feels almost like a tonic for these troubled times. Narrated by Common and including NBA greats Grant Hill and Dwyane Wade among its executive producers, A Most Beautiful Thing, scheduled to open in theaters, powerfully demonstrates the healing potential of sports and the ways it can help bridge societal divides.

Where did the universe, humanity, our planet and chocolate ice cream come from? They were all created by a giant, all-powerful being made of spaghetti, with two googly-eyes on raised stalks and a pair of meatballs where cheeks would bulge. This is the Flying Spaghetti Monster (FSM), and if there were any justice in the world, His story would stand as good a chance of being taught as fact in American schools as the anti-evolution narrative called Intelligent Design.