Summer’s tentpole rumble continues this weekend with Paramount’s seventh Transformers movie, Transformers: Rise of the Beasts, which is heat-seeking $155 million at the worldwide box office for its opening frame, $100M of that offshore.
21.05.2023 - 15:07 / thewrap.com
Universal’s “Fast X” is not bringing in the box office riches that past “Fast & Furious” films used to in North America with a $67 million domestic opening, but it is still finding great success internationally with a $253 million overseas launch to earn $319 million worldwide. In the U.S., “Fast X” isn’t showing signs that it will top the $173 million final total of its predecessor “F9,” a film that came out during the early stages of box office rebuilding in summer 2021.
Its $67.5 million opening is below the $70 million launch of “F9” and the film has received a B+ on CinemaScore and 82% positive score on Rotten Tomatoes. With only one weekend of premium format play, that good-but-not-excellent audience reception may not be enough to give the film legs to reach $200 million domestically.But “Fast & Furious” historically has been a franchise that has earned its tentpole status thanks to strong play throughout the world, and “Fast X” is demonstrating that again as its worldwide opening is topping that of “Guardians of the Galaxy Vol.
3” and stands sixth among all films in the post-shutdown era. “Fast X” will need to keep legging out internationally against tough upcoming competition like “The Little Mermaid” and “The Flash” to turn a theatrical profit against its franchise-high $340 million budget.
Summer’s tentpole rumble continues this weekend with Paramount’s seventh Transformers movie, Transformers: Rise of the Beasts, which is heat-seeking $155 million at the worldwide box office for its opening frame, $100M of that offshore.
Rebecca Rubin Film and Media Reporter “Transformers: Rise of the Beasts” is readying to turbocharge the box office, targeting $50 million to $60 million in its opening weekend. There’s a chance that inaugural ticket sales could climb higher as the Paramount Pictures film touches down on Friday in 3,700 North American theaters. But the latest Autobot adventure is expected to face headwinds from last weekend’s champion, Sony’s “Spider-Man: Across the Spider-Verse.” The animated comic book sequel launched to $120 million and looks to add $45 million to $55 million in its second weekend of release. That’s close to double what the original, 2019’s “Into the Spider-Verse,” earned in its debut. Yep, Spidey’s still got it.
Brent Lang Executive Editor How high can “Spider-Man: Across the Spider-Verse” climb? The sequel to 2018’s Oscar-winning “Spider-Man: Into the Spider-Verse” is getting a lift from good buzz and residual fondness for its predecessor, one of the inaugural cinematic forays into all things multiverse. And while reviews are still embargoed, critics flipped for the first one, so assuming the follow-up sticks the landing, the notices could propel “Across the Spider-Verse” ever higher. But it’s a crowded marketplace and five years has passed since audiences were first introduced to Miles Morales and a wide web of Spider-People. Plus, there’s been an ever expanding array of superhero films and streaming shows to turn to, increasing the competition for moviegoers who like their heroes costumed and masked.
Disney’s live action movies are huge money makers!
Brent Lang Executive Editor Family audiences turned out in force, propelling Disney’s “The Little Mermaid” to the top of the box office over the Memorial Day weekend. The film, a live-action remake of the 1988 animated favorite, earned a splashy $117.5 million over the four-day holiday. It ranks as the fifth largest Memorial Day debut — last year’s “Top Gun: Maverick” set a new record for the holiday with its $160.5 million launch. At one point over the weekend, it looked as if “The Little Mermaid” might even open north of $120 million, but ticket sales flagged slightly. For Disney, the film’s popularity is a testament to its strategy of digging deep into its vaults and rebooting animated titles as live action movies, something it has done successfully with the likes of “Aladdin,” “Beauty and the Beast” and “The Lion King.” Waiting out on the horizon: Ahmir “Questlove” Thompson, the Oscar-winning director of “Summer of Soul,” is helming a remake of “The Aristocats” for Disney.
Patrick Frater Asia Bureau Chief “Fast X” predictably won a second weekend on top of the mainland China box office, driving its total past the $100 million mark. But the disappointing start for Disney’s live-action “The Little Mermaid” was the bigger talking point. “Fast X” earned $17.6 million in China according to data from consultancy Artisan Gateway. That was a 66% drop compared with its opening weekend, but still gave the film a $110 million cumulative after 12 days and has caused estimates to be further revised upwards. Ticketing agency Maoyan is now forecasting that the film will finish with RMB880 million ($126 million), having previously predicted RMB728 million ($104 million), and then RMB840 million.
Patrick Frater Asia Bureau Chief South Korean box office held strong over the weekend, with “Fast X” enjoying a second lap at the head of the field, followed by a growing chasing pack. “Fast X” earned $3.12 million between Friday and Sunday in Korea, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). That was a 38% decline compared with its opening weekend, but pumped the film’s total to a speedy $11.4 million after 12 days. Three other titles jostled for position ahead of Monday’s Buddha’s Birthday public holiday and delivered multi-million-dollar performances.
“Fast X” is doing blockbuster business at the box office, not just in North America but worldwide.
Refresh for latest…: Apart from big new opener The Little Mermaid, which we detailed here, this weekend was notable for propelling Universal’s Fast X past the $500M mark globally, and Disney/Marvel’s Guardians of the Galaxy Vol. 3 to over $730M worldwide.
Rotten Tomatoes. Those are the scores this remake will need to keep legging out against a crowded June slate that starts next weekend with “Spider-Man: Across the Spider-Verse.” But here comes the bad news: “The Little Mermaid” has posted an international opening of just $68 million from 51 markets.
“Elemental” are not looking good, as the original title about a city full of fire, water, plant and air beings is tracking for one of the worst opening weekends in Pixar history. Currently, “Elemental” is projected for an opening weekend of around $40 million.
Naman Ramachandran Universal’s “Fast X” debuted atop the U.K. and Ireland box office with £5.8 million ($7.3 million), according to numbers released by Comscore. In second place, Disney’s “Guardians Of The Galaxy Vol. 3” continued its strong run in the territory, adding £2.8 million in its third weekend for a total of £28.9 million. In its seventh weekend, Universal’s “The Super Mario Bros. Movie” earned £544,283 in third position for a total of £51.8 million. Lionsgate’s “Are You There God? It’s Me, Margaret” debuted in fourth place with £327,197. Rounding off the top five was another debut, Sony’s “Beau Is Afraid,” with £231,370. The other debut in the top 10 was Trafalgar Releasing’s “Don Giovanni – Met Opera 2023,” which bowed in ninth position with £99,842.
Patrick Frater Asia Bureau Chief “Fast & Furious 10” (aka “Fast X”) dominated the mainland China box office with a strong opening weekend and a revved up opening five days. Data from consultancy firm Artisan Gateway shows Fast X scored $51.1 million between Friday and Sunday, to comfortably top the Chinese box office, with a 58% market share. Unusually, the film opened on a Wednesday. Over five days, it accumulated $77.4 million.Imax reported that the film pulled in $8.4 million from China, accounting for 11 of the China market opening, from fewer than 1% of the screens in the market. The figures reflect the five-day score, not the conventional weekend.
Patrick Frater Asia Bureau Chief “Fast & Furious 10” (aka “Fast X”) drove off with the top prize at the South Korean box office on its opening weekend. It earned $4.99 million between Friday and Saturday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). And over its full five-day run, from a Wednesday opening, it earned $6.76 million. Kobis showed the film claiming a 48% market share. The speedy start for “Fast X” was enough to depose “Guardians of the Galaxy 3,” which had ridden atop the Korean chart for the two previous weekends. In its third weekend on release “GOTG 3” earned $3.04 million, a 48% week-on-week decline, giving it a cumulative of $26.9 million after 19 days on release in Korea. That is the fourth highest total for any film that has played in Korean cinemas this year.
Fast X is racing to the top!
Rebecca Rubin Film and Media Reporter “Fast X,” the 10th installment in Universal’s high-octane franchise, powered to $320 million worldwide, including an uninspired $67.5 million in its domestic debut. It secured the second-biggest global opening weekend of the year following another Universal title, “The Super Mario Bros. Movie” ($377 million). Even though “Fast X” arrived on the higher end of projections, the action-adventure saga has been experiencing diminishing returns in North America. In terms of opening weekend ticket sales, the 10th chapter landed behind the latest entry, 2021’s “F9: The Fast Saga,” which kicked off to $70 million. And that was at a time when COVID era restrictions meant only 80% of theaters were open and attendance hadn’t yet rebounded. Pre-pandemic “Fast” installments were far bigger in their starts, including 2017’s “The Fate of the Furious” ($98 million debut), 2015’s “Furious 7” (a series-high $148 million debut) and 2013’s “Fast and Furious 6” ($97 million debut).
according to IMDB’s Box Office Mojo.The Vin Diesel-led action flick, which The Post called “another idiotic” member of the longstanding movie series, is projected to enjoy a $67.25 million debut weekend, according to Variety.At this year’s CinemaCon, Diesel announced there will be another addition, “Fast 11” whichwill arrive in 2025, according to the Hollywood Reporter.It is the longest movie franchise in history, in regards to the same cast portraying the same characters.“Fast X” managed to speedily dethrone “Guardians of the Galaxy Vol. 3,” which took home just over $8.37 million.The Marvel superhero movie had spent two weeks in the No.
The opening weekend box office results for Universal’s “Fast X” are mixed as the latest “Fast & Furious” film is performing like a franchise in decline in the U.S. but is still grossing quite well overseas.
Ellise Shafer “Fast X,” the latest installment in the “Fast and Furious” franchise, is speeding to a projected $67.25 million debut at the domestic box office this weekend. The street racing movie earned $28 million on Friday from 4,046 theaters, and is expected to gross another $22.43 million on Saturday and $16.82 million on Sunday. This will be enough to knock Disney and Marvel’s “Guardians of the Galaxy Vol. 3” out of the top spot, as the superhero tale is expected to pull in $32.89 million in its third weekend of release, bringing its North American total to over $267 million. On Thursday, “Fast X” raked in $7.5 million in previews, putting it on track to earn more than $60 million in its first weekend of release. That puts the tenth chapter in the “Fast” saga at No. 7 in terms of highest box office debuts, between 2021’s “F9: The Fast Saga” ($70 million) and 2019’s “Hobbs and Shaw” ($60 million). Globally, “Fast X” is looking to bring in $220 million overseas in its opening weekend. The movie cost Universal $340 million to produce and another $100 million to promote, so “Fast X” will need Fast Family members from around the world to speed to theaters in order to turn a profit.
“Fast X” began its domestic box office sprint on Thursday with $7.5 million. That’s slightly above the $7.1 million earned by “F9” in June of 2021 during its Thursday previews.