‘Fantastic Beasts’ & ‘Sonic’ Top $300M Global; ‘Downton Abbey: A New Era’ Sets Table Overseas On Calm Before The ‘Strange’ Weekend – International Box Office

“Downton Abbey: A New Era” which takes place in 1928 – nearly two decades after the series first began.Given the popularity of the show and now film franchise, many may be wondering what kinds of viewing options are available for “Downton Abbey 2” and when or if it might be streaming. Everything you need to know about the new film is outlined below.The sequel opened exclusively in theaters in the United States on May 20, courtesy of Focus Features.

“Downton Abbey: A New Era,” the follow-up to the 2019 feature film and the latest in the story of the aristocratic Crawley family established in the hit series, earned $1.05 million in its Thursday box office previews from 3,300 screens. “A New Era” opens on 3,815 screens this weekend, which is the widest opening for a Focus Features film in the specialty distributor’s history.

Highly anticipated Downton Abbey: A New Era made $1.050 million in Thursday previews that began at 7 p.m. at more than 3,800 theaters. It is Focus Features’ widest ever U.S. release and one that comes with a weight of responsibility as the film to finally catapult older demos back into theaters. Focus Features distribution chief Lisa Bunnell recently promised cinema owners it would. “We have our own superheroes,” she said at CinemaCon.

 reunites the beloved sprawling ensemble cast that make up the extended Crawley family and their many household staff members, there is one performer notably absent from the new film. Matthew Goode, who joined the franchise as Henry Talbot in season 5 and later wed Lady Mary (Michelle Dockery), sadly is nowhere to be seen onscreen despite previously returning for the franchise’s first film.Goode's absence, however, doesn’t come as a total surprise given that he has not appeared in any of the trailers or images leading up to ’s theatrical debut.

Downton Abbey: A New Era,” that doesn’t mean Doyle thinks it’s possible for many in the UK, even now.“I mean, people like to think in Britain that it’s, you know, society’s changed a lot,” the Lincolnshire-born actor said. “But I’m a little bit more skeptical.

exciting and neeeeew than that old show.There are two concurrent plots here, both of which play like rudimentary fan fiction. The Dowager Countess (Maggie Smith), who’s in poor health, is shocked when she learns she’s inherited a villa in the south of France from a summer fling decades earlier.

Elizabeth McGovern confesses she thought showbiz was a breeze.The actress, 60, made her feature film debut in the 1980 hit film “Ordinary People” starring Donald Sutherland and Timothy Hutton, directed by Robert Redford.“I didn’t have anything to compare it to, so my feeling was like, ‘God, show business is easy, isn’t it?” she chuckled in a recent interview with The Post. “Little did I know! Then I had to sort of stick with it for however many years, which we won’t say.

Antonio Ferme editorThe Crawley’s are back — but with a twist.“Downton Abbey,” the hit British TV series that ran for six seasons on PBS, is making its way onto the big screen for a second time. Rather than spawning a seventh season, writer and creator Julian Fellowes explained why he decided to transform the series into a film franchise.“I think the cast particularly had enough of working from February to November, whereas a film is eight weeks out of their lives every two and a half years,” Fellowes told Variety on Sunday at the New York premiere at the Metropolitan Opera House.He continued, “It’s a different commitment.

Downton Abbey: A New Era released in cinemas last week to praise from fans and critics, with the ending leaving some viewers particularly devastated. The film sees Dame Maggie Smith, Michelle Dockery, Hugh Bonneville and Elizabeth McGovern reprise their roles, as the Crawleys attempt to solve the mystery of why the Dowager Countess (Smith) has suddenly inherited a French villa.

Sister, the independent studio founded by Elisabeth Murdoch, Stacey Snider and Jane Featherstone, has entered into a first look deal with Wychwood Media, a new production company from Lewis Taylor and “Harry Potter” and “Fantastic Beasts” director David Yates.Under the pact, Yates and Taylor will develop and produce both scripted and unscripted film, television, and documentary content for Sister for both its U.S. and UK offices.

EXCLUSIVE: When Downton Abbey first burst on the scene in 2010, the Julian Fellowes-created series quickly drew audiences and made headlines for its unique spin on the traditional British period drama. This was not your grandmother’s upstairs/downstairs look at the upper crust, rather its take on the aristocracy gave contemporary audiences characters and storylines they could relate to with strong women, quotable dialogue and tons of heart.

Downton Abbey has been in production on-and-off for the better part of a decade, it can sometimes be difficult to divorce the show's characters from the real life actors who play them— especially where personal style is concerned.However, at the premiere of Downton Abbey: A New Era, the women of Downton had the chance to showcase their own taste—and they didn't miss.Laura Carmichael, who plays Lady Edith in the series, arrived at the premiere in London on April 25 in a pink Giambattista Valli mini that might be best described as a reverse mullet dress: Party in the front, business in the back. Stylist gave the actor a blowout, while makeup artist gave her a subtle glow. Carmichael's on-screen sister, , went in a more modest direction, arriving in a cape dress from Valentino featuring a shower of silver beading from shoulders to ankles.

Downton Abbey: A New Era at Leicester Square's Cineworld on Monday evening. The actress, 54, who reprised her role of Phyllis Baxter for the film, stunned in a black gown with white panelling down the sides. The gown featured a plunging v-neckline with bow tying shoulder details, with a figure hugging waist before falling into a wide hem.

“Hollywood is the ultimate dream factory … and I need dreams as much as the next man,” says Mr Molesley (Kevin Doyle) in Downton Abbey: A New Era. It’s a line that sums up the mission of the TV series’ second cinematic outing: to continue the “dream factory” tradition. And so the wishes of many a familiar character are granted over the course of two hours — along with plenty of drama.

Downton Abbey stunned on the red carpet as they attended the A New Era film premiere in London on Monday evening. Laura Carmichael, Michelle Dockery and Joanne Froggatt looked every inch the leading ladies as they joined the cast for the Downton Abbey: A New Era screening, which fans have been eagerly awaiting since the 2019 film.

Peter Debruge Chief Film Critic“Downton Abbey: A New Era” is bookended by a wedding and a funeral. In between, a good deal happens: Babies are born and paternities questioned, long-simmering romances clinched and fresh ones set to bloom; an excursion takes a fraction of the family to France while a film crew keeps the rest of them busy back home.

The ladies of Downton Abbey – Michelle Dockery, Laura Carmichael and Elizabeth McGovern – gather up for a gorgeous group photo at the premiere of Downton Abbey: A New Era held at Cineworld Leicester Square on Monday (April 25) in London, England.

Elsa Keslassy International CorrespondentGerman actor Oliver Masucci and French star Fanny Ardant have joined the cast of Roman Polanski’s new movie “The Palace,” which will surely be a subject of controversy at the Cannes Film Festival where distribution rights are being sold.The ensemble drama, which had already cast Mickey Rourke, will be headlined by Masucci, the German actor who appeared in “Fantastic Beasts: The Secrets of Dumbledore” and the Netflix series “Dark,” and Ardant, the esteemed French star of “La Belle Epoque” and “8 Women.” Budgeted at €13 million ($13.9 million), the movie is currently shooting on location in Gstaad, Switzerland, and is being sold by Wild Bunch International, the powerhouse behind several movies competing at Cannes, notably Arnaud Desplechin’s “Brother and Sister,” Claire Denis’s “Stars at Noon” and the opening night film “Final Cut” from Michel Hazanavicius. The key crew includes Oscar-winning music composer Alexandre Desplat, along with Polanski’s regular cinematographer Pawel Edelman, who previously worked with Polanski on “An Officer and a Spy,” “The Pianist,” “Oliver Twist” and “The Ghost Writer,” as well as set designer Monica Sironi (“Volare”).“The Palace” is produced by Luca Barbareschi at Eliseo Entertainment company, and co-produced by CAB Productions in Switzerland and Lucky Bob in Poland.Penned by Polanski and Jerzy Skolimowski, the movie takes place at a palace in Gstaad on New Year’s Eve in 1999.