Emma Raducanu: 'The target will be off my back now'

Queen Elizabeth II's favourite pony Emma stood alone on the side of the Long Walk as she bid her final farewell on Monday, 19 September. Her late Majesty's coffin made its way from Westminster Abbey to Windsor Castle in a procession, which saw King Charles III, 73, lead the Royal Family behind.

women—including Emma Watson, 32—swore by: When in doubt, add a black blazer. This was true for all occasions, from nights out (yep, some of us wore blazers to the club, or in my case, frat parties), to the office, to brunch with the girlies at the dawn of the Avocado Toast Era (ATE). The reflex to reach for that trusty blazer, it seems, never really dies.

Emma Watson looks gorgeous in a sheer gown for her latest red carpet appearance!

Emma Watson had her BFF by her side while hosting a dinner during New York Fashion Week!

NewFest said Thursday that HBO’s upcoming Mama’s Boy, the documentary about the life of Oscar-winning Milk screenwriter Dustin Lance Black, will be the opening-night film for the New York LGBTQ+ Film Festival. The fest, which also announced its full lineup, kicks off its 34th edition October 13.

EJ Panaligan editor NewFest, a New York-based LGBTQ+ film festival, has announced the full lineup for its 34th iteration. The 2022 edition will run from Oct. 13 to Oct. 25. With world, North American, U.S. and New York premieres for more than 130 films from 23 countries, the festival will be headlined by the world premiere of HBO documentary “Mama’s Boy” from Laurent Bouzereau as the opening night screening. Additionally, the festival will hold an advance screening for the Season 2 premiere of popular HBO series “The White Lotus.” Other high-profile screenings through the festival’s run include Michael Grandage’s love triangle film “My Policeman,” starring Harry Styles and Emma Corrin, and the stop-motion horror comedy “Wendell & Wild,” from writer-director Henry Selick. Jordan Peele co-writes, while also featuring in a lead voice role. Keegan-Michael Key inhabits the film’s other lead voice role, marking a “Key & Peele” reunion on the animated stage between the two longtime collaborators.

Elsa Keslassy International Correspondent Franco-Swiss director and New Wave linchpin Jean-Luc Godard, who revolutionized world cinema with his ground-breaking debut, “Breathless,” and never stopped pushing the envelope of his creativity, has died. He was 91. The news was first reported in Liberation.

plays a gay British cop named Tom during the 1950s, and his secret lover Patrick (David Dawson) is a museum curator and artist. When Tom’s girlfriend Marion (Emma Corrin of “The Crown”) notices a drawing of Tom by Patrick on the wall, she expresses her shock that her so-so beau was the chosen subject.Tom shoots back: “Patrick says ordinary people are the best faces to draw!”The Toronto International Film Festival crowd at the Princess of Wales Theatre roared with laughter at the line, knowing full well that Styles, who was in attendance, has graced covers of Vogue, GQ and Rolling Stone and regularly has headlines written about him such as “Harry Styles Is ‘Uncomfortable’ as a Sex Symbol.”This summer, Styles has been everywhere.

Dixie D’Amelio is showing us all she doesn’t need long hair to slay!

EXCLUSIVE: For the first time since launching eventual Best Picture Oscar winner Green Book five years ago, writer/director Peter Farrelly returns to the Toronto Film Festival with another drama built around an obscure and difficult to be believed but fact-based road trip set in the turbulent ‘60s.

Rebecca Rubin Film and Media Reporter Bess Wohl doesn’t want to compare the process of crafting a film to birthing a child, but the connection is almost too easy given the subject matter of her directorial debut. Her movie “Baby Ruby,” an unsettling psychological thriller that premieres on Friday at the Toronto Intl. Film Festival, offers the kind of rare, unvarnished look at the good, bad and deeply disturbing aspects of motherhood. The story follows Jo, a lifestyle influencer whose reality begins to unravel as she and her husband bring their newborn home from the hospital. “There are strange parallels,” the filmmaker says over iced coffee and pain au chocolat (which goes tragically uneaten) at a cafe near New York City’s Bryant Park. “Not to overwork a metaphor, but it’s putting something into the world that’s going to have a life without you.”

Jeremy Strong found his New Yorker profile to be a "pretty profound betrayal of trust". The 43-year-old actor discussed the lengths he goes to with his intense approach to his job in an interview last year and he admitted he felt "foolish" when the piece sparked scrutiny around the world. Asked how he felt about it, he told Vanity Fair magazine: "What do I say about it? It was something that, for me, felt like a pretty profound betrayal of trust.

Jeremy Strong has finally broken his silence on that infamous 2021 New Yorker profile. In a new interview with Vanity Fair from the Telluride Film Festival, where Strong is promoting his role in director James Gray’s “Armaggedon Time,” the “Succession” star didn’t hold back when discussing his feelings on the newsmaking profile, telling VF it amounted to a “pretty profound betrayal of trust” on the part of the publication and the article’s writer, Michael Schulman.

John Boyega would be '"very surprised" to see a black James Bond. The 30-year-old actor was asked if he would ever consider taking on the role of the 007 spy in the legendary movie franchise - which has so far only been played by white men such as the late Sir Sean Connery and Sir Roger Moore as well as Daniel Craig throughout its 60-year history - but "doesn't believe" that producers will ever cast a black man in the part. Speaking on the 'Happy Sad Confused' podcast, he told host Josh Horowitz: "I’m sorry but I’m black – I don’t know how.

Jeremy Strong has finally broken his silence on that infamous 2021 New Yorker profile. In a new interview with Vanity Fair from the Telluride Film Festival, where Strong is promoting his role in director James Gray‘s “Armaggedon Time,” the “Succession” star didn’t hold back when discussing his feelings on the newsmaking profile, telling VF it amounted to a “pretty profound betrayal of trust” on the part of the publication and the article’s writer, Michael Schulman.

From the moment it was published in 1928, D.H. Lawrence’s steamy romance of a commoner and artistocratic wife has met with outrage and enduring popularity. It was so scandalous an unexpurgated version never appeared until an obscenity trial in Britain in 1960 was won by the publisher of the uncut version, leading to 3 million more in sales, not to mention the several film and tv versions that have been tried throughout the years including a 1955 film that itself was subject to cries for censorship. Now French actress and filmmaker Laure deClermont-Tonnerre has given it a new whirl in an uninhibited and sexy, but quite respectable, version starring Emma Corrin (The Crown) as Connie who marries happily into England’s upper crust only to have a raging affair with her husband’s new gameskeeper, Oliver Mellors played by Jack O’Connell. This thing , without the right and convincing chemistry between the two lovers, both married to others, could fall flat as a souffle. Fortunately these are two exceptionally talented actors who pull it all off – in more ways than one.